Not exact matches
You might want to roll up the sleeves to expose a watch (even if it's just a large Swatch)-- that might help convey to any
potential agents /
publishers there that you are professional),
and go with jewelry that is as funky / creative as you're comfortable with.
For centuries,
agents and publishers have acted as gatekeeper of the printed word that gives authors access to a
potential audience of millions.
One thing that
agents and publishers have to consider is the size of a book's
potential market.
And by making yourself visible to potential readers, you are making yourself more attractive to agents and publishers, t
And by making yourself visible to
potential readers, you are making yourself more attractive to
agents and publishers, t
and publishers, too.
Personally, I would advise paying for a professional edit or two to give your novel a leg up when it reaches
potential agents and / or
publishers.
Kirkus advertises their service as both a marketing tool for getting the attention of readers
and as a tool for attracting
potential agents or
publishers.
If an
agent is to assess whether you have
potential as a writer, have something they can sell to
publishers,
and if you might be a good fit with their list, you'll also need to send them your stuff.
Sometimes I mention it in a pitch because I think it will help
agents and publishers see more
potential to attract media
and publicity.
I saw writers out there struggling to find freelance work
and getting rejected over
and over again by
publishers and agents who saw no
potential in their books.
I've heard the thoughts of using e-books as a proving ground for
potential print - worthiness, but I believe that will lead to
agents providing less quality material to Print
publishers and holding a few promising works for internal e-publication.
It's here the two paths separate,
and while a writer intent on a traditional publishing deal can submit her work to
potential agents or
publishers and take a well - earned siesta, the self - publishing author has to get busy.
Last week's news of literary
agent Andrew Wylie's exclusive agreement with Amazon.com to publish Kindle editions of 20 backlist titles by notable writers represented by Wylie provoked strong reactions among some major
publishers and elicited extensive industry discussion regarding the implications of this
potential disintermediation.
First, authors need to be successful on a personal level to sell their books
and their
potential to literary
agents and publishers.
But, today,
agents and publishers want to know what the
potential new author's platform is beforehand.
Likewise, you need to have a clear idea of your target audience so that you can convince
potential agents and / or
publishers that your book will sell,
and therefore, make you both money.
If you're lucky enough to get an
agent and a traditional
publisher, they will do the majority of this legwork for you, but they'll also cut deeply into your earning
potential.
And even though your book is undoubtedly brilliant and high - potential, the volume of unpublished manuscripts flying around to agents and editors and self - publishers is very hi
And even though your book is undoubtedly brilliant
and high - potential, the volume of unpublished manuscripts flying around to agents and editors and self - publishers is very hi
and high -
potential, the volume of unpublished manuscripts flying around to
agents and editors and self - publishers is very hi
and editors
and self - publishers is very hi
and self -
publishers is very high.
Then take a step back to evaluate this list
and use it to target some
potential publishers, rights
agents who act in these particular fields.
Agents and publishers want as much proof as possible that there are lots of
potential readers out there for what you're writing about.
The goal is to convince an
agent —
and, in turn, a
publisher — that the book is a
potential best - seller.
Though I work primarily with self -
publishers, I wouldn't hesitate to encourage an author to find an
agent and pursue a publishing contract if I thought a book was a
potential mass - market product.
With the advent of self - publishing arms, there's now «room» in
agents» lists for these kinds of books
and these kinds of authors, yet it's got a very real
potential for being a «bait -
and - switch» operation; the author THINKS they've gained representation
and the opportunity to sell to a major
publisher when all along, the
agent is anticipating releasing the book through its own publishing arm.
Literary
agents Rosemary Stimola (President
and Founder, Stimola Literary Studio), Ken Wright (Agent, Writers House)
and Erica Silverman (Agent, Sterling Lord Literistic) will share the experiences shepherding in blockbusters, such as Suzanne Collins» The Hunger Games,
and working with authors
and publishers to maximize their
potential.
I already mentioned the Absolute Write Water Cooler Forum above as a
potential way to find
agents — but I also use it to vet
agents and publishers.
As a self - published author, you can demonstrate your track record, book sales,
and fan base to
potential publishers and agents.
Keep in mind that during many meetings in Frankfurt,
agents and publishers are able to present an entire catalog of books that have already sold successfully in their home markets (
and internationally, in some cases), which means each half - hour meeting has a lot of business
potential.