Sobel, Anfam and others have dozens of
possible future exhibitions to present yet unseen works by the artist.
Open Sesame was the first in a series of publication research resource documents in which Tate and Uclan in collaboration have sought to develop their work around the impact of past, current and
possible future exhibitions, displays, competitions and collecting strategies initiated by Tate in relation to artists of African, Asian and Caribbean descent.
Not exact matches
Beatriz Cortez and Rafa Esparza's collaborative
exhibition at Commonwealth and Council engages with immigrant labor as a metaphor for the construction of a
future where multiple imaginaries of gender, race, class, and culture are made
possible.
Not Yet Realised: Pavilion Drawings, published on the occasion of the 2012
exhibition Dan Graham's Pavilions at the Lisson Gallery in London, presents numerous drawings and proposals for
possible future pavilions.
2015 The 56th International Art
Exhibition - All the Worlds
Future's, Venice Art Biennale Go East, Art Gallery of New South Wales, Sydney 2014 Taiping Tianguo: A History of
Possible Encounters, e-flux, New York State of Emergency, Davidson College, Belk Visual Arts Center, Davidson, USA Beyond and Between, Leeum Samsung Museum of Art, Seoul, South Korea Beyond Stuff, Mizuma Gallery, Singapore The 14th International Architecture
Exhibition - Fundamentals, Venice Architecture Biennale Unscrolled: Reframing Tradition in Chinese Contemporary Art, Vancouver, Canada
Less than one year later, Skou has transformed Overgaden into an installation of collages and sculptures that articulated repressed architectural spaces to create crossing points into
possible futures, in Staggering Territory, his first major solo
exhibition.
Simon Starling's wonderfully eccentric
exhibition Never the Same River (
Possible Futures, Probable Pasts) will inevitably mean more to those who have visited the Camden Arts Centre regularly over the years.
Recent group
exhibitions include: The Other Side, Garage, Moscow, «Infinite City», CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2013, Abstract
Possible, Eastside projects, Birmingham curated by Maria Lind, «Gaiety is the most outstanding feature of the Soviet Union,» Saatchi Gallery, London, 2012 - 13; «The
Futures of the Past», Kunst Raum Riehen, Basel, Switzerland, 2013, «Red Mansion Prize», RA, London, 2012; «Bloomberg New Contemporaries», London, 2011 and «New Sensations», London, 2011.
«The Planetary Garden: Cultivating Coexistence» explores unseen connections, new intelligences and inequality (Sicily is one of Italy's poorest regions) through the prism of its host city, with the
exhibition using Palermo «as a laboratory to investigate the challenges of our time and look for traces of
possible futures».
In his first major solo
exhibition, Asbjørn Skou transforms Overgaden into a total installation of collages and sculptures that articulates repressed architectural spaces as crossing points to
possible futures.
Reimagined as the work moves from venue to venue, the
exhibition presents responses to a theme that plays with and inverts notions of time, archive and distribution, received pasts and
possible futures.
The
exhibition serves as an important reminder that Detroit has a rich history and a
possible future, existing as far more than a mere case study or dramatic headline.
Hey, I'm Mr Poetic is the first of two
exhibitions looking at the different histories of Wysing Arts Centre and suggesting
possible futures, with the second
exhibition taking place on 13 Sept — 9 November.
(Phoenix, US) The
exhibition «Past /
Future / Present: Contemporary Brazilian Art from the Museum of Modern Art» presents one of the many
possible constellations of artworks produced in Brazil from the 1990s to the 2010s.
Like Sun Ra's work, the art
exhibition follows themes of race and art into their
future possibilities, weaving together textured and fantastical
possible worlds.
When asked about
possible collaborations between FOST Gallery and other galleries in Gillman Barracks, Cortes says that while collaborations are not
possible all the time since each gallery would understandably have its own agenda, it would be good in the
future to have a themed duet
exhibition with another gallery.
Paintings and sculptures from Ganske's most recent series comprise the
exhibition, in which the artist explores
possible future forms of human society and habitation.
In this latest body of work, a continuation of his most recent solo
exhibition The
Future is Always Tomorrow, Ganske envisions a possible future form of human society and habit
Future is Always Tomorrow, Ganske envisions a
possible future form of human society and habit
future form of human society and habitation.
A number of the artists have been asked to produce new works especially created for this
exhibition and reflecting on the
future: is it
possible to envisage a
future based on principles of humanity and equality, rather than on exclusion and division?
Actively engaging with the present social discourses that inform South Africa, the
exhibition's curatorial premise asks both the artists and viewers to reflect on the
future: is it
possible to envisage a
future based on principles of humanity and equality, rather than on exclusion and division?
This
exhibition asks vital questions about our contemporary times, and offers glimpses into different
possible futures.
The
exhibition, All the small Things, is part of HEART's
Future Programme, which has been made
possible thanks to the generous support of the Obel Family Foundation.
The
exhibition will provide a strong sense of discovery, a micro-universe in which two idiosyncratic artistic voices will re-examine Finland's past, and speculate on its
possible futures,» Xander Karskens says.
About the
exhibition (words by the curator, Carlos Issa): «Super Colina» is the location - apparatus, condenser of atemporal vapors, where it is
possible to surpass the socio - economic obscurity of our time and surround the
future, to then reprogram it.
His work has been exhibited widely in international biennales, museums and galleries worldwide, including most recently All the World's
Futures, The 56th International Art
Exhibition, Venice, Italy (2015); Sharjah Biennial 12: The Past, the present, the
possible, Sharjah Art Foundation, UAE (2015); Prospect.3: Notes for Now, Prospect New Orleans, New Orleans, LA (2014); Pérez Art Museum, Miami, FL (2014).
Costinas is acquainted with Wong's art as part of Para Site in Hong Kong, where, alongside the M + Museum, and in collaboration with the curatorial project called A
Future Museum for China, he curated in 2014 an
exhibition titled Taiping Tianguo, A History of
Possible Encounters: Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York.