Sentences with phrase «portrait photography series»

Not exact matches

a dot red, a series of hand - pulled photogravures, explores new perspectives on traditional genres and images found in landscape and portrait photography.

Artist, activist, and member of the black LGTBI community in Johannesburg, Muholi draws upon «the performative and expressive language of theatre, and the highly stylized archetype of black and white fashion photography,» according to a press release, to create a series of self - portraits in which she is both subject and gaze, participant and creator.

Roth has organized numerous exhibitions and film series, including Scotiabank Photography Award: Mark Ruwedel (2015); Edward Burtynsky: Oil (2009), Richard Avedon: Portraits of Power (2008), Sally Mann: What Remains (2004), and I... Dreaming: The Visionary Cinema of Stan Brakhage (National Gallery of Art, 2002).

Just as the Liz Taylor Series deconstructs the genre of the self portrait, and the Hardcore series of digital photographs on canvas deconstructs the still life, Burkhart's new photography series reconfigures the genre of theSeries deconstructs the genre of the self portrait, and the Hardcore series of digital photographs on canvas deconstructs the still life, Burkhart's new photography series reconfigures the genre of theseries of digital photographs on canvas deconstructs the still life, Burkhart's new photography series reconfigures the genre of theseries reconfigures the genre of the nude.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.

Her thoughts on teaching are captured in one of her final titles, Mary Ellen Mark on the Portrait and the Moment (Aperture's Photography Workshop Series, 2015).

Highlights include Abbott's early studio portraiture from Paris and New York (1926 and onwards); photographs from her seminal project Changing New York (1935 − 39); American landscapes, including her abandoned book project focusing on U.S. coastal highway Route 1; her final published series, A Portrait of Maine (1968); and a large selection of her innovative scientific photography.

She was chosen as a finalist for the Outwin Boochever Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2008.

Anima, organized by Paul Roth, the Corcoran's senior curator and director of photography and media arts, will showcase a newly - commissioned series of portraits in the Corcoran's Rotunda that show the majestic burial horses of Arlington National Cemetery, and will be accompanied by three earlier bodies of work, showing the artist's range of approaches to her subjects.

An exploration into the possibilities of what the artist calls «New Photography,» Latente is a post-photographic project inviting viewers to discover the latency of images comprised within the series of Alter - portraits.

[31] Yasumasa Morimura's digitally manipulated photographs, such as the Self Portrait As Art History series, have been exhibited widely, including solo shows at the Museum of Contemporary Art, Chicago (1992), the Cartier Foundation for Contemporary Art, Jouy - en - Josas, France (1993), the Hara Art Museum, Hara, Japan (1994), and the Yokohama Museum of Art, Yokohama, Japan (1996), and the Centre for Contemporary Photography, Melbourne (1996).

LORNA SIMPSON Known for her photography, conceptual artist LORNA SIMPSON hasn't picked up a camera in a while when she agrees to make a series of portraits for Vogue magazine in March.

Ruff once memorably remarked that his Portraits print series «made collectors who normally buy paintings become interested in photography.»

From a confrontational shot of naked model Kristin McMenamy, her chest emblazoned with the Versace brandname, to his unassuming «Go sees,» a series of seemingly straightforward shots of unsuspecting London girls who came calling at his door in hopes of a modelling career, to his diabolical portrait of haute couture designer Yves Saint Laurent, Teller has displayed a complex visual sensibility that goes beyond the entrenched language of fashion photography.

In 2012, a retrospective of her series of nocturnal portraits titled «Visages de Nuit» was exhibited at The Lumiere Brothers Center for Photography in Moscow.

For the museum, she also organized a three - part exhibition series Modernist Art from India (2011 - 13) and, with Rahaab Allana of the Alkazi Foundation, co-organized Allegory and Illusion: Early Portrait Photography from South Asia (2013).

He first came to attention with his series of «Flying Pictures,» self - portraits of the long - john - clad artist soaring over landscapes which, like Yves Klein's famous «Leap Into the Void,» take a humorous swing at photography's much - vaunted veridical status.

This disturbing series of portraits of painfully thin women by German artist Ivonne Thein makes for some uncomfortable viewing and really forces us to look at fashion and photography in a new light.

Tomlinson is an editorial and fine art photographer, works from her Ex-Voto series have previously been shortlisted for the 2017 Taylor Wessing Portrait Prize, and have won the Hotshoe Award / Renaissance Photography Prize, among others.

Portrait Series Winner, Magnum and LensCulture Photography Awards 2016

In 2006, Veleko's portrait series, Beauty is in the Eye of the Beholder (2003 — 2006), was included inSnap Judgments: New Positions in Contemporary African Photography, held at the International Center of Photography (ICP) in New York.

Now 28, the Yale MFA graduate is a rising star on the photography scene, best known for creating a series of portraits that reveal a poignant and potent sense of intimacy that occurs in the act of creating art.

His photography is both straight and conceptual, exemplified in such works as his Turnaround series (2006) of unique portraits taken with a zoom lens of people from behind.

A self - portrait by Marina Abramovic as part of her «Places of Power» photography series.

Opening: «Sandro Miller: Homage: Malkovich and the Masters» at Yancey Richardson Gallery An American photographer who's known for his expressive portraits of Cubans, dynamic depiction of dancers in motion and longtime photographic collaboration with John Malkovich, Sandro Miller presents his celebrated series of pictures of the actor in the roles of legendary figures from the history of photography.

This exhibition features approximately 5 recent works, including the nearly 5 meters wide painting entitled «MANAMI», as well as other series such as self - portrait, portrait of a friend and photography.

The noted portrait photographer employs photography as a point of departure for a series of new paintings that show the ways in which photography (and its translation into other media) can leave a lot of questions hovering about what represents reality.

The exhibition will feature a selection of Alec Soth's documentary photography from the Georgia series, creating a time - lapse portrait of the region.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series with titles such as «Fairy Tales,» «Disasters,» «Sex Pictures,» «Civil War» and «Horror & Surrealist.»

Other notable absences include Pieter Hugo, Mikhael Subotzky, and Guy Tillim; as well as the Cameroonian self - portrait photographer Samuel Fosso, whose magisterial series African Spirits (2008), along with South African artist Tracey Rose's self - portraits from her Ciao Bella (2001) video installation, underpin as much as clarify the self - reflexive, performative turn in African photography.

1st Prize - Society & Community category - Singles - «Local Testimony / World Press» - Eretz Israel Museum - Tel Aviv 2010 2nd Prize - Portraits category - Series - «Local Testimony / World Press» - Eretz Israel Museum - Tel Aviv 2011 GROUP EXHIBITIONS: Sony / WPO world photography organisation - Somerset house - London 2012 (Opens April 27th 2012).

American multimedia artist Lisa Oppenheim, known for her evocative camera-less photography via the photogram and experimental films, is exhibiting a new series of works taking inspiration from natural woodgrains entitled Landscape Portraits at Tanya Bonakdar Gallery in New York.

As a part of this Analogue series (which MoMA acquired into its collection in 2013), this picture is a meditation on the act of photography as well as a portrait of a globalizing world.

More than one gallery has chosen to show charmingly dark, b / w photography to bring the past back: one is Chris Killip's series In Flagrante Two, shot in Northeast England between 1973 - 1985, at Yossi Milo Gallery until February 27; another is Irving Penn's lifetime Personal Work, on display at Pace Gallery through March 5; and Peter Hujar's Lost Downtown portraits from the 1970s New York art and queer scene, at Paul Kasmin Gallery through Feb 27.

Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.

With a career spanning 5 decades this photography exhibition is complete in presenting a selection of images from the last fifty years including works from the supermodels series, nudes, jazz series, fashion series, portraits and St Barth series.

2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ

Paul Mpagi Sepuya, Self - Portrait After (from the series «Glasco Turnpike»), 2010, archival pigment print (The Center for Photography at Woodstock Permanent Print Collection)

About the Robert Mapplethorpe Photography Gallery When We Were Young: Photographs of Childhood from the National Galleries of Scotland is being shown in the Robert Mapplethorpe Photography Gallery and is part of a continuing series of photographic exhibitions (including Lee Miller & Picasso and Ponte City) in the Scottish National Portrait Gallery.

The sixth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here — gay activist and self portrait artist Lyle Ashton Harris, Chicano photographer and tourist Robert Buitron, Cherokee writer, curator, and video creator Rayna Green, photography critic and professor at University of California - Irvine Catherine Lord, and Chinese - American video artist Valerie Soe — discuss the role of photography and creation of culture.

She is the subject of four artist monographs, including Hellen van Meene: The Years Shall Run Like Rabbits (Aperture, 2015), Hellen van Meene: Japan Series (The Museum of Contemporary Photography, Chicago and De Hallen, Haarlem, the Netherlands, 2002), Hellen van Meene: Portraits (Aperture, 2004), Hellen van Meene: New Work (Schirmer / Mosel, 2006), and Hellen van Meene: tout va disparaître (Schirmer / Mosel, 2009).

Fine Art Photography Series Julia Margaret Cameron Victorian Portrait Photographer Noted for Pre-Raphaelite Portraits.

There's a room devoted to the rising stars of South African photography, like Zanele Muholi and Mohau Modisakeng, and a series of masked self - portraits by the Kenyan artist Cyrus Kabiru, «Macho Nne 01 - 25» (2014).

Frank W. Ockenfels 3 (BFA 1983 Photography) One of the most sought - after portrait photographers in America; work has been featured in Rolling Stone, Time, Entertainment Weekly, Us, Premiere, Esquire, New York Magazine, Spin; shot album covers for David Bowie, REM, Queen Latifah, Shawn Colvin, Willie Nelson, Jackson Browne, Melissa Etheridge, Don Henley; created images for television shows such as Mad Men, Wanted and for films such as Coraline, Wolfman, the Harry Potter series