I agree with the poster above - how closely must you be staring at a woman to catch
the possible tiny moment of «exposure» at latch - on or detach, in order to be so mortally offended by it?
Not exact matches
It's fairly effective, that is, until the
moment when one of the characters says to another: «We are not so different, you and I.» That sentence is so bad, so on - the - nose, you can almost hear the actor opening a
tiny drawer labeled «THIRD - RATE THESIS LINES» as quietly as
possible before speaking.
Both of these are
possible scenarios, and different people will have seen different results based on these
tiny moments.
We see the city that never sleeps as avenue after avenue that you can stroll through (though, sure, there are streets or entire blocks we avoid), a glowing world unto itself that keeps the dream alive that anything is
possible and catching the
tiny moments counts for a great deal.