Sentences with phrase «post modern time»

This is despite the fact we are supposed to be living in a post modern time.

As but a solitary Being living upon the Celestial Plain of Terrestrialnesses» Omnivorants, I must follow the Lord's, Christ Jesus» words He is said to have spoken and put into the Scriptures of the «New» Testament, making the «Old» Testament null and void and unfollowable in these Post Modern Times.

I had a look at Post Modern Times, which I hadn't checked for a while.

Not exact matches

The following is a guest blog post: Although many consider the Foreign Exchange Market or Forex to be the ingrained mark of modern society, history reveals that the act of trading is as ancient as time itself.

Just as ridiculous is the post modern response of «they cant change» - which if true would mean that any addiction or sin would be unchangeable despite the facts humans change all the time and I am NOT speaking of through Christ.

This type of religion would never have been accepted in modern times, and the people in the first few hundred years post Christ already recognized this.

Religious ideologies of modern post times do not ruin worldiness values but only strengthens communal resolve.

Howard Fineman echoed the sentiments on the Huffington Post, calling it «the nastiest, most abrasive personally accusatory presidential campaign in modern times.»

> A MODERN HOUSEWIFE posted: «Ramps pop up in grocery stores in the Spring > for a short window of time - they are delightful!

No one revels in our losing no one and to suggest it is just stupid beyond belief... It's been 12 f ****** years without a sniff at the title thats getting close to the worst run in the modern era... I.e. Post 1966... The point is wenger refuses to address longstanding gaps and weaknesses in squad by suggesting the spirit is good or cohesion is right or youngsters about to come good or his bargain basement purchases from ligue I are hidden gems... it's become tiring and time he should join the pensioner ranks and leave this job to someone with a bit of ambition..

She works as the lifestyles editor and writer at a San Francisco Bay Area newspaper, and her work has appeared in The New York Times, The Huffington Post, HuffPost Live, Mommy Tracked, Modern Mom, Divorce 360, and the anthologies Knowing Pains: Women on Love, Sex and Work in Our 40s and Nothing But The Truth: Women on Life's Transitions.

It is unambitious for modern Britain when it takes less time to walk to the post box than it does to upload a document via a steam powered internet connection.

While technically correct that the vice president is the president of the senate, in modern times (post 60's) a pro tem is elected from within to handle the work and the vice president only comes when he's wanted.

At least in modern times (the post WW2 era), most cabinet ministers have always had safeish seats, the main reason being that you generally need to have sat for a couple of parliamentary terms to get into the cabinet and if you have a marginal seat you tend to lose it before you get to cabinet level.

From the Post Carbon Institute comes a quick video of the history of fossil fuels and the growth of the modern economy over the last 300 years: You might also be interested in this recent post: «Energy source transitions over time - what comes nPost Carbon Institute comes a quick video of the history of fossil fuels and the growth of the modern economy over the last 300 years: You might also be interested in this recent post: «Energy source transitions over time - what comes npost: «Energy source transitions over time - what comes next?

My end goal diet is a modern Paleo most of the time (no processed foods — mostly meat, veggies, fruit, and so forth but maybe some things not strictly Paleo), eating IF style, with post workout nutrition always in check.

Lorna Brighurst: «modern world» I read your post multiple times until I could find some meaning in it.

He's been called «a modern day Thoreau» by Newsday, «a genius and a saint» by The New York Times, and «the most interesting and influential classroom teacher in the country» by The Washington Post.

The image that I included with this post gives a subtle visual clue (though it will be set in modern times).

Also, «The Modern Jewish Girl's Guide to Guilt» is not a marginal book, as the post might suggest, but was actually an award - winning work that ended up on the Los Angeles Times bestseller list.

Print This Post Filed Under: Digital, REAL WORLD, Writing life Tagged With: #FutureChat, Ash Wednesday, Curia, digital, Holy See, Jesus of Nazareth, Kathy Pooler, Lent, MoMA, Museum of Modern Art, Paola Antonelli, Pope Francis, Porter Anderson, Prince of Darkness, publishing, Roman Curia, temptation, The Bookseller, The FutureBook, Therese Walsh, Thought Catalog, time zones, Vatican, writing, Writing on the Ether

We have already posted best money tips for 2016 from modern financial experts, now it is time to learn even more.

About Blog News about the 1931 - 1945 Sino - Japanese war and the birth of modern Asia by Peter Harmsen, author of New York Times bestseller «Shanghai 1937» and «Nanjing 1937» Frequency about 1 post per month.

By 2004, The Washington Post took note of «whole communities from Lancaster... relocating to Wisconsin, where land is two to three times as cheap and the influences of modern society are less pressing.»

He has contributed travel articles to GQ, Worth, Forbes, Modern Maturity, USAToday, the Washington Post, Town & Country Travel, the Los Angeles Times, as well as USAToday.com, MSNBC.com and ABC.com.

His travel series on the great hotels of the world appeared in GQ, and he's written on travel topics extensively for Worth, Forbes, Modern Maturity, USAToday, the Washington Post, Town & Country Travel, the Los Angeles Times, as well as USAToday.com, MSNBC.com and ABC.com.

«Ohh, I'm Riddles, I have two days off, and have Modern Warfare 2, but can't find the time to post a Hey!

Isca has been featured in a wide range of publications, including Artsy, Art in Print, Modern Painters, Huffington Post, Artnet Magazine, ARTnews, Vanity Fair, The New Yorker, ARTFORUM, and Time Out New York.

Aneta's work has been reviewed and featured in New York Magazine, Time Magazine, Interview Magazine, Libération, Photograph, T Magazine, Time Out New York, Vice, Elephant, Osmos, Secret Behavior, Purple, Artinfo, Hyperallergic, Modern Painters Daily, The Huffington Post and Artforum.com among others.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

It's Whitney Biennial Season Again», The New York Times, March 7, 2004 (illus) Suzanne Cotter, «Soul Delay,» catalog essay for Real World, Modern Art Oxford, UK Manami Fujimori, «Artforum Sees and Talks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museum, NY

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Her work has been discussed in Artforum, ArtNEWS, Art + Auction, Art in America, Flash Art, Modern Painters, New York Magazine, the New York Times, and The Washington Post, among other publications.

With their obsessive nature and encyclopedic magnitude, Darboven's visualizations of time and recent history, as well as the collection, selection, and rearrangement of knowledge in form of handwritten excerpts, photographic, literary, and journalistic documents of cultural history, bear witness to the artist's attempt to counter the information flood and the alleged chaos of the (post --RRB- modern world by creating an autonomous classification system and by placing herself in an individual framework of meaning.

The gallery has been reviewed in such publications as the New York Times, Art in America, Artforum, The Village Voice, the Washington Post, Modern Painters, Interview Magazine, Sculpture Magazine among others.

Her work has been featured in an impressive list of articles in Artsy, New American Paintings, The Huffington Post, Modern Painters, the Los Angels Times, and the Paris Review... read more

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Hold the Wall: Trends in Contemporary Painting May 17 — June 22, 2013 Art for Hope May 17 — June 22, 2013 The 42nd Student Art Show March 29 — May 4, 2013 Merit Scholarship Exhibitions March 29 — May 4, 2013 Animatopoeia: A Most Peculliar (Post Modern) Bestiary January 18 — March 2, 2013 Dante Rodriguez: New Works January 18 — March 2, 2013 Main Gallery: The 20th People's Art Show November 9, to December 13, 2012 1307 Euclid Avenue: The Firest Exhibition Main Gallery: September 7 to October 20, 2012 Full - Time Studio Art Faculty Show North Gallery: September 7 to October 20, 2012 Teaching Staff Exhibition Center Gallery: September 7 to October 20, 2012 Jennie Jones South Gallery: September 7 to October 20, 2012 The Galleries at CSU Opening Main Gallery: Friday, October 19, 2012

2005 Interview, Artforum, December Buchhart, Dieter and Fuchs, Mathias, cover and interview, Kunstforum International, no. 178, November - January Hales, Linda, The Washington Post, 11 September Sischy, Ingrid, The Artist Formally Known for Prints, The New York Times Style Magazine, Spring, pp.186 - 189 Johnson, Ken, A Sculptor From 2 Cultures Takes a Tour of Colonialism, The New York Times, 14 October Finch, Charlie, Artnet Magazine, 13 October Wilson, Michael, Artforum, 11 October Cotter, Holland, The New York Times, 2 October Pollock, David, The List Magazine, July 21 - August 4, p. 91 Picard, Charmaine, The Art Newspaper, no. 162, October, p. 2, p. 18 Krudy, Catherine E., Flavorpill NYC, 27 September - 3 October Smith, Roberta, The New York Times, 2 September Ponant, Pierre, Beaux Arts Magazine, August Holmes, Pernilla, Spoon, March / April, pp.23 - 24 Brownell, Ginanne and Sarah Sennott, Front and Centre, Newsweek, 14 February Rosenberg, Karen, New York Magazine, 17 October Picton, John, Cooper - Hewitt Design Journal, Fall, pp.8 - 11 Downey, Anthony, Bomb, no. 93, Fall, pp. 24 - 31 Baynard, Ed, Modern Painters, April, pp. 84 - 89 Hudson, Mark, Telegraph (online edition), 22 January Biro, Matthew, Art Papers, 22 January, p. 51 Cork, Richard, New Statesman, (online edition), 1 January Larsen, Lars Bang, Artforum, January, pp.172 - 173 Feaver, William, ARTNews, p. 26

He refused more glamorous postings in order to continue his classes and to ensure that he could spend time at the important exhibitions of the period, notably the Mondrian retrospective and the Tate Gallery's 1956 Modern Art in the United States, at which he saw the work of Edward Hopper and Stuart Davis for the first time.

Natalie Frank's work has been covered in prominent publications and media outlets such as Art in America; BOMB, Flash Art, The Huffington Post, Modern Painters, The New York Times and others.

Curated by Joe Amrhein and Petur Arason 2004 «Nothing Compared to This,» CAC Museum, Cincinnati, OH 2003 «One on One,» Pierogi, Brooklyn, NY «Mine,» Lombard Fried Fine arts, New York, NY 2002 «Meiosis,» Sol Gallery, Providence RI «Perspectives,» Woods Gerrry Gallery, Providence RI «Caribbean Biennial,» Museum of Modern Art, Santa Domingo 2001 «Synergism,» Pro Gallery, Nassau, Bahamas 2000 Glass Triennial, Woods Gerrry Gallery, Providence, RI «Shattered Fractions,» College Gallery, Nassau, Bahamas «On The Edge of Time,» Contemporary Art from the Carribbean, Washington DC 1999 «Visual Dialogue,» Group of works traveling through the Bahamas «Post Independent Art,» Central Bank Gallery, Nassau Bahamas 1998 «Floyd's Fury,» Pro Gallery, Nassau Bahamas

In the post war years Lichtenhan once again organized a number of solo shows of international modern art: Piet Mondrian, Henri de Toulouse - Lautrec, Oskar Kokoschka, and Vincent van Gogh in 1947; Juan Gris, Georges Braque, and Pablo Picasso shown in a group display in 1948; and a large - scale exhibition of French Impressionism in 1949, at which Claude Monet's Water - Lilies was seen for the first time outside France.

Tags: Barnet Newman, Donald Judd, Frank Lloyd Wright, International Style, Jackson Pollock, Jewish Museum, Kiki Smith, László Moholy - Nagy, London, Mark Rothko, Matthew Marks Gallery, Moma, Museum of Modern Art, New Jersey, New York, New York City, Primary Structures, Tennessee Williams, Time, Timothy Taylor Gallery, Tony Smith, UK Posted in Uncategorized No Comments»

Her work has been reviewed in numerous art magazines, newspapers, and scholarly publications, including The New York Times, The Brooklyn Rail, Artforum, Huffington Post, Modern Painters, Artnet Magazine, Wallpaper *, GLASS Quarterly, NY Arts Magazine, The Wall Street Journal, and Art in America.

She has appeared in numerous publications including New York Times, New York Magazine, Modern Painters, Juxtapoz, Art LTD, The Village Voice, The Denver Post, and New American Paintings.

2006 Gregos, Katarina, «Eve Sussman, The Rape of the Sabine Women», Flash Art, Jan / Feb Cacoulidis, Cleo, «Sabine Modern: On Location with Eve Sussman & The Rufus Corporation», Art Papers, Jan / Feb Coulson, Amanda, «Spontaneous Combustion», Modern Painters, Dec. 2005 / Jan 2006 2005 Spyridaki, Alexandra, «Video Art», Epsilon, April 17th Schumacher, Mary Louise, «Homage to the Master», Milwaukee Journal Sentinel, February 17th Mays - Powell, Harriet and Eve Sussman, «Frieze Frame», New York Magazine, February 14th Hoban, Phoebe, «Into the Mosh Pit with Velasquez and David ``, The New York Times, February 6th, Snider, Suzanne, «Eve Sussman», The Believer, February Maclaren, Becca, «Another look at Velasquez», Bennington, Fall 2004 / Winter 2005 2004 Stevens, Mark, «Beyond the Frame», New York Magazine, December 13th Gopnik, Blake, «Whittling Down the Whitney», The Washington Post, March 14th Saltz, Jerry, «Being There», The Village Voice, May 7th 2003 Sussman, Eve, «The Paper Sculpture Book», Goggles for Kaleidoscope Eyes, Cabinet 2001 Sussman, Eve, Cabinet Instant Replay, Fall 2001 2000 Sussman, Eve, «The Whites Were a Mystery», Peirogi Press, Fall 1999 Anton, Saul, «Eve Sussman, China / White (Art Reviews)», Time Out, September «Goings on about town, Eve Sussman», NewYorker, October 1997 Halle, Howard, «Eve Sussman, Ornithology» (Art Reviews), Time Out Smith, Roberta, «Despite Changes a Gallery Scene that's Resilient», The New York Times, May Schwendener, Martha, «Eve Sussman, Ornithology», The New Art Examiner, July Fritz von Klinggäff, Die Tagezeitung, «Das Verschwinden des Barbiers», November Gear, Josephine, «Eve Sussman @ Bronwyn Keenan Gallery», Review, May Berger, Laurel, «In Their Sights», Art News, April 1996 Coen, Eva, «Casa tua «e Casa mia», Guiliette, September 1996 1995 Glueck, Grace, «Prowling the City for Public Art», The New York Observer, August 1995 Cotter, Holland, The New York Times, August 1995 1994 Melrod, George, Sculpture, (NYC exhibition review), January 1994 Mattei, Peter, «Who has enlarged this hole?»

Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.

Taking up her post in 2010 after a long and successful tenure as curator of the Henry Moore Institute in Leeds, Curtis embarked on the formidable task of overseeing the # 45 million redevelopment and rehang of the entire gallery while at the same time staging exhibitions such as Picasso and Modern British Art, Pre-Raphaelites, and LS Lowry.

Russ, Post no. 15, above, writes: «I'm saddened to hear that one of the few truly heroic policies of modern times, the Chinese one - child policy, is being reconsidered.»