As Afghanistan's election season marches on, Charles Tilly's unsavory
portrait of statesmen as «coercive and self - seeking entrepreneurs» seems eerily resonant.
But Lincoln remains a formidable achievement:
a portrait of a statesman that transcends expected pieties to make the liberalising impulse in public life live anew.
Not exact matches
Moreover, and contrary to the prevailing
portrait, the position slowly and meticulously developed by Russell can not be dismissed merely as the inconsistent or ad hoc view
of an elderly philosophic
statesman in his mental decline.
«Without branding all generals and
statesmen as murderers or thieves... a
portrait of war makers and state makers as coercive and self - seeking entrepreneurs bears a far greater resemblance to the facts than do its chief alternatives: the idea
of a social contract, the idea
of an open market... the idea
of a society whose shared norms and expectations call forth a certain kind
of government.»
Today, a watercolor
portrait of the late congressman hangs on the wall
of Mr. Rangel's office in the Adam Clayton Powell Jr. building on 125th Street — where he recounted to the Observer how Rockefeller promised to pardon the elder
statesman if the then - assemblyman could convince him to return to the city.
Her
portraits of friends and colleagues — Mary Kelly, seen from the back with her beautiful hands fixing her hair in an iconic knot, or the soft, poignant face
of John Baldessari, elder
statesman of the Los Angeles art world — draw us in.
Michael Prodger retells the story
of Charles I's art collection in the New
Statesman, while in the New York Review
of Books Colin B. Bailey describes the bonhomie adorable to be found Jean - HonorĂ© Fragonard's «fantasy
portraits» at the National Gallery
of Art, Washington D.C..
He shot album covers for Downtown bands and made
portraits of Downtown musical luminaries, as well as the Underground's elder
statesmen, including William Burroughs, Kenneth Anger, and Jack Smith.
More than 30 years pass over the course
of the show, beginning with such influential elder
statesmen as Barkley Hendricks — whose striking late 1970s
portraits blend classical tradition and Pop Art with seldom - seen African - American subjects — and Robert Colescott — whose wildly satirical takes on racial stereotypes in the 1980s get still more edge from his vibrantly expressionist brush.
When Griffin made commissioned
portraits of businessmen and
statesmen he invented a complex ironical approach so that the subjects can be read as sexy, inventive, oblivious, foolish, clever or pompous.
Priscilla gave a replica
of Sir Thomas Lawrence's 1814
portrait of the Duke
of Wellington as a «quasi-joke» to her late husband, Eddie, a serious admirer
of the Anglo - Irish soldier and
statesman.