Using visual and textual media of physical, digital, found and fabricated states, his work explores
possibilities of an artistic practice that intersects with anarchist ideas of social and political praxis, engaging tensions between autonomy and authority while examining thematics of fiction, imagination, precarity, anxiety, urgency, and counterhegemony.
We'll be looking back at the legacy of Modern and Contemporary African Art while looking forward to the future
possibilities of artistic practices, communities and markets on the continent.»
Not exact matches
Together the selected artworks elicit an exploration
of and reconsideration
of the varied
possibilities that nature and landscape provide in contemporary
artistic practice.
The SAF Production Programme furthers this goal by broadening the
possibilities for the production
of art in the MENASA region through the support
of innovation and excellence in
artistic practice and the encouragement
of risk - taking and experimentation.
Arianna Carossa's
artistic practice aims to question an object's potential, not only how we interact with it, but the imaginary (or real)
possibilities of its autonomous existence.
Carossa's
artistic practice aims to question an object's potential, not only how we interact with it, but the imaginary (or real)
possibilities of its autonomous existence.
«In selecting Anicka Yi as the winner from an exceptionally strong group
of nominated artists, we wish to highlight the singularity
of her vision and the generative new
possibilities for
artistic production offered by her
practice», read a statement issued by the jury.
In his
artistic practice Ballen has increasingly been won over by the
possibilities of integrating photography and drawing.
With the advent
of postmodernism,
artistic practices have splintered into an ever - widening variety
of possibilities that has redefined the role
of drawing in the contemporary art world.
However, it also prompts the viewers to re-think the definition
of calligraphy as they know it, and to acknowledge its far - reaching conceptual
possibilities and the impactful role that it has to play in contemporary
artistic practice.
Looking at the range
of FCA's holdings starting from the early 1960s to the present, I was excited by the
possibility of juxtaposing a range
of artistic practices and generations.
Since the 1960s, Alabama - born Whitten has devoted his
artistic practice to the potential
of painting, transforming material into process, and breaking ground with the plastic and sculptural
possibilities of abstraction.
Therefore the exhibition «Cut Cut «focuses on collage as a decidedly intermedial and interdisciplinary
artistic practice and questions the collage principle and its
possibility to break up and bring to mind processes
of perception and meaning - making.
Michael Riedel lives and works in Frankfurt, and his
artistic practice incorporates painting, text, audio, video, photography, publishing, architecture and performance to engage with the aesthetic
possibilities derived from the basic principles
of recording, labeling and playback.
The work ranges from painting, video, installation and sculpture, melding
artistic practice with new technologies to discover the
possibilities of the human condition.
This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic -
artistic practices examine the
possibilities of the image and see its contents as ephemeral traces
of external reality.
Through a wide range
of styles and mediums including installation, assemblage, sculpture and painting, Michael Linares»
artistic practice consistently raises the
possibility of new relationships between objects and signification.
Yet Scott» s intention was not merely to document the artworks themselves, but to merge the
artistic practice of his subjects with the
possibilities of the moving image.
His
artistic practice is concerned with different
possibilities of dealing with photographic archives and their respective manifestations, as well as with the interrelations and...
Conducted on the occasion
of the exhibition Teatro delle Esposizioni at the Villa Medici, this sculpture is as a mobile stage, polychrome, composed
of eight distinct parts, infinitely reconfigurable and offering the
possibility of staging in situations still unpublished,
artistic practices (music, dance, theater)... or strictly intellectual.
His theoretical and aesthetic innovations greatly contributed to our modern obsessions with memory and celebrity, and provide a timely reminder
of the
possibilities for politically - engaged
artistic practice in the twenty - first century.»
In the same publication, the show's organizer, Nancy Spector, curator
of contemporary art at the Guggenheim, says that the notion
of finding a «best» artist «pales in importance to the
possibility of raising crucial public awareness» about contemporary
artistic practices.
About the Production Programme The Sharjah Art Foundation Production Programme broadens the
possibilities for the production
of art in the MENASA region through a commitment to support innovation and excellence in
artistic practice by encouraging risk and experimentation.
All
of these exhibitions took into consideration the
possibility for multifarious and idiosyncratic
artistic practices across the nation.
Moreover, because the images are now thirteen to twenty years old, the relevant issues in the current exhibition are less about recent
artistic production and more a matter
of curatorial
practice, art history, and the history and generative
possibilities of the photographic image itself.
He is a founding member
of the Red Conceptualismos del Sur, an international platform active since 2007 that seeks different
possibilities in writing, archiving, thinking, positioning, exhibiting and politically historicizing the
artistic - political
practices that have taken place in Latin America since 1960s.
Published to accompany a major exhibition at the Kemper Art Museum, this volume brings together a broad range
of artistic practices that replace active decision - making with the unexpected
possibilities inherent in accident and random influence.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course
of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary
artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all
of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its
possibilities for the future.
While the massive «Zen - Kei 1955 - 2006» exhibition in 2006 filled all three floors
of the Museum
of Contemporary Art, Tokyo, with a radically obsessive, chronological overview
of Ohtake's
artistic development from childhood to the present, subsequent exhibitions have found no shortage
of possibilities for reinterpreting his
practice.
With linking different knowledge and capabilities, re-usage and recycling
of the material and mostly with flexibility in search for new
possibilities of artistic creation, these two
practices enable a certain point
of intellectual independence and self - sufficiency.
Joselit considers the
possibility of critical and
artistic practices that may counter such failures
of representation, instead staging a refusal or representation — a refusal perhaps nowhere more potent than in the performances
of Pope.L, whether the artist is literally ingesting and expelling information, in Eating the Wall Street Journal, 1991 - 2000, or, in Foraing (Asphyxia Version), 1993-95/2008, covering his head with a white plastic bag that he clutches tightly below his chin.
In selecting Anicka Yi as the winner from an exceptionally strong group
of nominated artists, we wish to highlight the singularity
of her vision and the generative new
possibilities for
artistic production offered by her
practice.