In a new take on his hallmark three - dimensional constructions, which compound painting and sculpture, Grooms incorporates an element of collage into the works in this exhibition, integrating pages from magazines with watercolor, acrylic, ink and other media, creating perceptive
portraits of other artists and placing them within the enviornment of their own works.
Others include
portraits of other artists, family members and friends, and famous people, among them a rare, early profile of George Washington and another of author Oscar Wilde.
In addition, two galleries will be dedicated to the work of Chuck Close, showcasing four of the artist's monumental
portraits of other artists.
All four paintings on view are
portraits of other artists: the Beal his wife the sculptor Sondra Freckelton; Gillespie the painter Robin Freedenfeld; Leslie the choreographer Gretchen McLaine; and Valerio four of his art students at Northwestern.
Strains of pre-Columbian folk art and religious symbolism infuse her pieces, and her figurative assemblages feature
portraits of other artists, political leaders, and movie stars.
Also on view are paintings and drawings made while he was studying at the Skowhegan School of Paintings and Sculpture, SoHo cityscapes, silhouette - like polychrome sculptures, and
portraits of other artists and poet friends.
Not exact matches
The
other 13
portraits are all
of individual athletes or
artists.
CALIFORNIA TYPEWRITER is a documentary
portrait of artists, writers, and collectors who remain steadfastly loyal to the typewriter as a tool and muse, featuring Tom Hanks, John Mayer, David McCullough, Sam Shepard, and
others.
The
artist has painted
portraits of influential hip - hop figures such as the Notorious B.I.G., LL Cool J, Big Daddy Kane, Ice T, Grandmaster Flash and the Furious Five, and Michael Jackson, among
others.
A documentary
portrait of artists, writers, and collectors who remain steadfastly loyal to the typewriter as a tool and muse, this intriguing and beautiful film features Tom Hanks, John Mayer, David McCullough, Sam Shepard, and
others.
Those seeking a less indulgent
portrait of a French
artist could lose themselves in the meager charms
of Michel Hazanavicius» «Redoubtable,» a self - consciously playful if largely panache - free sendup
of Godard (played by Louis Garrel, with dark sunglasses and a heavy lisp) during his short - lived second marriage to the actress Anne Wiazemsky (an excellent Stacy Martin), who appeared in his film «La Chinoise,» among
others.
It starts with Frida Kahlo and then goes through all the important
portrait artists like Rembrandt, Frans Hals, Van Gogh, Picasso and then takes through a number
of other artists with interesting styles, Hundertwasser, Gary Hume, Chila Burman, Sonya Boyce, Leger, Picabia, Dali and much more.
It also holds more than 3,000 books and
other publications, and it maintains a registry
of more than 250
artists who are available by commission to paint dog
portraits.
His
portraits of Passmore, Rees, Bonnard, Rothko, Degas, Renoir and
other admired
artists of the past, Mediterranean culture, the food, the sun and his passion for Oriental philosophy and calligraphy have provided the inspiration essential to his oeuvre.
Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one
of the women
artists» homes; in the
other, the model is draped; and the large group
portrait, a co-operative effort by two men and two women students
of Repin's, is an imaginary gathering together
of all
of the Russian realist's pupils, past and present, rather than a realistic studio view.
From Hannah Wilke's unflinching self -
portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal photographs and Kara Walker's antebellum figures, Into Me / Out
of Me examines how
artists have explored the physical and psychological boundaries
of their bodies and those
of others creating images
of fragility and strength, illness and suffering, tenderness and violence.
This makes you wonder: why don't the influential patrons
of today have a craving for
portraits,
of themselves or loved ones or even (as Frick and
other Gilded Age collectors
of artists such as Van Dyck and Gainsborough clearly did)
of sufficiently high - status people in general?
He took his first photographs using a Polaroid camera, and later became known for his
portraits of artists, architects, socialites, stars
of pornographic films, members
of the S&M community, and an array
of other unique people, many
of whom were personal friends.
The first section, for instance, is dedicated to the «
portrait without a person» — exemplified by Marsden Hartley's Painting, Number 5, memorializing a German soldier and love
of the
artist with an array
of personal ephemera (epaulets from the subject's uniform and a chessboard, in homage to his favorite pastime, among
other objects and symbols).
The Mulleavy
portrait is part
of a larger project
of photographing
artists, writers and
other people in Opie's immediate circle — people like the novelist Jonathan Franzen and writer / performer Miranda July.
This photograph add to the ICA / Boston's strong collection
of works by Dijkstra, and joins
other documentary - style photographs and
portraits in the collection by such
artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.
Other artists in the exhibition have painted
portraits of renowned art world figures.
In the Company
of Alice presents
portraits and figurative paintings by a diverse group
of artists - some established and some emerging, some for whom portraiture is the crux
of their practice and
others for whom creating a
portrait has been a new exercise.
Some
of the
artists in the show often create
portraits — but for
others this is a new endeavor, and their very first
portraits are being shown in this exhibition.
Continuing the Warholian reference, on show will be a series
of large scale unique silkscreened
portraits of the
artist as Che Guevara, Joseph Beuys, Elvis Presley amongst
others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense
of what we think we are seeing.
A model for
other photographers, Ellis wrote a haunting caption to his self -
portrait for the
Artists Space catalogue: «I struggle to resist the frozen images
of myself taken by Robert Mapplethorpe and Peter Hujar.»
Today, many
of these
portraits — composed
of a delirious mixture
of clippings from Vogue and
other magazines together with the
artist's own marks — are on view at the Brooklyn Museum as part
of her captivating survey «Wangechi Mutu: A Fantastic Journey.»
He became known for his
portraits of artists, architects, socialites, stars
of pornographic films, members
of the S&M community and an array
of other characters, many
of whom were personal friends.
John Singer Sargent had more daring and reserve in
portraits of artists and friends — including Henry James, who knew him and
other American
artists well.
Confirmed guests include Matt Held (I'll Have my Facebook
Portrait Painted by Matt Held), Paddy Johnson (Art Fag City), Sharon Kleinman (author
of Displacing Place), An Xiao (Thatwaszen), and
other... read more... «Big Love:
Artists and Social Networking Technology»
He took his first photographs using a Polaroid camera, and later became known for his
portraits of artists, architects, socialites, stars
of pornographic films, members
of the S&M community and an array
of other characters many
of whom were personal friends.
Other works on display include After Kosuth (2012 - 17), a self -
portrait that exists as a photograph, a photo etching on paper and a gold - plated bronze cast
of the
artist's head.
25, 2016), this long - awaited volume includes images
of more than 100 paintings —
portraits, landscapes and interiors — from throughout Marshall's 35 - year career and essays by the
artist, Elizabeth Alexander, and Helen Molesworth, among
others.
Mapplethorpe / Warhol Celebrity
Portraits gives us the opportunity to juxtapose the artists» portraits of each other, as well as both artists» images of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and Truma
Portraits gives us the opportunity to juxtapose the
artists»
portraits of each other, as well as both artists» images of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and Truma
portraits of each
other, as well as both
artists» images
of celebrities such as Grace Jones, Arnold Schwarzenegger, Keith Haring, Deborah Harry, Roy Lichtenstein, Francesco Clemente and Truman Capote.
The works are organized thematically into groups including self -
portraits,
portraits of fellow
artists and intimate scenes with family and friends, among
other genres most practiced by women
artists at the time.
Featured image: Georg Baselitz —
portrait — photo credits Michael Dannenmann, courtesy
of Huck Magazine All
other images are copyright
of the
artist
May to September were electric building - filling months at the New Museum, with four standout concurrent solo shows by women
artists: the late under - known Italian visionary Carol Rama, the gnarly art
of Kaari Upson, the materially complex alchemical sculptures
of Elaine Cameron - Weir, and the steamy, seductive
portraits of a beautiful community
of black dancers and
others by Lynette Yiadom - Boakye.
Her provocative
portraits of art - world celebrities like Andy Warhol and Allen Ginsberg — along with dozens
of other people who caught her fancy — made her the quintessential
artist's
artist.
JE: «Initially, his
portraits were appreciated by
other artists and some critics, but the general response was negative because Cézanne wouldn't do what
portrait painters were expected to do, which was to give a sense
of the sitter's internal psychology.
Featured image: Robert Longo's
portrait — Image via likesuccess.com All
other images copyright
of the
artist
Rembrandt painted more self -
portraits than any
other artist of the period, creating a kind
of visual diary
of his life until his death aged 63.
Featured image: Gerhard Richter —
portrait, photo credits Norbert Millauer / Getty Images All
other images courtesy
of the
artist
Artspace editor - in - chief Andrew M. Goldstein spoke to the Swiss Post-Internet
artist about the ideas and process behind her uncanny
portraits that have won the following
of Hans Ulrich Obrist and
other top curators.
The 12 comparatively conventional
portraits here form a circle
of her
artist friends including Matthew Barney, John Baldessari, Kara Walker and
others set amid chiaroscuro lighting that makes them seem to glow from within, an apt metaphor for the inner life
of the
artist.
Featured image: Martine Syms»
portrait — image via trbimg.com All
other images courtesy
of the
artist.
Other exhibition highlights include a group
of small text - based
portraits of artists and writers, made between 1966 and 1968.
History painting and
portraits by the celebrated
artists of the day sat just above eye level, with smaller pieces below and
others by lesser - known
artists «skied» above.
Three years later, Life published a group
portrait of these
artists and 10
others, Newman and Clyfford Still among them.
The exhibition is divided into several sectors: On the seventh floor, the section «
Portrait of the
Artist» brings together self -
portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar C
portraits with
portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar C
portraits of artists and
other members
of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric
of «Street Life» the exhibition presents
artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously;
Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar C
Portraits Without People; Body Bared (nude
portraits); Self Conscious; Institutional Complex and Postwar C
portraits); Self Conscious; Institutional Complex and Postwar Celebrity.
Joffe's women vacillate between the realms
of reality and fiction, at times appearing to be
portraits of friends and at
other times appearing to be characters drawn from the
artist's imagination.