Not exact matches
The sculpturesʼ stripe scheme not only invokes familiar patterns
of the
popular imagination, such as those on Barack Obamaʼs ties or 1970ʼs Hang Ten shirts, but also the headily disorienting reaction often experienced when facing the canvases
of artists such as Bridget Riley or Kenneth Noland.
The nebulous notion
of ephemeral storage for digital information captures the
imagination of many contemporary
artists, and it has also been a
popular art subject throughout the ages that can now be marketed as if imbued with a new meaning, with Diane Arbus» 1960 photograph Clouds on - screen at a drive - in movie, N.J., offered by Fraenkel Gallery, being just one example.
The
artist —
popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker
of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits
of ordinary sitters turn out to be fabrications drawn from her own
imagination.
The
popular inaugural show, Coney Island: Visions
of an American Dreamland, 1861 — 2008, is the first exhibition to look at the site not only as a strip
of sand in Brooklyn but also as a seminal place in the American
imagination — a muse for
artists for more than one hundred and fifty years.
The Vienna
of the past looms large in the
popular imagination, with the Hollywood film Woman in Gold bringing Gustav Klimt's portrait
of Adele Bloch - Bauer to the big screen and high auction estimates for another painting by the
artist, Portrait
of Gertrud Loew, making headlines in advance
of a Sotheby's sale.
The exhibition reflects and addresses the pivotal role
of the studio in
artists» practice while alluding to its enduring status in the
popular imagination.
The exhibition will be curated by the
artist himself and will delve into the subjects
of imagination and iconography in contemporary
popular culture.
The only thing missing here is Claes Oldenburg's fabulous «Mouse Museum,» a walk - in room in the shape
of Mickey's head that is in fact a portrait
of the Pop
artist's fertile
imagination and his omnivorous interest in
popular culture.