The Apostle (Robert Duvall, 1997) Insightful and real
portraits of men of faith seem to elude filmmakers — it seems every preacher, especially, that appears on the silver screen is either a saint or a demon.
Not exact matches
A
Portrait of the Artist as Young
Man is perhaps the great account
of falling away from
faith.
First Reformed's final minutes are untidy, but in all
of its exaggerations, the film persists in its seriousness about the survival
of the soul in hard times and its
portrait of a flawed
man who can't reconcile a troubled world with an uncompromising
faith.
Faith Ringgold's mixed - media Matisse's Model (1991) combines appropriation art with appreciation art, by combining a reproduction
of Matisse's 1910 Dance with fabric swatches, a reclining nude, and a
portrait of the
man himself.