Sentences with phrase «portraits head of a woman»
Not exact matches
With small tilts of her head, darting looks, nervous flutters and a Brahmin imperiousness that gradually eases and warms, Ms. Streep creates an acutely moving portrait of a woman who in liberating herself helps instigate a revolution.
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It's a head - on portrait of a woman with her skin precisely rendered via lots of little red brushstrokes against a vivid green background, recalling the backgrounds of the German Renaissance master Hans Holbein the Younger.
2013 Ballet of Heads: The Figure in the Collection, Berkeley Art Museum, University of California, Berkeley, CA Personal, Political, Mysterious, The FLAG Art Foundation, New York, NY A New View: Contemporary Art, Saint Louis Art Museum, Saint Louis, MO Artists» Self - Portraits from the Collection of Jackye and Curtis Finch, Jr., The Arkansas Art Center, Little Rock, AR; The Baker Museum, Naples, FL 2014 A Chromatic Loss, Bortolami Gallery, New York, NY, January 9 - February 15, 2014 The Sara Roby Collection, Smithsonian American Art Museum, Washington, DC Inaugural Group Show: Gallery Artists, March Selwyn Fine Art, Beverly Hills, CA Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY Vintage Violence, Monya Rowe Gallery, New York, NY New Hells, Derek Eller Gallery, New York, NY Four Figures, Marc Selwyn Fine Art, Los Angeles, CA Solitary Soul, Michael Rosenfeld Gallery LLC, New York, NY
In «La Salle de Gym des Femmes Arabes,» Hajjaj responds to the gender - segregated gyms of his native Morocco by transforming the gallery into a fitness club for women — and filling it with bold, bright photographic portraits of its customers (one sporting a hijab and boxing gloves, another with a head scarf and surfboard).
Two lithographs of a woman's head in profile, one a portrait of the artist's second wife Jacqueline Roque (1957), are invited for comparison.
Juan Gris, Head of a Woman (Portrait of the Artist's Mother), Paris, 1912.
Lake's groundbreaking early work includes «A Genuine Simulation of...» (1973 — 74), a series of photographic self - portraits retouched with Covergirl makeup, and Miss Chatelaine (1973), a grid of black - and - white photos of the artist, each embellished with a different hat or head of hair cut from Chatelaine, a Canadian women's magazine.
Highlights include the early 18th - century Editha Kellogg (EK) Hadley chest; an important pastel by American Impressionist William Merritt Chase; Elie Nadelman's Ideal Head of a Woman; Thomas Hart Benton's 1930 oil study Steel for his America Today murals; and the extensive holdings of the Joseph Allen Skinner Museum, which includes furniture, decorative arts, folk portraits, books, and pre-industrial American tools, as well as objects of Native American material culture.
«Tete de Femme» (which means «head of a woman») includes seven collage paintings, colorful abstract portraits that explore feminine beauty.
The portrait of a woman, sculpted from head to thigh, which we see from behind... This is the image, but in reality the mirror enlarges, her face is cut, a tiny bas - relief fixed right where her face should be.
His subject - matter has ranged from sugar skulls to a head of Christ after the Renaissance painter Correggio, from studies of men and women — in a series titled Masculine / Feminine — to portraits and floral still lifes.
In Tête de Femme (translated as «head of a woman»), Thomas looks to early 20th century Cubism and contemporary Pop references, fragmenting and reducing portraiture to its most formal and geometric elements to create larger - than - life portraits of her models.
For his new sculpture, «Eternal Kiss», exhibited for the first time at Almine Rech Gallery, Vezzoli acquired two life size marble heads at auction: a Roman portrait of a man and a Roman portrait of a woman.
The Francis Bacon works on display in this show include: Reclining Woman 1961, Portrait of Isabel Rawsthorne 1966, Study for Portrait II (after the Life Mask of William Blake) 1955, Study for Head of Lucian Freud 1967, Portrait of George Dyer Riding a Bicycle 1966, Figure with Meat 1954, Figure in a Landscape 1945, Figures in a Garden c. 1936, Triptych August 1972 and numerous oil on paper sketches.
Both are storytellers, situating their life - size, lifelike subjects in environments that are at times explicitly political — see Marshall's portrait of Nat Turner in the foreground of a white, severed head — or implicitly so, like Self's animation «My Black Ass,» where a woman turns her head around to stare at the viewer, her legs splayed in defiance.
There are graphite, ink and watercolor portraits of women, images of heads with flourishes of gold embossing powder, and a recent series of collages — black and white photographs of faces cut from vintage Ebony and Jet magazines embellished with watercolor coifs and, in some instances, text.
Highlights of the show include a 1908 carved head of a woman by Elie Nadelman, a 1963 painting of a head in profile by William Bailey, and a rare portrait by Jan Müller executed just before the artist's death.