Her work has been the subject of major
posthumous exhibitions including Sarah Charlesworth: Stills at the Art Institute of Chicago, IL and Sarah Charlesworth: Doubleworld at the New Museum, NY and Los Angeles County Museum of Art, CA.
Important
posthumous exhibitions include The Epitaph of Con.
Not exact matches
Since her death, there have been dozens of major
posthumous exhibitions in the United States and Europe,
including at The Guggenheim Museum (1972), the San Francisco Museum of Modern Art (2002), The Drawing Center in New York (2006) and the Jewish Museum of New York (2006), and the Fundació Antoni Tàpies in Barcelona (2010).
An
exhibition of Garry Winogrand's photography at the Metropolitan Museum
includes many
posthumous prints.
As artist David Reed points out in his superbly crafted essay that accompanies Hammersley's
posthumous solo
exhibition at Ameringer McEnery Yohe in West Chelsea, two other artists were missing from the San Francisco show who should have been
included: Helen Lundeberg and June Harwood.
Posthumous solo shows
include Galerie ak, Frankfurt am Main (1999/2000), Wolfgang Tillmans»
exhibition space Between Bridges, London (2007), Galerie Mehdi Chouakri, Berlin (2007 and 2008), and Peter Freeman Inc., New York (2008).
Recent
posthumous solo
exhibitions have
included Alice Neel: The Subject and Me, Talbot Rice Gallery, The University of Edinburgh, Edinburgh, (2016); Alice Neel: Painter of Modern Life at Ateneum Art Museum, Helsinki (2016); Alice Neel: Intimate Relations at Nordiska Akvarellmuseet, Skarhamn (2013); Alice Neel: Painted Truths, a retrospective that toured to the Museum of Fine Arts Houston (2010), the Whitechapel Art Gallery, London (2010) and the Moderna Museet, Malmö (2010 - 11); Collector of Souls at the Moderna Museet, Stockholm (2008) and Alice Neel, organised by the Philadelphia Museum of Art and travelling to the Whitney Museum of American Art (2000).
And for the
posthumous retrospective of the fictitious Lester Hayes, Nesbett and Bancroft cooked up a detailed
exhibition history and biography that
includes a stint as a studio assistant for Richard Tuttle and a show at Richard Feigen.
The Morris Louis Estate papers
include records of gallery
exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of
exhibition installations and artwork; and
posthumous project files which
include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the
exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
Highlights
include Nothing to Lose, a
posthumous exhibition of Rotmi Fani - Kayode's photography and his first - ever solo show in New York, in Paris Abdoulaye Konaté solo show, Tentures Teintures and in The Hague Pieter Hugo's first comprehensive photographic oeuvre presentation, This Must Be The Place and more...
Occasionally
included in major museum
exhibitions, notably «The Fifties: Aspects of Painting in New York» (1980), at the Hirshhorn Museum in Washington, D.C., she received an overdue
posthumous tribute, «Elaine de Kooning: Portraits,» in 2015 at the Smithsonian National Portrait Gallery in Washington, D.C.
Pollock saw several important
exhibitions in his lifetime and numerous
posthumous exhibitions have been held,
including the Centre Georges Pompidou, Paris, the Museum of Modern Art, New York and the Tate Gallery, London.
Since Majerus's death, several European museums have organized
posthumous exhibitions of his work,
including the Hamburger Bahnhof, Berlin (2003), the Tate Liverpool (2004), the Kunsthaus Graz (2005), and the Kunstmuseum Stuttgart (2011).
Exhibitions he has curated
include the retrospective «H.C. Westermann»; «Roy Lichtenstein: Interiors,» a
posthumous survey focusing on Lichtenstein's late work; «War: What Is It Good For,» about the Iraq war; and «Situation Comedy: Humor in Recent Art.»
The artist took many photographs of the sky over his lifetime and these images feature prominently in his billboards, stacks and photography; examples are
included in the collections of numerous major museums
including the San Francisco Museum of Modern Art and were featured in the artist's
posthumous exhibition at the Venice Biennale in 2007.
He has been the subject of several
posthumous solo
exhibitions including one at the Solomon Guggenheim Museum, New York (1965) and most recently at the Peggy Guggenheim Collection, Venice (2004 - 2005).