The pre - and
post-War architectural landscape was to become an important subject within the artist's photo - painting practice, documented extensively through photographs in his personal compendium «Atlas» and expanded into a lengthy meditation on buildings, infrastructures and townscapes in the Stadtbilder series.
Not exact matches
Leavitt renders the familiar civic and, more often, domestic
landscape of
post-war L.A., which is dominated by a modest, scrappy, relentlessly future - oriented sense of
architectural optimism.
Piper, who was at the height of his powers and celebrity, in part because of his revitalising of British
landscape and
architectural art in a
post-war context, took readily to the demands of designing for a repeat pattern, observes Simon Martin, curator of John Piper: The Fabric of Modernism, opening at Pallant House Gallery in Chichester next month.