Searching for the metaphoric representation
of mankind, Millei has used his
intuition and painterly brushstrokes to create objects
of pure abstraction that are no longer just about making a
portrait of one person, but represent a collective
portrait of men / women.
1985 Beautiful Photographs, One Penn Plaza, New York, USA Five Years with «The Face», Photographers» Gallery, London, England Imaye, Insight: Photographic
Intuitions of the 1980's, Islip Art Museum, East Islip, New York, USA The New Figure, Birmingham Museum
of Art, Birmingham, USA Messages from 1985, Light Gallery, New York, USA Picture Taking: Weegee, Walker Evans, Sherrie Levine, Robert Mapplethorpe, Mary and Leigh Block Gallery, Northwestern University, Evanston, USA (exh cat) Entertainment, Josh Baer Gallery, New York, USA Flowers: Varied Perspectives, Patricia Heesy Gallery, New York, USA Nucle, Naked, Stripped, Hayden Gallery, List Visual Arts Center, Massachusetts Institute
of Technology, Cambridge, USA (exh cat) Beauty, Palladium, New York, USA Big
Portraits, Jeffrey Hoffeld & Company, New York, USA Fraenkel Gallery, San Francisco, USA Self -
Portrait: The Photographer's Persona 1840 - 1985, Museum
of Modern Art, New York, USA Home Work, Holly Solomon Gallery, New York, USA