Any potential narrator should have a decent recording setup and tell - tale signs of one who hasn't are background noise or poor sound quality.
This is what
any potential narrator will see initially, and may affect their decision to work with you, so you need to make sure that you use an excerpt that does your book justice.
The genre you write in can also have an effect, as many narrators specialise in certain genres, so for example Romance may have many more
potential narrators than Science Fiction.
You will create a profile for your book and then select a few paragraphs to put up as an audition piece for
potential narrators to read.
You'll also post a 1 - 2 page excerpt from your book to serve as the Audition Script for
potential narrators.
Not exact matches
James Woods and Kathleen Turner are sublime as Mr. and Mrs. Lisbon, Kirsten Dunst, Hanna R. Hall, Chelse Swain, A.J. Cook, and Leslie Hayman are all really good as the Lisbon sisters, Josh Hartnett showed some real star
potential as Trip the love interest of Dunst's Lux, and Giovanni Ribisi hits all the right notes and puts in fantastic work as the film's
narrator, conveying a great sense of both maturity and youthful wonder.
And it's that idea of familiarity that ultimately causes The Forgotten to fall short of its
potential: there's way too much information provided by an ancillary character (compare with the intricacy of the involvement of the
narrator of Dark City), and the twists and turns — with the exception of one marvellous, terrifying moment — are telegraphed, enough so that they're neutered of most of their weight.
The first half of the show is all about finding a
narrator and getting your audiobook produced using Amazon's ACX platform (we also covered equipment and
potential pitfalls you should be aware of if you want to do it yourself).
Is there any where I can reach out to
potential royalty - share
narrators?
Imagine this: a
potential reader sees a bunch of reviews on your book page that complain about the
narrator.
HOWEVER, that being said, as a
Narrator, here are a few reasons why I see
potential promise in this change.
Narrators on the royalty share deal want to know that your book has high earnings
potential.
Any
potential romanticism is forestalled by the cacophonous clashing of two audio tracks in which the
narrators are each reading from the Amendments to the Bill of Rights and the Constitution, reciting with an extreme stutter.