Sentences with phrase «possibilities of artistic practice»

Using visual and textual media of physical, digital, found and fabricated states, his work explores possibilities of an artistic practice that intersects with anarchist ideas of social and political praxis, engaging tensions between autonomy and authority while examining thematics of fiction, imagination, precarity, anxiety, urgency, and counterhegemony.
We'll be looking back at the legacy of Modern and Contemporary African Art while looking forward to the future possibilities of artistic practices, communities and markets on the continent.»

Not exact matches

Together the selected artworks elicit an exploration of and reconsideration of the varied possibilities that nature and landscape provide in contemporary artistic practice.
The SAF Production Programme furthers this goal by broadening the possibilities for the production of art in the MENASA region through the support of innovation and excellence in artistic practice and the encouragement of risk - taking and experimentation.
Arianna Carossa's artistic practice aims to question an object's potential, not only how we interact with it, but the imaginary (or real) possibilities of its autonomous existence.
Carossa's artistic practice aims to question an object's potential, not only how we interact with it, but the imaginary (or real) possibilities of its autonomous existence.
«In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice», read a statement issued by the jury.
In his artistic practice Ballen has increasingly been won over by the possibilities of integrating photography and drawing.
With the advent of postmodernism, artistic practices have splintered into an ever - widening variety of possibilities that has redefined the role of drawing in the contemporary art world.
However, it also prompts the viewers to re-think the definition of calligraphy as they know it, and to acknowledge its far - reaching conceptual possibilities and the impactful role that it has to play in contemporary artistic practice.
Looking at the range of FCA's holdings starting from the early 1960s to the present, I was excited by the possibility of juxtaposing a range of artistic practices and generations.
Since the 1960s, Alabama - born Whitten has devoted his artistic practice to the potential of painting, transforming material into process, and breaking ground with the plastic and sculptural possibilities of abstraction.
Therefore the exhibition «Cut Cut «focuses on collage as a decidedly intermedial and interdisciplinary artistic practice and questions the collage principle and its possibility to break up and bring to mind processes of perception and meaning - making.
Michael Riedel lives and works in Frankfurt, and his artistic practice incorporates painting, text, audio, video, photography, publishing, architecture and performance to engage with the aesthetic possibilities derived from the basic principles of recording, labeling and playback.
The work ranges from painting, video, installation and sculpture, melding artistic practice with new technologies to discover the possibilities of the human condition.
This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic - artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality.
Through a wide range of styles and mediums including installation, assemblage, sculpture and painting, Michael Linares» artistic practice consistently raises the possibility of new relationships between objects and signification.
Yet Scott» s intention was not merely to document the artworks themselves, but to merge the artistic practice of his subjects with the possibilities of the moving image.
His artistic practice is concerned with different possibilities of dealing with photographic archives and their respective manifestations, as well as with the interrelations and...
Conducted on the occasion of the exhibition Teatro delle Esposizioni at the Villa Medici, this sculpture is as a mobile stage, polychrome, composed of eight distinct parts, infinitely reconfigurable and offering the possibility of staging in situations still unpublished, artistic practices (music, dance, theater)... or strictly intellectual.
His theoretical and aesthetic innovations greatly contributed to our modern obsessions with memory and celebrity, and provide a timely reminder of the possibilities for politically - engaged artistic practice in the twenty - first century.»
In the same publication, the show's organizer, Nancy Spector, curator of contemporary art at the Guggenheim, says that the notion of finding a «best» artist «pales in importance to the possibility of raising crucial public awareness» about contemporary artistic practices.
About the Production Programme The Sharjah Art Foundation Production Programme broadens the possibilities for the production of art in the MENASA region through a commitment to support innovation and excellence in artistic practice by encouraging risk and experimentation.
All of these exhibitions took into consideration the possibility for multifarious and idiosyncratic artistic practices across the nation.
Moreover, because the images are now thirteen to twenty years old, the relevant issues in the current exhibition are less about recent artistic production and more a matter of curatorial practice, art history, and the history and generative possibilities of the photographic image itself.
He is a founding member of the Red Conceptualismos del Sur, an international platform active since 2007 that seeks different possibilities in writing, archiving, thinking, positioning, exhibiting and politically historicizing the artistic - political practices that have taken place in Latin America since 1960s.
Published to accompany a major exhibition at the Kemper Art Museum, this volume brings together a broad range of artistic practices that replace active decision - making with the unexpected possibilities inherent in accident and random influence.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.
While the massive «Zen - Kei 1955 - 2006» exhibition in 2006 filled all three floors of the Museum of Contemporary Art, Tokyo, with a radically obsessive, chronological overview of Ohtake's artistic development from childhood to the present, subsequent exhibitions have found no shortage of possibilities for reinterpreting his practice.
With linking different knowledge and capabilities, re-usage and recycling of the material and mostly with flexibility in search for new possibilities of artistic creation, these two practices enable a certain point of intellectual independence and self - sufficiency.
Joselit considers the possibility of critical and artistic practices that may counter such failures of representation, instead staging a refusal or representation — a refusal perhaps nowhere more potent than in the performances of Pope.L, whether the artist is literally ingesting and expelling information, in Eating the Wall Street Journal, 1991 - 2000, or, in Foraing (Asphyxia Version), 1993-95/2008, covering his head with a white plastic bag that he clutches tightly below his chin.
In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice.
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