Sentences with phrase «positions at the art museums»

Not exact matches

Gary Vikan was named Director of Baltimore's Walters Art Museum in 1994; he stepped down from that position at the end of March 2013.

She has held positions at the Walters Art Museum, Baltimore, MD; the Pennsylvania Academy of Fine Arts, Philadelphia, PA; the Norton Museum of Art, West Palm Beach, FL; the Center for Creative Education, West Palm Beach, FL; the Vero Beach Museum of Art, Vero Beach, FL; and the Durham Arts Council, Durham, NC.

Opening: «Kerry James Marshall: Mastry» at Met Breuer This mid-career survey, one of the most hotly anticipated New York museum shows of the year, focuses on the work of Kerry James Marshall, the Chicagoan painter whose paintings and drawings, for the past 35 years, have focused on the position of black artists in art history.

Current available positions at The Whitney Museum of American Art, NYC.

She has held curatorial positions at The Museum of Modern Art and the Tate Modern.

Previously, Marley was Research Associate for the Agnes Martin Catalogue Raisonné of Paintings, a Collection Manager for a private estate and has held positions in the Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's in New York.

She has held positions at the University of Chicago, Theaster Gates Studio, Monique Meloche Gallery, School of the Art Institute of Chicago, and the Hammer Museum.

Leveille also maintains a position on the LOW committee, which stewards the illustration collection at the New Britain Museum of Art.

Past shows include, group exhibition at Marian Goodman Gallery, Paris, 2007; Last Attraction / Next Exit, curated by Neville Wakefield, Max Wigram gallery, London, 2007; Beneath the Underdog, curated by Nate Lowman and Adam McEwan, Gagosian Gallery, New York; Art Positions, Art Basel Miami Beach, Florida, 2006; and Whitney Biennial 2006, Whitney Museum of American Art, New York; Kick the Dog, Herzilya Museum of Contemporary Art, Herzilya, Israel (catalogue), 2005.

Since then she has held Senior Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist aArt at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminisMuseum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminismuseum devoted exclusively to feminist artart.

Prior to her position at the Metropolitan Museum, Hobson worked as the Senior Development Officer at The Museum of Modern Art.

He held curatorial and administrative positions at the Americas Society Visual Arts Program, New York; the Queens Museum of Art; the Center for the Fine Arts, Miami; the Museum of Contemporary Art San Diego; and SITE Santa Fe.

Alums have gone on to curatorial positions at the Harvard Art Museums, the Peabody Historical Society, the Menil Collection, and the DeCordova Sculpture Park and Museum, among other institutions.

From her start at the Bronx Museum of the Arts in the late 1980s to her assistant curator position at MoMA — where from 1995 to 2001 she oversaw the first American solo museum exhibitions for pathbreaking artists like Luc Tuymans and John Currin — Hoptman has remained steadfast in her belief that good paintings will always be relMuseum of the Arts in the late 1980s to her assistant curator position at MoMA — where from 1995 to 2001 she oversaw the first American solo museum exhibitions for pathbreaking artists like Luc Tuymans and John Currin — Hoptman has remained steadfast in her belief that good paintings will always be relmuseum exhibitions for pathbreaking artists like Luc Tuymans and John Currin — Hoptman has remained steadfast in her belief that good paintings will always be relevant.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

She holds a BFA from Pratt Institute and an MFA from the School of Visual Arts, and has previously held positions at the Brooklyn Museum, Brooklyn Children's Museum, and the Heckscher Museum of Art.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker EvaArt, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evaart - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

The National Black Arts Festival named Vikki Millender - Morrow as its new president and CEO in July, and Hammonds House Museum director Myrna Fuller retired from her position in April after 13 years at the helm, with Leatrice Ellzy stepping in to serve as interim director.

UPenn alums of the MA program have held curatorial positions or organized exhibitions at LACMA, the Dia Art Foundation, and the Philadelphia Museum of Art, among other institutions.

Snyder has held administrative and teaching positions at New York University (1987 - 1996), Pacific Northwest College of Art (1996 - 2000), College of Santa Fe (2000 - 2009), and Santa Fe University of Art and Design (2009 - present), where he oversees nine departments and developed a number of significant partnerships with external groups including Robert Redford's Milagro Initiative, the Georgia O'Keeffe Museum, and the American Academy in Rome, among others.

A career retrospective, Positions in the Life World, was exhibited in five European cities and at the New Museum of Contemporary Art, New York, and International Center of Photography, New York, from 1998 to 2000.

Prior to his Directorship of Art Platform — Los Angeles, Gross spent five years on the Development team at Museum of Contemporary Arts, Los Angeles where he established strong relationships to donors, collectors and philanthropists in his position overseeing individual giving.

Adrienne Edwards was recently appointed Engell Speyer Family Curator and Curator of Performance at the Whitney Museum of American Art (New York), a position she begins in May.

What started as a plan to remodel the north entrance of the Dallas Museum of Art quickly became an opportunity, in the words of curator Gavin Delahunty, «to completely refresh the space in keeping with the idea of a facelift and the belief that a sculpture at the entrance occupies a privileged position.»

Prior to SculptureCenter Katrib held positions at the Museum of Contemporary Art (MOCA), North Miami since 2007, first as Assistant Curator and then as Associate Curator.

LONDON — Maria Balshaw has been named as the new director of the Tate group of art museums in Britain, assuming the top position at one of the most important museum organizations in the world, it confirmed on Tuesday.

Justine Ludwig's career has included positions at Contemporary Arts Center in Cincinnati, the Boston Museum of Fine Arts, the Rose Art Museum, the Colby College Museum of Art, the Danforth Museum of Art, the Bernard Toale Gallery and the MIT List Visual Arts Center.

Museum of Modern Art painting and sculpture curator Laura Hoptman, who since the late 1980s has served as a curator at the Bronx Museum of the Arts, the Carnegie Museum of Art, and the New Museum before settling into her current position at MoMA, experienced this shift firsthand.

Previously, Hoptman was the Assistant Curator of Drawings at the Museum of Modern Art, and held positions as Guest Curator at the Museum of Contemporary Art, Chicago; and Curator of The Bronx Museum of the Arts, New York.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

From 1991 - 2001, Hodge was director of exhibitions and publications at Harvard University's Graduate School of Design, where she also held the positions of adjunct curator of architecture at the Fogg Art Museum and assistant dean of arts programs at the Graduate School of Design.

Her work has been presented in solo exhibitions at Commonwealth & Council (2016), MAK Center for Art and Architecture (2015), Adjunct Positions (2015), and Human Resources (2014) in Los Angeles, Shulamit Nazarian Gallery in Venice (2016), and the Vincent Price Art Museum at East Los Angeles College (2013).

2014 The Chosen, Jewish Museum, Miami Beach, FL MIA - ATL, Curated by William Cordoba; Saltworks Gallery, Atlanta, GA Dialog — Monolog, Syker Vorwerk Zentrum für Zeitgenössische Kunst, Bremen, Germany Overview Galleries / Global Positioning Systems, Pérez Art Museum Miami, Miami, FL The past is more infinite than the future, Curated by William Cordova, MDCC North Campus Gallery, Miami, FL MIA - BER, Curated by William Cordova, Verein Berliner Künstler, Berlin, Germany Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at MUNTREF, Buenos Aires, Argentina Radio Miami Rosell Meseguer, Curated by Glexis Novoa, Art Center of South Florida, Miami, FL Caribbean: Crossroads of the World, Pérez Art Museum Miami, Miami, FL Lost in Landscape, Cuarated by Gerardo Mosquera at Museo di arte moderna e contemporanea di Trento e Rovereto, Trento, Italy Cuban America, Curated by Yuneikys Villalonga & Susan Hoeltzel, Lehman College Art Gallery, New York, NY

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt colleMuseum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt colleMuseum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collemuseum's first showing of the Sol LeWitt collection.

Previously Barilleaux held curatorial positions at the Mississippi Museum of Art; College of Charleston, South Carolina; Madison Art Center, Wisconsin; and Museum of Holography, New York.

Previous to this position she was the Curator at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, and prior to The Aldrich, she was Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York.

She has also held positions at the Museum of Contemporary African Diasporan Art (MoCADA) and Learning Through and Expanded Arts Program (LEAP).

Prior to this position, she spent sixteen years at the Contemporary Arts Museum Houston, Texas, where she was senior curator.

Siena has lectured and held teaching positions at institutions throughout the United States, including most recently in New York at The Museum of Modern Art, in addition to Cooper Union School of Art, Cornell University, Pratt Munson - Williams - Proctor Institute, and School of Visual Arts.

She has held various positions and fellowships at the Philadelphia Museum of Art, Mildred Lane Kemper Art Museum, Metropolitan Museum of Art, and Amon Carter Museum of American Art and has contributed to several publications, including the forthcoming essay «New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA.»

He has held positions at the Guggenheim Museum, the Brooklyn Museum and Williams College Museum of Art.

Prior to this position, Raicovich worked in several of the top arts and cultural institutions, she previously served as the Director of Global Initiatives at Creative Time, the deputy director of the Dia Art Foundation, in addition to holding positions at the Solomon R. Guggenheim Museum, Public Art Fund, and NYC Department of Parks and Recreation.

Vikram has guest curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center.

On Wednesday, June 20, Suzanne Weaver assumed her new position as the Brown Family curator of modern and contemporary art at the San Antonio Museum of Aart at the San Antonio Museum of ArtArt.

Kang joined the Barnes Foundation earlier this year from the Bard Graduate Center in New York, and prior to that held positions at The Metropolitan Museum of Art, The Frick Collection, and The Nelson - Atkins Museum of Art.

Prior to assuming that position, she was the director of education and public programs at the Philbrook Museum of Art in Tulsa, Oklahoma, and the assistant director of public programs at the Museum of Contemporary Art Chicago.

In 1933, the Nazis had forced With out of his position as director of the applied arts museum in Cologne, and by 1950 he had begun teaching at UCLA.

Previous positions include Chief Curator of Contemporary Art at the City Gallery in Kfar Saba, Israel and Founding Director and Curator of the New Media Center at the Haifa Museum of Art.

He has also held positions at the Phoenix Art Museum, Cleveland Center for Contemporary Art (now MOCA Cleveland), Freedman Gallery, Albright College, San Francisco Art Institute, Galleries of the Claremont Colleges, and Scripps College.

Currently he is featured in Aletheia — Positions in Contemporary Photography at the Helsinki City Art Museum; upcoming shows include an exhibition of new acquisitions at the Louisiana Museum of Modern Art in Denmark andContinental Rifts: Time - Based Works of Africa at the Fowler Museum of Art at UCLA.