Sentences with phrase «portraits present people»

Not exact matches

If there is something God is concerned about, it is religion, which presents an ugly portrait of God to people and tells us to worship this ugly portrait «or else.»

And it has become increasingly difficult for theology to present a portrait of the intelligibility of history that rings true to many people.

(ENTIRE BOOK) The author intends to present the portrait of a man of extraordinary accomplishment in the fields of religion, politics, linguistics and ecclesiology, but also as an ordinary man whose letters and reported conversations reveal his struggle with the ordinary issues of a person of his time.

Her embodiment of contradictions presents a charming, fascinating, and, above all, thoroughly complex portrait of a young person.

The Rollins, Arthur, and Billy the Kid storylines feel like filler, while the Woody, Clark, and Quinn segments do actually present a portrait of Dylan as a person.

A resident of Virginia's Blue Ridge Mountains herself, McCrumb has the unique ability to paint mythic portraits from the past and present of the people who call this region home.

Anyone familiar with the work of Alice Neel (1900 - 1984) has seen her portraits of people of color, but to realize the depth of this aspect of her practice and view more than 30 of these images presented together was a moving experience.

This exhibition presents oversized, hyper - realistic portraits of people that challenge the viewer to consider the artist's rigorous technique.

This new body of work presents oversized, hyper - realistic portraits of people that challenge the viewer to consider the artist's rigorous technique.

The presentation includes the premiere of «David Adjaye: Collaborations,» a documentary film by Oliver Hardt that presents a portrait of the architect through the eyes of people with whom he has worked.

In Uptown, which is, a little regrettably, located in Chelsea, Als brings together over thirty portraits Neel painted of people within her social circle in Harlem (if one takes a detour to Als's Instagram, they will stumble upon a similar project: a compulsive record of tender snapshots presenting the people encountered in his life).

The presentation included the premiere of «David Adjaye: Collaborations,» the documentary film by Oliver Hardt presents a portrait of the architect through the eyes of people with whom he has worked.

In a series of twelve oversized and strategically altered photographic portraits, Gabrielle Goliath presents a cross-section of «everyday South Africans» as Faces of People who may or may not be Victims or Perpetrators of Domestic Violence.

The Northern Manhattan Arts Alliance (NoMAA), in collaboration with NewYork — Presbyterian — The Allen Hospital, presents Portraits of Community: People, Places.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar CPortraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Cportraits); Self Conscious; Institutional Complex and Postwar Celebrity.

While other students were presenting portraits of family and friends, when he showed his drawings of his family, they were seen as social realism because they were images of black people.

The 17th - century portrait will join five existing prints of van Beck in the museum's collection, and will add to a growing collection of portraits of people past and present living with different medical conditions.

P.S. 1 is proud to present German artist Hans - Peter Feldmann's (b. 1941) 100 Years (2001), a monumental series of 101 photographic portraits of people aged 8 months to 100 years old.

Drawing inspiration from classical portrait painting of the 17th - century Dutch Golden Age to explore the relationship between her subjects and their environment, Dumas often presents her subjects as heroic, engaged in a struggle of sorts against their marginalization or confinement, and against the spatial and psychological encroachment of people.

A specialist in fine art photography, the gallery presented unique works by Irving Penn — ranging from his intimate portraits of well - known people, like Truman Capote, (discussed in this interview) Al Pacino, Pablo Picasso and Miles Davis, to his highly stylized fashion photographs for VOGUE.

«This book is a social history of Pop art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art has been marketed and appreciated — in the monetary and aesthetic sense — up to the present day.»

Warhol: Unidentified, presenting 74 Polaroid portraits by Andy Warhol that feature people who remain unknown.

The exhibition will also present recent portraits, interviews and film footage, including some moving image pieces shot in Lampedusa and Sicily showing interviews with the people he photographed in 2015.

The first Diane Arbus retrospective in three decades presents a portrait of a woman warrior who constantly exposed herself to physical and psychic risk, sought out marginal as well as celebrated people, and recorded her times with the urgency of a photojournalist in the midst of a war.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

The shards are also present in the portraits that I paint in person, the most recent of which was one of the artist Tom Sachs's wife.»

Combining portraits of indigenous people, dramatic horizon lines, and botanical representations of the natural world, Fernández presents the works through a contemporary lens that prioritizes the individual within the landscape.

Some are portraits, others present people in more complex postures creating sensual and ethereal quality to the work.

So, I looked at each portrait of each woman - identified person who ran a salon, and then made a drawing that would help create a different kind of energy around her, not only representing her, but also representing her through the fragmentation, through the beauty, through the kind of energy to which they are either present or absent in history.

BOOKSHELF Through the lens of 50 black photographers, «Songs of My People: African Americans, A Self Portrait» presents an unvarnished vision of African American life.

Three key bodies of work include, «Class Pictures» (2002 — 2006), portraits created in collaboration with young people and institutions across America; «The Birmingham Project» (2013), a series of dual portraits honoring the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Ala., presented at the Birmingham Museum of Art and 2014 Whitney Biennial; and «Harlem Redux» (2014 — 2017), in which Bey reprised his first project, «Harlem, U.S.A.» (1975 — 1979, later remounted in the 2010s), post-gentrification.

The exhibition presents eighty - seven works created between 2007 and 2014, including Muholi's Faces and Phases portrait series, which uses firsthand accounts to speak to the experience of living in a country that constitutionally protects the rights of LGBTI people but often fails to defend them from targeted violence.

In Hiller's series, she presents a collection of reworked internet - sourced portraits of people who have been scanned for their auras by photographic means.

Museum of Contemporary Art, MOCA, in North Miami presents Dawoud Bey: Picturing People an expansive career survey of the Chicago - based photographer, which ranges from street encounters to formal studio portraits on view JUNE 7 — SEPTEMBER 8, 2013.

The chronological circuit of around 400 works will begin with early treasures such as Hans Eworth's 1565 Portrait of an Unknown Lady, showing works through the centuries to the present day including, said Curtis, both the unexpected and those that «people want and expect to see».

The National Portrait Gallery presents Road to 2012: A Local Story an exhibition of striking new photographs of people from East London community groups who are working with the National Portrait Gallery opens on July 27 2011 at the View Tube, a café and arts space close to the Olympic Park.

Presented by the Flag Foundation, the group exhibition features portraits of people from diverse backgrounds by 30 emerging and established, critically recognized artists including Dawoud Bey, Mark Bradford, Awol Erizku, Ellen Gallagher, J.D. Okhai Ojeikere, Malick Sidibe and Kehinde Wiley.

Spanning images that range from tableaux vivants, portraits and still lifes, Backyard Tableaux presents vignettes of backyard scenes and the people that activate them.

The portraits were presented alongside four images of the empty cinemas which the actors will eventually fill with their screen presence, and are intended to question whether it is possible to distinguish between the person and the icon.

The Brown Sisters will be presented in its entirety, and each portrait will be paired with other photographs made by Nixon in the same year, drawn from various bodies of work, including schools in and around Boston, people with AIDS, couples, and landscapes.

The 29 paintings in this internationally recognized Brazilian artist's Kindred Spirits series present realistic portraits of Ms. Varejão with her face and body decorated with motifs related to Native American tribes as well as Minimalist artworks, while her abstract series of «Mimbres» paintings make visual reference to the artistically sophisticated group of people of the same name who inhabited the American Southwest in the 11th century.

In some paintings they were presented in conjunction with a person in a portrait, other times as a vignette of daily life, sometimes they were rendered from memory and occasionally they were presented as an actual, very individual portrait.

The one - person Kabinett stalls presented like small museum shows, and even disparate pairings, such as Yinka Shonibare's hand - painted fibreglass figures with Kehinde Wiley's portrait of Margaret Woffington, were placed in deliberate dialogue.

For our Special Exhibition at EXPO Chicago, The FLAG Art Foundation is pleased to present SHAQ LOVES PEOPLE, an exhibition featuring portraits of people of various races, cultures, and ethnic backgrounds by both emerging and established international artists, curated by 15 - time NBA All - Star Shaquille OPEOPLE, an exhibition featuring portraits of people of various races, cultures, and ethnic backgrounds by both emerging and established international artists, curated by 15 - time NBA All - Star Shaquille Opeople of various races, cultures, and ethnic backgrounds by both emerging and established international artists, curated by 15 - time NBA All - Star Shaquille O'Neal.

Professional photographers, child placing agencies, concerned citizens, business people, state agencies and others concerned about child adoption issues have stepped up to meet the need and present children waiting for adoption with dignity in artistic fine art portraits.

The Neighborhood Report presents an in - depth portrait of the people who live in a target area, in addition to key economic and quality of life indicators.