Weather wise we have an overcast sky and the very
possible chance of some rain at some point in time today.
Not exact matches
12 p.m. — Food City 500 Forecast: Colder and Cloudy
chance of possible rain, drizzle and even snow Winds: West 10 - 20 mph Temperature: 40
MONDAY (IF NECESSARY) 11 a.m. — Food City 500 Forecast: Colder and Cloudy
chance of possible rain, drizzle and even snow Winds: West 10 - 20 mph Temperature: 40
2 p.m. — Food City 500 Forecast: Cold and windy,
chance of a light
rain shower or
possible mist or drizzle Winds: West 10 - 20 Gust 25 mph Temperature: 43
FRIDAY: 10 a.m EDT Truck Practice — Mostly cloudy — temp: 65 11:30 a.m EDT Sprint Cup Practice — Cloudy, small
chance of sct'd shower — temp: 69 1:00 p.m EDT Truck Final Practice — Cloudy
chance of a shower — temp: 70 3:00 p.m EDT Sprint Cup Qualifying — Cloudy,
possible shower — temp: 72 SATURDAY: 9:30 a.m EDT Sprint Cup Practice — Cloudy,
rain shower likely — temp: 64 10:30 a.m EDT Truck Qualifying — Cloudy,
rain shower likely — temp: 66 11:30 a.m EDT Sprint Cup Final Practice — Cloudy,
rain shower likely — temp: 68 3:00 p.m EDT Truck Race — Cloudy,
rain shower likely — temp: 71 SUNDAY: 2:00 p.m EDT Sprint Cup Race — Cloudy,
chance of a scattered shower or storm — temp: 78
While it is
possible we miss showers this afternoon this is not a 0 %
chance of rain kind
of day.
5 p.m. — Food City 500 Forecast: Cloudy - scattered
rain,
possible drizzle Winds: North 5 - 10 mph Temperature: 65 6 p.m. — Food City 500 Forecast: Mostly cloudy,
chance of a shower Winds: North 5 - 10 mph Temperature: 65
More than four inches
of rain have fallen in the Southern Tier over the past nine days, with an additional 0.5 inches
possible through tonight and a
chance of showers through Saturday.
With a whole lot
of cloud moving in this evening and the
chance of some highly
possible rain later this evening / night.
I'd say we are in with a big
chance of some more
rain and
possible thunderstorm later this evening.
In this interview Rauschenberg speaks
of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship
of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation
of his observations; the irrational juxtaposition that makes up a city, and the importance
of that element in his work; the facsimile quality
of painting and consequent limitations; the influence
of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime»
of painting and the problems
of time relative symbolism; his feelings on the possibility
of truly simulating
chance in his work; his use
of intervals, and its
possible relation to the influence
of Cage; his attempt to show as much drama on the edges
of a piece as in the dead center; his belief in the importance
of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss
of interest in sculpture; his belief in the mixing
of technology and aesthetics; his interest in moving to the country and the prospect
of working with water, wind, sun,
rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation
of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval
of value hierarchy in art.