Sentences with phrase «portrait of a group of friends»

An unbearably tense portrait of a group of friends and estranged lovers who reconvene after time apart only to realize that some of them have changed for the worse.

Not exact matches

The poster with portrait of Sir John designed with the party's emblem is believed to be sponsored by a group calling itself Friends of Sir John which is canvassing for his reelection after he lost out to Kwabena Agyei Agyepong during the Tamale Congress.

A decade before he sparked outrage with «Cruising» (in which the leather scene supposedly nudges Al Pacino towards homicide), director William Friedkin presented this portrait of a group of New York friends on the cusp of liberation.

On June 16, 1955 (commencement day), the portrait was presented to Dean Francis Keppel by a group of alumni, friends, and associates of Spaulding.

Exhibited as well are recent paintings and a group of portraits of the artist's New York friends and acquaintances.

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

He was also drawn to the human face and form and produced numerous individual and group portrait studies both of casual acquaintances, on commission, and of his own large circle of artistic and literary friends.

Working from a personal perspective, Nicolayevsky made a signature of his intimate portraits of friends, self - portraits, and his «Lost Portraits: Group Portraits», as he called them, that incorporated the post-punk and queer aesthetics of the time and refer to the AIDS epidemic of tportraits of friends, self - portraits, and his «Lost Portraits: Group Portraits», as he called them, that incorporated the post-punk and queer aesthetics of the time and refer to the AIDS epidemic of tportraits, and his «Lost Portraits: Group Portraits», as he called them, that incorporated the post-punk and queer aesthetics of the time and refer to the AIDS epidemic of tPortraits: Group Portraits», as he called them, that incorporated the post-punk and queer aesthetics of the time and refer to the AIDS epidemic of tPortraits», as he called them, that incorporated the post-punk and queer aesthetics of the time and refer to the AIDS epidemic of the 1980s.

2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City

Among more than 1,640 platinum, palladium, carbon, photogravure, and gelatin silver prints is an extraordinary group of over 300 of Stieglitz's evocative studies of clouds, called Equivalents, made from 1922 to 1937, and over 170 portraits of his friends and colleagues throughout his career.

Group Portrait - Three friends, The Arts Club, Dover Street, London, 30th of October, 2013 prior to a panel discussion on the subject of the art school The Fairfield International, 2017

At the same time, the exhibition functions as a group portrait of Pearlstein's art world, bringing together historical and recent works portraying the artist's friends and colleagues — figures like Al Held from the past, and Patterson Sims, the curator, still working.

The name by which the group is best known today, the German Officer portraits, derives from the most discussed aspect of its content: the World War I soldiers to whom the paintings pay tribute, especially the artist's cherished friend Lieutenant Karl von Freyburg.

A group of late 19th and early 20th century artists that included Jean - Edouard Vuillard and PierreBonnard, the Intimists created jewel - like portraits of family and friends in richly - colored interiors during moments of domestic quietude.

At the time of those portraits, Lucas was arguably the linchpin of the Young British Artists, or YBAs — a tight - knit group of predominantly working - class friends that included Gary Hume, the late Angus Fairhurst, Damien Hirst and Tracey Emin.

While Eisenman's early work overtly explored identity, gender, sexuality, family dynamics or inequality through provocative subject matter, Winter Solstice 2012 Dinner Party articulates her more recent preoccupation with portraits of individuals or groups engaged in different social activities — inspired equally by French Impressionist bourgeois café scenes, the dystopian visions of James Ensor and the casual gatherings with friends and fellow New Yorkers.

Among their friends was a good - looking guy named Craig Wadlin, who'd gone to art school at Cooper Union and, along with six of his classmates, formed a facetiously named collective called Art Club 2000, which sought to send up consumerism and identity politics by, among other things, taking group self - portraits of its members dressed in identical outfits from the Gap.