Sentences with phrase «portraits of his wife»

In his portraits of his wife there is a terrible distance.

In 1983 Barkley painted a beautiful portrait of his wife Susan titled Ma Petite Kumquat.

Modernism showed its origins with prints by Paul Gauguin, portraits of his wife by Paul Cézanne, Italian Futurism, and the Lauder collection of Cubism.

One can also see Serra's art as theme and variations, as traditional as guitar players or portraits of his wife for Paul Cézanne.

In her catalogue essay, curator Dita Amory credits art historian Susan Sidlauskas with bringing attention to the importance of Cézanne's portraits of his wife via her comprehensive 2009 study, «Cézanne's Other.»

The display at Tate Britain includes very early life drawings from the late 1940s when Auerbach studied at St Martin's School of Art; portraits of his wife, Julia, and others of Estella Olive West («E.O.W»), who was Auerbach's main model — and his lover — in the 1950s and 60s; and landscapes with names such as Mornington Crescent — Winter Morning 1989.

... Had the artist not acknowledged that The Red Skirt is a portrait of his wife Maria Emilia Ferreira y Moyers, a Mexican actress and budding writer whom he married in August 1942, and The Homely Protestant, a tall ochre painting nearby, a self - portrait, viewers would be hard pressed to identify these abstract personages as real people.»

And speaking of»60s cool, in a show at the Jewish Museum this season Alex Katz brought together five decades of his portraits of his wife Ada, the queen of downtown high - bohemian chic.

Within the sketchbooks are over a thousand drawings that reflect his interest in both nature and the built environment of California, along with studies of figures, portraits of his wife, and experiments with abstract expressionist color fields.

The star of the sale is Amadeo Modigliani's 1919 portrait of his wife Jeanne Hébuterne (au chapeau), which is listed for # 16 - 22 million.

Well known for his many portraits of his wife and muse, Ada, Katz has also dedicated himself to printmaking and freestanding sculptures of cutout figures painted on wood or aluminum.

His house is filled with work by Sol LeWitt, Donald Judd, Sterling Ruby, Dan Flavin and a commissioned portrait of his wife by Richard Phillips.

Nude (Portrait of My Wife), 1930.

In the summer of 1942, Callahan traveled to New York to meet Alfred Stieglitz whose series of portraits of Georgia O'Keeffe inspired him to begin the decades - long series of portraits of his wife Eleanor.

In August 1974 the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi, and Laurie.

Inspired by the Metropolitan Museum of Art's 2015 exhibition and catalogue of Paul Cézanne's portraits of his wife, Baldessari abstracted the differences in Madame Cézanne's hairstyle to produce eight screen - prints in the conceptual artist's trademark witty style.

It was there that he created the second portrait of his wife, Lorrie, carved directly from life in English Caen stone.

A love letter to Ada Head of Sale @meganeamurphy explains why Alex Katz's stunning portrait of his wife Ada is such an important & personal work..

In the late fifties, Frankenthaler made several studies of Old Master paintings, including Rubens» portrait of his wife as Venus, Titian's Rape of Europa and Goya's Mayas on a Balcony.

This exhibition surveys the artist's prolific career and is organized around Nixon's remarkable ongoing project The Brown Sisters, a series of group portraits of his wife Bebe and her three sisters, Heather, Mimi, and Laurie taken annually since 1975.

I mentioned an echo of Cézanne in her two still lifes of flowers in a striped vase, reminiscent of his portrait of his wife posed in her green striped dress.

A vein of warm sentiment is bared as he speaks of his two daughters (one lives with her family in San Francisco, the other is a semi-professional photographer in New York), recalls his fondness for Jackson Pollock or talks about a portrait of his wife that he drew last year — his first «realistic» work in almost two decades («I thought I might have lost my touch, but it turned out stronger than ever.»)

Not exact matches

Nas immediately decided to change the portrait of his topless wife into a lion - woman.

Just below his portrait is a picture of his wife, a profile shot.

As he often does, however, Schama overextends and trivializes his argument, interpreting the composition, with Anslo at its elevated center, as a portrait of a marriage in which the domineering husband «leans heavily toward his wife, benevolently overbearing, just short of bullying,» while Aeltje, «her head slightly cocked like an obedient pet or a contrite child,» patiently accedes to his diatribe.

In their introduction to Domestic Revolution: A Social History of Domestic Family Life (Free Press, 1987) Steven Mintz and Susan Kellogg paint a portrait of family life today: Today the term «family» is no longer attached exclusively to conjugal or nuclear families comprising a husband, wife, and their dependent children.

Benjamin Sullivan's painting of his wife and daughter is named the winner of the BP Portrait Award.

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In the case of Life of the Party, the sense of chivalry is shared between director Ben Falcone and his co-writing partner and wife, Melissa McCarthy, who clearly set out to create a raucous comedy that's also paradoxically the portrait of a kind gentlewoman.

As his proud and loving wife, Regina King delivers a searingly real portrait of a proud black woman and football spouse.

Weinstein includes small details, like the 24 - hour candles and portraits of famous rabbis intended to make a memorial dinner more proper, and he explores wrinkles that are far more significant, like Menashe's insistence that he doesn't really need a second wife because Talmudic law would prohibit her from ever touching Rieven anyway.

His wife, Gerda (Alicia Vikander), is quickly established as a supportive, loving partner who maintains an affectionate rapport with her spouse despite a lingering jealousy over his success and her lack of it as a portrait artist.

Jonze has been married, to writer - director Sofia Coppola — and you have to wonder if Theodore, who begins the film separated from his wife, is something of a self - portrait.

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In Pablo Larrain's portrait of Jackie Kennedy, Jackie, the wife — now widow — commands the spotlight, the foreground, of the narrative even as her power wanes in the aftermath of her husband's death.

Starring Aja Naomi King as Nat's wife, Armie Hammer as his slave master, and Colman Domingo as his right - hand man in the rebellion, plus supporting turns from Jackie Earle Haley, Penelope Ann Miller, Aunjanue Ellis, Mark Boone Jr., Roger Guenveur Smith, and Gabrielle Union, «Birth» provides no clear villains, instead delivering nuanced portraits of classic arcs.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Directed by: Tom Hooper Written by: Lucinda Coxon Cast: Eddie Redmayne, Alicia Vikander, Amber Heard and more Synopsis: Inspired by the true story of Danish artists Lili Elbe and her wife Gerda, this tender portrait of a marriage asks: What do you do when someone you love wants to change?

In reviews of The Cook, The Thief, His Wife and Her Lover and Henry: Portrait of a Serial Killer, which both Time and S&E paired, the count was Time 660 words, S&E 1,589.

A mother and wife to an alcoholic dockworker, Larsson (played by Maria Heiskanen) came to taking pictures by chance and continued out of passion and talent, snapping portraits of her neighbors and even making a small business when her husband (Mikael Persbrandt) was in jail or serving in World War II.

They take clear pleasure in rendering banal spaces as canvasses, turning grain silos into giant eyes and shipping containers into towering portraits of the dock workers» wives.

Arnaud Desplechin's opening film Ismael's Ghosts is a portrait of a filmmaker (Mathieu Almaric) who is haunted by his past and thrown into a loop when his wife Carlotta (Marion Cotillard) suddenly returns and re-enters his life.

Also too good to pass up: Garry Winogrand: All Things Are Photographable, a striking documentary profile of one of the strongest practitioners of urban street photography, directed by Sasha Waters Freyer, Apr. 15; Godard Mon Amour, director Michel Hazanavicius» cool, dramatized portrait of iconic French auteur Jean - Luc Godard (Louis Garrel), as told by Godard's one - time wife, Anne Wiazemsky, Apr. 15; and, from Japanese master Koreeda Hirokazu, The Third Murder, a chambered nautilus of a murder mystery, starring Fukuyama Masaharu and Yakusho Kôji, Apr. 6.

That inevitability of triumph is established early via Cavayé's portrait of nurses aid Samuel (Gilles Lellouche) and pregnant wife Nadia (Elena Anaya) playfully canoodling on the couch after Nadia is told that bed rest is a must, a compassionate vision of everyday domestic bliss so pure and undefiled that, despite the disrupting madness to come, it's near - impossible to believe that Cavayé will permanently shatter it.

[4 stars] Captain Underpants: The First Epic Movie (07.15 / 06.02 / 07.24) Thor: Ragnarok (10.24 / 11.03 / 10.24) The Greatest Showman (12.09 / 12.20 / 12.26) Wonderstruck (10.06 / 10.20 / TBA) I Am Not a Witch (10.03 / TBA / 10.20) Lady Bird (10.14 / 11.03 / 02.16.18) The Post (12.21 / 12.22 / 01.19.18) Coco (01.13.18 / 11.22 / 01.19.18) The Ritual (10.02 / direct to Netflix / 10.13) Icarus (02.27.17 / direct to Netflix / direct to Netflix) Bushwick (10.25 / 08.25 / 08.25) Film Stars Don't Die in Liverpool (10.11 / 12.29 / 11.17) Spider - Man: Homecoming (07.05 / 07.07 / 07.05) Another Mother's Son (02.21 / TBA / 03.24) Oscar Nominated Animated Shorts (89th Academy Awards)(02.20 / 02.08 / direct to VOD) Personal Shopper (10.09.16 / 03.10 / 03.17) The Survivalist (04.19.16 / 05.19 / 02.12.16) God Knows Where I Am (04.07 / 03.31 / 04.14) The Salesman (01.31 / 01.27 / 03.17) Raw (04.04 / 03.01 / 04.07) The Beguiled (06.20 / 06.23 / 07.14) The Party (10.09 / 02.16.18 / 10.13) Step (07.21 / 08.04 / 08.11) God's Own Country (08.07 / 10.27 / 09.01) Menashe (12.11 / 07.28 / 12.08) The Divine Order (10.14 / 10.27 / 03.08.17) Borg vs McEnroe (09.11 / 04.13.18 / 09.22) My Pure Land (09.12 / TBA / 09.15) The Unknown Girl (12.02.16 / 08.25 / 12.02.16) Pecking Order (08.24 / direct to VOD / 09.29) Jane (11.12 / 10.20 / 11.24) Good Time (10.05 / 08.11 / 11.17) The Commune (05.28 / 05.19 / 07.29.16) Lost in London (04.30 / TBA / 05.05) The Fencer (Miekkailija)(11.30 / 07.21 / 12.24.16) The Great Wall (02.16 / 02.17 / 02.16) The Chamber (01.18 / 02.23.18 / 03.10) Motherland (10.15 / 09.08 / TBA) The Light of the Moon (10.31 / 11.01 / TBA) Bombshell: The Hedy Lamarr Story (11.18 / 11.24 / 03.09) Victoria & Abdul (09.12 / 09.22 / 09.15) Wind River (07.20 / 08.04 / 09.08) Urban Hymn (08.01.16 / 05.12 / 09.30.16) The Women's Balcony (Ismach Hatani)(07.06 / 05.26 / TBA) Pilgrimage (07.28 / 08.11 / direct to VOD) Megan Leavey (aka Rex)(06.19 / 06.09 / direct to VOD) Final Portrait (08.18 / 03.23.18 / 08.18) Finding Kim (05.29 / 05.31 / TBA) Through the Wall (aka The Wedding Plan)(05.28 / 05.12 / 12.16.16) The Zookeeper's Wife (04.22 / 03.31 / 04.21) Dolores (09.09 / 09.01 / TBA) Queen of the Desert (04.03 / 04.07 / direct to VOD) Catfight (02.22 / 03.03 / 03.10) Viceroy's House (02.17 / 09.01 / 03.03) Birthright: A War Story (07.21 / 07.14 / direct to VOD)

Cast fruitfully against type as Paul's prim wife, Laura Harring paints a portrait of grief that provides fleeting moments of suture, but the filmmakers» stoicism finally proves insurmountable and indefatigable.

An art writer, Lord (Armie Hammer) is coming towards the end of a stay in the French capital where he has spent time with the sixtysomething Giacometti (Geoffrey Rush), his brother (Tony Shalhoub), wife (Sylvie Testud) and girlfriend (Clemence Poesy) when the artist offers to do a portrait of him.

In its presentation, The Danish Girl — Tom Hooper's portrait of Lili Elbe, a transgender woman and the first known recipient of sex - reassignment surgery — is a fairly standard coming - of - age story that follows Einar (Eddie Redmayne) and his wife Gerde (Alicia Vikander), bohemian painters in 1920s Copenhagen, who come to terms with Einar's gradual realization that he identifies as female.

They all have their moments though: Sanders plotting with Lupino while he bruises peaches in a champagne glass, Price smirking under a portrait of his father as he wrecks havoc on a media giant, and Rhonda Fleming looking like a trophy wife, but acting like a bruiser, both mentally and physically.

Kidman is the actress of the decade, no matter of botox or box office poison, in 1999 she was just the wife of a famous movie star (yeah To Die For deserves more recognition, and maybe portrait of a Lady) now she is an iconic movie star, AND a great actress (i'm not meaning both are the same thing)