In
this post-apocalyptic road movie an unstoppable virus has wiped out most of humanity and destroyed civilization.
Undoubtedly a very fraught and brave production, and playing not unlike a cross between John Hillcoat's recent Cormac McCarthy adaptation, The Road, and something out of the Rossellini canon circa Germany Year Zero (1948), Son of Babylon is a frightening reminder that what would generically constitute
a post-apocalyptic road movie in the West is the stuff of a brand of neorealism in the Middle East.
Jim Mickle's indie Stake Land was one of 2010's best horror films —
its post-apocalyptic road movie structure was familiar, but its gritty use of vampires (instead of, say, zombies) was distinctive.
Not exact matches
This year,
movies took us everywhere from
post-apocalyptic road chases, to inside our own heads, to a galaxy far, far away.
Well - made but not particularly inventive, this
post-apocalyptic thriller is like a college
road movie crossed with Mad Max.
It's hard to resist the comparison to that or to other non-zombie
post-apocalyptic movies like The
Road (which also featured Guy Pearce, albeit in a small role).
Small parts in TV
movies, recurring series roles («Ravenswood,» «Recovery
Road»), a flurry of indies that showcased her versatility —
post-apocalyptic desert teen in «The Last Survivors,» student with issues in «The Young Kieslowski,» comic gymnast in «The Bronze» — and noticeable supporting turns in acclaimed, bigger
movies such as «The Edge of Seventeen» and «Split.»
A case of superhero
movies growing up, James Mangold's Western /
road movie /
post-apocalyptic drama is less about the X-Men and more about the humanity of a character we've been watching in superhero
movies for seventeen years.
The
movie adaptation of Cormac McCarthy's
post-apocalyptic bestseller The
Road is roaring ahead, with the casting of Kodi Smit - McPhee (pictured) as the son of Viggo Mortensen's character.
Stakeland — a
post-apocalyptic, vampire
road trip
movie — is not a bad film so much as it is derivative and without much visual personality.
He penned the
post-apocalyptic young adult adaptation «Blood Red
Road,» and a TV
movie of Stephen Kelman «s «Pigeon English» for Ridley Scott, a version of the novel «Major Pettigrew's Last Stand» for Warner Bros, and most recently, was hired for magician
movie «Mortimer Wintergreen» by Johnny Depp «s company, with Depp likely to star.
A genre adventurer of sorts, filmmaker John Hillcoat has made a western (The Proposition), a
post-apocalyptic drama (The
Road) and a period gangster
movie (Lawless) in his career thus far.
The
Road Where: Embarcadero Center Cinema, 1 Embarcadero Ctr., 415-352-0835 When: All Week Why: Whether a
movie could be made of Cormac McCarthy's Pulitzer Prize - winning novel about a father and son braving the ruins of
post-apocalyptic America was once the subject of spirited debate, and with good reason: John Hillcoat's reverent adaptation may prove too bleak for those seeking tidings of great joy this holiday season, but it is moving, intelligently crafted and perfectly cast.
So yes, it's all remote, but this doesn't get in our way to communicate and have good workflow», says the studio's CEO Eugene Lavrinenko as he shares the story of Madness
Road, a mobile racing game inspired by
post-apocalyptic movies about total destruction.