It encompassed history painting and various types of genre painting, as well as landscape painting, and of course
portrait art of all kinds.
Not exact matches
px3 2015 - 1st Place Fine
Art Life Framer 2015 - 1st Place RangeFinder Best Friends 2015 - 1st Place ND Award 2014 - 1st Place Fine
Art International Photography Awards 2014 - 1st Place Fine
Art /
Portrait Sony World Photography Awards 2014 - 1st Place Portraiture Animal Advocacy Awards: Hero
of the Year 2017, Kris Carr award, January 2018 Mary Tyler Moore Award, Awarded by Broadway Barks, June 2017 New York City's
Kindest, ACC Gala, December 2015, for the #EasyAsACC adoption campaign «Hero
of the Year» for Flower Power, Awarded by Mr Bones & Co during Rescue The Runway, June 2015 Leonard Simon Award, Awarded by Animal Haven, June 2015
Feature Shoot: Feature Shoot is a photography magazine based on all
kinds of genres — fine
art,
portraits, documentary, still life... you name it, this is the website to visit daily.
2007 Living Room Paintings, Painted Faces, Kinkead Contemporary, Los Angeles, CA Some
Kind of Portrait, curated by Simon Watson, Marc Selwyn Fine
Arts, Los Angeles, CA Distinctive Messengers, curated by Simon Watson, House
of Campari, Miami, FL
• Another
Kind of Life: Photography on the Margins is at Barbican, London until 27 May, and Victorian Giants: The Birth
of Art Photography is at National
Portrait Gallery until 20 May
Atlanta artist Mario Petrirena used found and treasured family objects to create a
kind of self -
portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum
of Contemporary
Art of Georgia (February 25 — April 29, 2017).
A key work
of the show is a sixteenth - century painting by Lavinia Fontana, who rendered a secular
portrait of an infant in a cradle — supposedly the first
of its
kind in
art history.
2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some
kind of Portrait, Marc Selwyn Fine
Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary
Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary
Art, Athens In The Fullness
of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA
All the major
kinds of art - works are represented including sculptural work, interior design, visual
arts such as
portraits, paintings and etchings, architecture and digital media
arts.
The New Museum is onto something when it hangs the
portraits Salon style, as the
kind of history that
art history wants to repress.
Rarely do these commissions make any
kind of larger statement about American
art, but last fall, when Barack Obama selected Kehinde Wiley — a figurative painter who deploys the techniques, poses and patterns
of the grand tradition
of Baroque European paintings to portray contemporary black and brown men he finds on the street — to paint his official
portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world
of culture.
Why can't people pose for an
art portrait and exhibit an expression
of any
kind?
Thomas has exhibited extensively in both solo and group exhibitions including «Americans Now» at the National
Portrait Gallery, Washington D.C. (2010); «The Global Africa Project» at the Museum
of Arts and Design, New York, NY (2010); and «Mama Bush: One
of a
Kind Two» at the Hara Museum, Tokyo, Japan (2011).
Feature Shoot: Superb magazine based on all
kinds of photography — fine
art,
portraits, documentary, still life... you name it, this is the website to visit daily.
Traveled to: The Corcoran Gallery
of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum
of Art, July 7 — September 5, 1994; Forum for Contemporary
Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis
Kind Gallery, New York, September 18 — October 30, 1993
Art Works: The Education Project, International Center
of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International
Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and
Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver
Art Museum, April — November 1993 Yale Collects Yale, Yale University
Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary
Art from the Mallin Collection, Herbert F. Johnson Museum
of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall
Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation
of Photography from the Collection and Recent Acquisitions, Museum
of Modern
Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the
Arts, Miami, January 1993.
2007 Sweet SweetBack's Baadasssss Song, Von Lintel Gallery, New York, NY Commemorating 30 Years 1976 - 2007, Rhona Hoffman Gallery, Chicago, IL Distinctive Messenger, House
of Campari, New York, NY Sex in the City, Dumbo
Arts Center, Brooklyn, NY Taking Aim, Rhodes College, Memphis, TN Some
Kind of Portrait, Marc Selwyn Fine
Art, Los Angeles, CA Lava, Wedge Curatorial Projects, Toronto, Canada Prime Time, Caren Golden Fine
Art Gallery, New York, NY My Love is a 187, Luggage Store Gallery, San Francisco, CA Inspired in New York, Echo Gallery, New York, NY
Through his depiction
of appropriated
portraits, architecture or other remnants
of historic events from our collective memory, he investigates the use
of art, architecture and figuration as propaganda for ideology
of any
kind.
Traveled to Illinois
Art Gallery, Chicago (catalogue) 1968, Betty Rymer Gallery, The School
of the
Art Institute
of Chicago Second Sight: Printmaking in Chicago 1935 — 1995, Mary and Leigh Block Gallery, Northwestern University, Evanston, IL 1994 Garden
of Earthly Delights, Phyllis
Kind Gallery, Chicago Chicago Imagism: A 25 Year Survey, Davenport Museum
of Art, IA 1993 Imagery, Incongruous Juxtapositions, Phyllis
Kind Gallery, Chicago 1992 From America's Studio: Drawing New Conclusions, Betty Rymer Gallery, The School
of the
Art Institute
of Chicago (catalogue) 1991 Distorted Figuration, Evanston
Art Center, IL 1990 The Mary Jean Thomson Collection, College
of Lake County, Grayslake, IL
Portraits of a
Kind, Phyllis
Kind Gallery, Chicago 1989 Birthday Cake: 50th Anniversary Exhibition, Hyde Park
Art Center, Chicago 1987 Chicago Imagist Print, David and Alfred Smart Museum
of Art, the University
of Chicago Drawings
of the Chicago Imagists, Renaissance Society, University
of Chicago 1983 Nilsson, Nutt, Paschke, Rocca and Wirsum, Galerie Bonnier, Geneva Contemporary Chicago Imagists, Merwin and Wakely Gallery, School
of Art, Illinois Wesleyan University, Bloomington, IL 1982 Chicago on Paper, Ray Hughes Gallery, Brisbane, Australia From Chicago, Pace Gallery, New York Hot Chicago, Douglas Drake Gallery, Kansas City, MO 1980 Who Chicago?
The 54 - year - old has made it a lifelong project to document all
kinds of American identities and landscapes, but she caught the
art world's attention with a 1994 self -
portrait that still affects how she's perceived today.