Sentences with phrase «portrait installation of work»

Not exact matches

Also, the current video is a continuation of the last video that depicted the Leaves system of working and goes to shed more light into a lot of things such as 3rd party application installation, portrait mode, application launching, pinch - to - zoom feature on the browser, automatic re-alignment in the browser when you zoom and so on.

Works in the show include a tableau sculpture about airplane hijackings by Eleanor Antin, Robert Arneson's controversial ceramic portrait of assassinated San Francisco mayor George Moscone, and Mike Kelley's first - ever installation (an environment that reimagines a little girl's room).

His instinctive and scattergun approach to collecting makes for a show that's wildly energetic and enthralling: an eerie cowhide and resin installation (Nandipha Mntambo's Enchantment) stands erect and proud like a regal spectre in the middle of the space; it mingles with arresting monochrome portraits of children with cement dust faces by Mário Maculau; a comedic and surreal ink drawing of a goat at an office desk by Ato Malinda; a sweet and naively rendered mixed media work by Richard Kimathi depicting a couple, the man delineated through a pistol on his crotch.

Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours&raquportraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours&raquPortraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours», 2007.

This Saturday, February 15th — Have your portrait captured by Installation's Creative Director Garet Field - Sells (fieldsells.com), and be featured with a bio and selected portfolio of work in a very special issue of Installation Magazine.

A variety of contemporary works are coming on loan to the British Museum from a self - portrait by Lionel Davis» to video featuring Candice Breitz, and a 3D installation by Mary Sibande.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

Continuing an anthropomorphic sensibility begun in her dart paintings, Feu à volonté featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961), which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the shootings prior to installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»

At the Rivington Street gallery, she applies this construct to the conception and installation of the works, presenting a contemporary portrait gallery with abstract masses installed high, and cheek by jowl.

The works on display include Dean's 16 mm films of influential figures such as her major six - screen installation with Merce Cunningham in Merce Cunningham performs STILLNESS... (six performances, six films)(2008), alongside her film of Claes Oldenburg in Manhattan Mouse Museum (2011) and her film diptych of Julie Mehretu GDGDA (2011), all previously unseen in the UK, as well as Mario Merz (2002), Michael Hamburger (2007), Cy Twombly in Edwin Parker (2011), and David Hockney in Portraits (2016).

Exhibits of her work have included an entire exhibited dedicated to artwork with her as muse, including numerous self portraits at Rox Gallery as well a recent performance art installation at The Hole Gallery, Natalie White For Equal Rights.

For the exhibition Portrait Gallery in Genova, the artist will show a new series of works; the installation situates the paintings, with their brooding and centripetal masses, in dialogue with the rooms of the villa responding to its monumentality and mimicking the classical display of a picture gallery.

Among the highlights of the show are The Sun (1990), a floor installation of 360 triangular elements of white marble forming a grand circle, and the witty Self - Portrait (c. 1959) in which the artist's head is but a small ball of paper resting on a larger - than - life wooden torso with incredibly elongated legs (both works at Perry Rubenstein); the ethereal The Angel (1989) made of 125 spheres of thin clear Venetian glass delicately resting on the floor at Michael Werner; and at Mary Boone the five Concave Figures (1994), one of Byars» final works.

These include paintings, portraits and text - based works inspired by the Palm Island Riot and the stunning 3D installation of competition surfboards, adorned with traditional combat shield designs from North Cairns on the face and excerpts from a James Baldwin's article («Unnameable Objects, Unspeakable Crimes», 1966) on the obverse, through to two extraordinary and enormous drawings «Lynching I» and «Lynching II» which, placed either side of the large picture window, eloquently emphasise the dark side of Sydney's pre-eminence as the starting point of colonisation in this country.

Expect portraits, installations, videos and brand new work from the likes of Gê Orthof, Berna Reale, Nicolas Robbio, Grupo EmpreZa and Virginia de Medeiros.

This comprehensive look at Van Dyck's portraits featured approximately 100 works by the artist, including a special installation of his portrait print series Iconographie, galleries dedicated to portrait drawings, and a selection of comparative works by contemporaries such as Rubens, Jordaens and Lely.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

Linn's staging of the installation, which incorporates her own intimate portraits of Mapplethorpe alongside publications relating to his work, encourages the visitor to reflect upon the artist's life in its larger social and historical contexts.

This exhibition brings together several bodies of work made between 2015 and the present, mapping the artist's ever - evolving performance of identity through large - format self - portraits and vernacular installations.

Although Johnson debuted with three classically composed portrait photographs of a homeless black man he met in his hometown, Chicago, today he is lauded for more conceptual work, expressed in a vast range of media, including painting, sculpture, installation, performance and video.

Recent works include the three - screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall's life and work; Peripeteia (2012), an imagined drama visualising the lives of individuals included in two 16th century portraits by Albrecht Dürer and Mnemosyne (2010) which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.

Electronic Renaissance, Palazzo Strozzi, Florence 2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC Mary, St. Paul's Cathedral, London (permanent installation) 2015 Inverted Birth, James Cohan Gallery, New York Moving Stillness (Mt. Rainer), 1979, Blain Southern, London The Talking Drum, Blain Southern at The Vinyl Factory Space at Brewer Street Car Park, London Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire Bill Viola, Yorkshire Sculpture Park, West Yorkshire Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide Bill Viola: Kukje Gallery, Seoul 2014 Martyrs (Earth, Air, Fire, Water), St. Paul's Cathedral, London (permanent installation) Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern Bill Viola, Grand Palais, Paris Bill Viola — en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid Bill Viola: Transformation, Faurschou Foundation, Beijing

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

From his minimalist films of the 1960s to his ephemeral installations to his instant film portraits on Polaroid, these works» technical means of production enable distinctly Warholian explorations of time in relation to both subject and artist.

For some artists, the action of eating itself holds significant to their works, such as feminist artist Judy Chicago's installation The Dinner Party (1974 — 1979), and the piles of candy in Felix Gonzalez - Torres» Untitled (Portrait of Ross in L.A.)(1991), which symbolized his deceased partner and brought attention to the AIDS crisis.

Further selected works include a number of self - portraits from different eras and a large - scale installation with mirrors.

Alternately intimate and epic, Kahlil Joseph's dual - screen film installation m.A.A.d. brings together a range of source materials to create a prismatic portrait of the people and streets of Compton, a working class and largely African - American neighbourhood in Los Angeles.

These talking portraits are the latest works by Tony Oursler, an American artist who is famous for his video - based installations featuring enlarged eyes and murmuring mouths, some of which are creepy, others of which are (by Oursler's own admission) comical.

I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.

Thania Petersen is a multi-disciplinary artist from South Africa whose creative portfolio consists of photographic self - portraits, installation works and multisensory - based performance pieces.

Organized in collaboration with London's Tate Britain and the Metropolitan Museum of New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career through more than 160 works (paintings, photographs, engravings, video installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and monumental landscapes — and some of his most recent creations.

As part of the exhibition, the Hosner's have also chosen two featured artists, James Bullough for his unique cross cut portraits and Drew Leshko with his 3D diorama installation work.

His first solo show in the Middle East, «White Domes», presents his visualisation of the inner journey through recent works from his abstract «Dome» and «Endless Prayers» series, several portraits, a painting of hands, and a sculptural installation.

There are two works by Pace herself, including a drawing and an assemblage; a purse portrait of her by Chuck Ramirez; and a maquette of an installation created in her memory by Jesse Amado; as well as a host of works by artists that have held residencies at Artpace.

The two venues in the United States — The Phillips Collection and the Museum of Fine Arts, Boston — took different approaches to the installation of Chase's work, but both effectively demonstrated his stylistic and material virtuosity.2 The exhibitions included roughly ninety portraits, still lifes, genre scenes, landscapes, and, most notably, Chase's large - scale pastels.

It's not often a Jim Lambie floor installation (which is usually visually dominant — wherever the environment — with its viscerally over-the-top patterns) is made to welcome equally compelling works such as Rona Pondick's Kafkaesque self - portrait in the tree, or Ugo Rondinone's enigmatic and massive head of an identifiable creature.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

The exhibition (above, an installation view) covers other, more intimate responses, including a series of small self - portraits that mostly feature a goofy, slightly Jules Feifferish face applied to images of other artworks or artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph by Hans Haacke.

On the occasion of his current exhibit Icons at Leila Taghinia - Milani Heller Gallery (May 4 — May 27, 2010), which includes five video portraits along with a video installation, the artist / filmmaker Shoja Azari paid a visit to Art International Radio to talk with Rail Publisher Phong Bui about his life, work, and more.

Works on display include Dean's films of influential figures such as her major six - screen installation with Merce Cunningham in Merce Cunningham performs STILLNESS... (2008) alongside her film of Claes Oldenburg in Manhattan Mouse Museum (2011) and her film diptych of Julie Mehretu GDGDA (2011), all previously unseen in the UK, as well as Mario Merz (2002), Michael Hamburger (2007), Cy Twombly in Edwin Parker (2011), and David Hockney in Portraits (2016).

Her work has been shown nationally and internationally and presented work at the National Portrait Gallery, performing group work Paper Portraits; BALTIC, Newcastle ensemble piece MAKE; Hayward Gallery - a 3 month performance installation as part of the Mirrorcity show; David Roberts Art Foundation; Yorkshire Sculpture Park; Modern Art Oxford; Chapter Arts, Cardiff.

The catalogue accompanies the first U.S. mid-career survey of this important Dutch artist's work in photography and video; it features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstra's later work including her most recent video installations.

The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a film work.

Ranging from large - scale installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video, glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $ 10,000 Arlene Schnitzer prize selected by the Museum's curatorial staff.

The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a new film work.

The runner - up went to Jonathan Fong, with his proposed work titled Faces «A wall work installation that highlights the community at the MBFS office having painted portraits of their employees on various sized sheets of plexiglass juxtaposed along the wall of the HR department.»

The exhibition in New York will include the multi-channel video installation Psi Girls (1999), two rare and rarely seen paintings from the 1980s, new aura photo - portraits, a recent installation of holy water medicine cabinets from her ongoing Homage to Joseph Beuys series and a sculptural work on automatic writing, Homage to Gertrude Stein: Lucidity and Intuition (2011).

This exhibition, the seventh installation of the Portrait Gallery's dynamic «Portraiture Now» series, will explore the work of Mequitta Ahuja, Mary Borgman, Adam Chapman, Ben Durham, Till Freiwald and Rob Matthews.

Separate from the works exploring the portrait genre, the new installation also features a selection of sculpture including Cornelia Parker's Hanging Fire (Suspected Arson), Tara Donovan's Untitled (Pins), and a small - scale marble footstool by Jenny Holzer, SELECTIONS FROM SURVIVAL: PROTECT ME FROM WHAT I WANT.

The exhibition includes four major installations alongside a number of works and other models (most of the figures are self portraits of Gormley himself).