Sentences with phrase «portrait photographs of the artists»

Not exact matches

It is no photograph of the epoch but a portrait on which the artist has worked meditatively and devotedly over the centuries.

A visual feast, the book includes a letter from each illustrator to children, a self - portrait, a photograph of the artist (sometimes as a child), and a sampling of their work.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

Saturday came to an end with the screening of Anton Corbijn: Inside Out, an intimate portrait of the influential Dutch artist who has taken iconic photographs of iconic figures throughout his career from David Bowie through Nelson Mandela to Kylie from Neighbours.

Pet Portraits By Cherie Beautiful and affordable Pet Portrait drawn of your dog, cat, parrot, horse or exotic pet from your photograph by animal artist Cherie Vergos.

Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

This year's judging panel will be Dr Nicholas Cullinan (Chair and Director, National Portrait Gallery, London); David Campany (Writer, Curator and Artist); Tim Eyles, Managing Partner, Taylor Wessing LLP; Sabina Jaskot - Gill (Associate Curator, Photographs, National Portrait Gallery, London); Fiona Shields (Head of Photography, The Guardian) and Gillian Wearing (Artist).

From Hannah Wilke's unflinching self - portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal photographs and Kara Walker's antebellum figures, Into Me / Out of Me examines how artists have explored the physical and psychological boundaries of their bodies and those of others creating images of fragility and strength, illness and suffering, tenderness and violence.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

is a major survey of the artist's practice that will feature portraits and abstract photographs, works related to his ongoing Truth Study Center project (begun in 2005), and posters made in support of the anti-Brexit campaign.

Family Portrait, Aneta Bartos's first exhibition with Postmasters Gallery, delves into the artist's relationship with her father, a former bodybuilder living in central Poland, with photographs full of vigor and vulnerability.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community, and an array of other unique people, many of whom were personal friends.

Sean Kelly has a show of photographs by Robert Mapplethorpe, but not the troublemaking kind; the ones here are all luminous portraits of famous artists, including Willem de Kooning, Lee Krasner and Robert Rauschenberg.

The Mulleavy portrait is part of a larger project of photographing artists, writers and other people in Opie's immediate circle — people like the novelist Jonathan Franzen and writer / performer Miranda July.

This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.

Mickalene Thomas: Mentors, Muses, and Celebrities, an exhibition featuring photographs, film, and video, is a richly textured, and moving portrait of the multiplicities of womanhood that builds upon the artist's ongoing reconsideration of black female identity.

Spielautomat (Slot Machine), 1999 - 2000, a self - portrait of the artist as a slot machine, features the title object covered with overlapping rows of images — snapshots of artist friends such as Lawrence Weiner, photographs of male movie stars torn from magazines, postcards and pictures of street scenes and storefronts — and is topped with a portrait of Genzken by Tillmans.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the artist's sly sense of humor.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters many of whom were personal friends.

The photographs that launched Abbott's career: portraits of artists and writers in prewar Paris, from Jean Cocteau to James Joyce

Other works on display include After Kosuth (2012 - 17), a self - portrait that exists as a photograph, a photo etching on paper and a gold - plated bronze cast of the artist's head.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

Artist sightings included Tracey Emin (being photographed with one of her neons) Chuck Close (hanging his outsized self - portrait), Hernan Bas (surveilling his sellout show at the Fredric Snitzer gallery), Anselm Kiefer, John Baldessari and Urs Fischer.

The exhibition features 180 of Kikai's photographs from the past 40 years, the majority of which are from the artist's acclaimed series Asakusa Portraits.

The artist photographs rooms, closets, shoes, clothing, and jewelry that depict an indirect, yet deeply intimate, portrait of a life defined by wealth and fame.

W.J. Kennedy photographed images of Warhol on the Factory fire - escape with his famous self portrait, showing the first transparent Marilyn silkscreen and frolicking with artist Taylor Mead.

Opening: «Brassaï: Language of the Wall: The Tapestries, 1968» at Higher Pictures One of the important players in the modernist movement in Paris between WWI and WWII, the Hungarian photographer, sculptor, writer and filmmaker Brassaï (the pseudonym of Gyula Halász) is best known for his salacious photographs of Paris at night and his poignant portraits of the famous artists and writers of his time.

Originally trained in photography, the artist uses elaborately staged photographs of friends and family as the source material for the final portraits on view.

Presumably Bailey had found among his archives not a single portrait of a female artist that he deemed as successful as his photographs of these 26 men.

For his new series of photographs, the artist enlarged his animal portraits to life - size, inserted the jumbo - sized photographs in urban areas throughout Kenya and then documented the staged scenes.

In conjunction with her solo exhibitions at MOCA Pacific Design Center, Catherine Opie: 700 Nimes Road, and at the Hammer Museum, Catherine Opie: Portraits, photographer Catherine Opie joins MOCA Chief Curator Helen Molesworth and Hammer Chief Curator Connie Butler for a conversation about the concepts of portraiture, gender, celebrity, and creativity at play in the artist's photographs of Elizabeth Taylor's Bel Air home and in her images of visual artists, fashion designers, and writers drawn from her own circle of friends.

The exhibition Certain People consists of a specific selection of photographs that provides a remarkable opportunity to view portraits of artists, dancers, writers and art world personalities from the period spanning the mid 70s through the mid 80s.

Comprised mostly of self - portraits, the photographs reflect the artist's unrelenting self - inquiry.

This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.

(A pendant show here, Kerry James Marshall Selects, offers a revealing glimpse of the artist's sources and inspirations: a stern portrait from the workshop of Hans Holbein, flowing figure studies by Veronese, a social - realist lithograph by his former teacher Charles Wilbert White, and a photograph of Gerhard Richter's wife, smudged with paint.)

Working from Polaroid photographs, he paints colossal portraits of his family, his friends, fellow artists, and himself.

His works, such as his 1975 self - portraits, evoke the power of individual expressive acts in a photo - saturated culture by reaffirming painterly control over technical images and archetypal symbols, in this instance photographs of the artist in a crucifixion pose, drawn over with manic black marks.

The hundred photographs in the exhibition include: spontaneous portraits of legendary today artists, actors, and musicians, cultural events, people that currently we would call them iconic, and intimate moments that caught Hopper's attention, constitute a captivating view of the 60s and 70s that combines political idealism and human optimism and the and the contrast between the hard work of the (ordinary) people and the Hippie revolutionary dream.

Brooklyn - based visual artist and musician Martine Gutierrez reveals two portraits from a forthcoming body of work entitled Indigenous Woman, a series of photographs presented within a magazine format.

In Portrait of My Father, a piece from Memory Works also included in the current exhibition, a photograph of the artist's father fades in and out of clarity based on an EKG reading of Jim's own heartbeat while he slept.

During the 80s, Mapplethorpe produced a series of photographs that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities.

EXHIBITION: Goldschmied & Chiari: Untitled Portraits, Kristen Lorello, 195 Chrystie St # 600A, December 11, 2014 — January 25, 2015 Artists Sara Goldschmied and Eleonora Chiari present a series of photographs of colored vapors, which have been manipulated post-production and printed onto glass mirrors so as to reflect the faces of visitors amidst steaks of color.

His legacy as an artist is deeper and wider than we can know now — beyond the groundbreaking portraits of friends, family and neighbors that first made him celebrated, there are countless assemblages, innumerable landscapes, and oh so many wonderful photographs.

The very first photograph taken by Woodman, Self - portrait at Thirteen, 1972, shows the artist sitting at the end of a sofa in an un-indentified space, wearing an oversized jumper and jeans, arm loosely hanging on the armrest, her face obscured by a curtain of hair and the foreground blurred by sudden movement, one hand holding a cable linked to the camera.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar CPortraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits); Self Conscious; Institutional Complex and Postwar Celebrity.

Continuing his ongoing interest in vintage aesthetic of photographs and movies of the 1960s and 1970s, the Tokyo - based artist created a series of portraits of imaginary visitors of Hotel Paraiso.

Arne Svenson is a New York - based artist whose work has led him down numerous and varied paths of visual exploration, from landscape photographs of Las Vegas to portraits of sock monkeys, forensic facial reconstructions, and medical museum specimens.

Cwynar's new photographs comprise studio portraits of Tracy, a friend of the artist, with superimposed found objects and images; recomposed illustrations of suits of armor; a set of Avon presidential after - shave bottles from the 1970s minus their heads; and a studio photograph of a hot pink peony on a green background.

Chuck Close's monumental mosaic - like portrait of fellow artist Cindy Sherman and two nearby self - portraits are composed of countless smaller elements that cohere into recognizable faces at a distance but dissolve into randomly colored and textured elements the closer you get to them, similar to the way photographs are printed in newspapers.