Because they were not well equipped to deal with the intellectual challenges
posed by modernism, fundamentalists withdrew from mainstream seminaries and secular universities, frequently adopting an anti-intellectual, populist stance that, to use Carpenter's phrase, «often took the form of railing against one's enemies before an audience of one's friends.»
Not exact matches
«The Essence of Things: Design and the Art of Reduction,» an exhibition from the collection of the Vitra Design Museum in Weil am Rhein, Germany, similarly
poses Modernism as a process of making sense of the chaos of everyday life
by the simplest means possible.
These conceptual clusters entertain issues
posed by artists revisiting key moments in
modernism, examining the city as a laboratory, and reflecting on the Pop legacy of text in art, as well as spotlighting artists whose contributions to the contemporary art scene have been significant.