Sentences with phrase «portraits of other artists»

In a new take on his hallmark three - dimensional constructions, which compound painting and sculpture, Grooms incorporates an element of collage into the works in this exhibition, integrating pages from magazines with watercolor, acrylic, ink and other media, creating perceptive portraits of other artists and placing them within the enviornment of their own works.
Others include portraits of other artists, family members and friends, and famous people, among them a rare, early profile of George Washington and another of author Oscar Wilde.
In addition, two galleries will be dedicated to the work of Chuck Close, showcasing four of the artist's monumental portraits of other artists.
All four paintings on view are portraits of other artists: the Beal his wife the sculptor Sondra Freckelton; Gillespie the painter Robin Freedenfeld; Leslie the choreographer Gretchen McLaine; and Valerio four of his art students at Northwestern.
Strains of pre-Columbian folk art and religious symbolism infuse her pieces, and her figurative assemblages feature portraits of other artists, political leaders, and movie stars.
Also on view are paintings and drawings made while he was studying at the Skowhegan School of Paintings and Sculpture, SoHo cityscapes, silhouette - like polychrome sculptures, and portraits of other artists and poet friends.

Not exact matches

The other 13 portraits are all of individual athletes or artists.
CALIFORNIA TYPEWRITER is a documentary portrait of artists, writers, and collectors who remain steadfastly loyal to the typewriter as a tool and muse, featuring Tom Hanks, John Mayer, David McCullough, Sam Shepard, and others.
The artist has painted portraits of influential hip - hop figures such as the Notorious B.I.G., LL Cool J, Big Daddy Kane, Ice T, Grandmaster Flash and the Furious Five, and Michael Jackson, among others.
A documentary portrait of artists, writers, and collectors who remain steadfastly loyal to the typewriter as a tool and muse, this intriguing and beautiful film features Tom Hanks, John Mayer, David McCullough, Sam Shepard, and others.
Those seeking a less indulgent portrait of a French artist could lose themselves in the meager charms of Michel Hazanavicius» «Redoubtable,» a self - consciously playful if largely panache - free sendup of Godard (played by Louis Garrel, with dark sunglasses and a heavy lisp) during his short - lived second marriage to the actress Anne Wiazemsky (an excellent Stacy Martin), who appeared in his film «La Chinoise,» among others.
It starts with Frida Kahlo and then goes through all the important portrait artists like Rembrandt, Frans Hals, Van Gogh, Picasso and then takes through a number of other artists with interesting styles, Hundertwasser, Gary Hume, Chila Burman, Sonya Boyce, Leger, Picabia, Dali and much more.
It also holds more than 3,000 books and other publications, and it maintains a registry of more than 250 artists who are available by commission to paint dog portraits.
His portraits of Passmore, Rees, Bonnard, Rothko, Degas, Renoir and other admired artists of the past, Mediterranean culture, the food, the sun and his passion for Oriental philosophy and calligraphy have provided the inspiration essential to his oeuvre.
Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.
From Hannah Wilke's unflinching self - portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal photographs and Kara Walker's antebellum figures, Into Me / Out of Me examines how artists have explored the physical and psychological boundaries of their bodies and those of others creating images of fragility and strength, illness and suffering, tenderness and violence.
This makes you wonder: why don't the influential patrons of today have a craving for portraits, of themselves or loved ones or even (as Frick and other Gilded Age collectors of artists such as Van Dyck and Gainsborough clearly did) of sufficiently high - status people in general?
He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community, and an array of other unique people, many of whom were personal friends.
The first section, for instance, is dedicated to the «portrait without a person» — exemplified by Marsden Hartley's Painting, Number 5, memorializing a German soldier and love of the artist with an array of personal ephemera (epaulets from the subject's uniform and a chessboard, in homage to his favorite pastime, among other objects and symbols).
The Mulleavy portrait is part of a larger project of photographing artists, writers and other people in Opie's immediate circle — people like the novelist Jonathan Franzen and writer / performer Miranda July.
This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.
Other artists in the exhibition have painted portraits of renowned art world figures.
In the Company of Alice presents portraits and figurative paintings by a diverse group of artists - some established and some emerging, some for whom portraiture is the crux of their practice and others for whom creating a portrait has been a new exercise.
Some of the artists in the show often create portraits — but for others this is a new endeavor, and their very first portraits are being shown in this exhibition.
Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.
A model for other photographers, Ellis wrote a haunting caption to his self - portrait for the Artists Space catalogue: «I struggle to resist the frozen images of myself taken by Robert Mapplethorpe and Peter Hujar.»
Today, many of these portraits — composed of a delirious mixture of clippings from Vogue and other magazines together with the artist's own marks — are on view at the Brooklyn Museum as part of her captivating survey «Wangechi Mutu: A Fantastic Journey.»
He became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters, many of whom were personal friends.
John Singer Sargent had more daring and reserve in portraits of artists and friends — including Henry James, who knew him and other American artists well.
Confirmed guests include Matt Held (I'll Have my Facebook Portrait Painted by Matt Held), Paddy Johnson (Art Fag City), Sharon Kleinman (author of Displacing Place), An Xiao (Thatwaszen), and other... read more... «Big Love: Artists and Social Networking Technology»
He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters many of whom were personal friends.
Other works on display include After Kosuth (2012 - 17), a self - portrait that exists as a photograph, a photo etching on paper and a gold - plated bronze cast of the artist's head.
25, 2016), this long - awaited volume includes images of more than 100 paintings — portraits, landscapes and interiors — from throughout Marshall's 35 - year career and essays by the artist, Elizabeth Alexander, and Helen Molesworth, among others.
Mapplethorpe / Warhol Celebrity Portraits gives us the opportunity to juxtapose the artists» portraits of each other, as well as both artists» images of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and TrumaPortraits gives us the opportunity to juxtapose the artists» portraits of each other, as well as both artists» images of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and Trumaportraits of each other, as well as both artists» images of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and Truman Capote.
The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.
Featured image: Georg Baselitz — portrait — photo credits Michael Dannenmann, courtesy of Huck Magazine All other images are copyright of the artist
May to September were electric building - filling months at the New Museum, with four standout concurrent solo shows by women artists: the late under - known Italian visionary Carol Rama, the gnarly art of Kaari Upson, the materially complex alchemical sculptures of Elaine Cameron - Weir, and the steamy, seductive portraits of a beautiful community of black dancers and others by Lynette Yiadom - Boakye.
Her provocative portraits of art - world celebrities like Andy Warhol and Allen Ginsberg — along with dozens of other people who caught her fancy — made her the quintessential artist's artist.
JE: «Initially, his portraits were appreciated by other artists and some critics, but the general response was negative because Cézanne wouldn't do what portrait painters were expected to do, which was to give a sense of the sitter's internal psychology.
Featured image: Robert Longo's portrait — Image via likesuccess.com All other images copyright of the artist
Rembrandt painted more self - portraits than any other artist of the period, creating a kind of visual diary of his life until his death aged 63.
Featured image: Gerhard Richter — portrait, photo credits Norbert Millauer / Getty Images All other images courtesy of the artist
Artspace editor - in - chief Andrew M. Goldstein spoke to the Swiss Post-Internet artist about the ideas and process behind her uncanny portraits that have won the following of Hans Ulrich Obrist and other top curators.
The 12 comparatively conventional portraits here form a circle of her artist friends including Matthew Barney, John Baldessari, Kara Walker and others set amid chiaroscuro lighting that makes them seem to glow from within, an apt metaphor for the inner life of the artist.
Featured image: Martine Syms» portrait — image via trbimg.com All other images courtesy of the artist.
Other exhibition highlights include a group of small text - based portraits of artists and writers, made between 1966 and 1968.
History painting and portraits by the celebrated artists of the day sat just above eye level, with smaller pieces below and others by lesser - known artists «skied» above.
Three years later, Life published a group portrait of these artists and 10 others, Newman and Clyfford Still among them.
The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar CPortraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits); Self Conscious; Institutional Complex and Postwar Celebrity.
Joffe's women vacillate between the realms of reality and fiction, at times appearing to be portraits of friends and at other times appearing to be characters drawn from the artist's imagination.
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