By modulating the dye on each tinted fiber, she asserts a tighter than ever control over her work's appearance and the tightest integration
possible of abstract form and surface.
Not exact matches
It's the difference between writing «We further showed that X is dependent on Y» and writing «Paramagnetic bipolar tolography revealed that X was dependent on Y.» This section should
form the bulk
of the
abstract, so cram as many key words as
possible in there, as the five or so key words that journals allow you to specify as such will soon get used up.
Eventually, she realized that it was
possible to translate «
abstract thoughts into imagined
form beyond the limitations
of reality» within the discipline as well.
These geometric shapes characterized the elemental or «bare bones»
forms of art, which, according to critics, represented the culmination
of modern art's progression toward the most simplified
form of abstract art
possible.
A series
of sculptural assemblages, ethereal wall works, and a performance with attendant sculptures or props, present a diverse library
of possible forms for the expression
of images
of an
abstract physical and psychic body.
Metaphorically, the liger, as an
abstract idea that has become real in the physical space, is a prime example
of the ultimate divorce between what is
possible and what should be undertaken.If so far the biennial organizers have tackled the politics
of identity, and technological means
of interfacing or redefining identity, it follows that they would be interested in some
form of Marxist critique.
Two generations ago or more,
abstract painters often sought
forms and techniques that would evoke experience outside the studio as little as
possible, regardless
of the style in play.
The technical freedom available to and implicit in abstraction would appear to offer entire worlds
of possible production, but too much
abstract painting today operates within carefully pre-determined formal codes
of what abstraction ought to look like, which results in artwork that often uses color and
form so as to conjure an aura
of meaningfulness yet can not escape seeming quaintly derivative.
Rather, an entirely different sort
of basic connection
of elements is
possible, from which our ordinary notions
of space and time, along with those
of separately existent material particles, are
abstracted as
forms derived from the deeper order.