Bringing together a minimalist structural rigour contrasted with unfolding fields of energy, Altmejd recognizes the primacy of the conceptual approach in shaping the cycles that run through his work: heads, constructed, architectural pieces, werewolves, bird men,
giants, bodybuilders, guides, watchmen... The abrupt changes in scale (from the minuscule to the monumental), profusion of materials (crystals,
mirrors, synthetic hair and fur, resin, wood, metal) and the various devices he uses to occupy the space (platforms, display cases, oversized cabinets) are all strategies that
position the artist as a creator of all possibilities.