Sentences with phrase «potential of photography»

BPB is a multi-dimensional platform for new ideas, engaging intercultural audiences and diverse communities in the potential of photography.

Leiter (1923 > 2013), born in Pittsburgh, had moved to New York in 1946 intending to be a painter — in the early days he exhibited alongside de Kooning — and although he continued to paint throughout his life, he became engrossed with the creative potential of photography as an art form.

Leiter moved to New York in 1946 to become a painter, yet through his friendship with Richard Pousette - Dart he quickly recognized the creative potential of photography.

Inspired by his fascination with the materiality of the photographic surface and the occurrence of abstract forms in daily life, at the dawn of the millennium he began a full exploration into the abstract potential of photography, with a number of non-representational series that lyrically transcend the divide between painting and photography.

Organised in collaboration with Photography and the Contemporary Imaginary Research Hub at London College of Communication, this afternoon of experimental discussion explores the possibility and potential of photography in the contemporary moment, prompted by a round table conversation between exhibiting artists Lucas Blalock, Sara Cwynar and Erin Shirreff, which took place late last year.

-- Surrealism through Brassaï, Henri Cartier - Bresson, André Kertész and Man Ray, who were early to realise the potential of photography to portray dreamlike scenes and unexpected encounters governed by chance and subconscious processes.

Multiple forms explore and advance her relationship with the metaphorical potential of photography.

The works address the juxtaposition between text and image, the sculptural potential of photography and how context and technology has a significant impact on content.

Making use of the technical and iconic potential of photography in its various forms, Pryde creates visually arresting and conceptually precise images that play upon the relationship between two dominant historical uses of...

Sugimoto's photographs of museum dioramas draws attention to the deceptive potential of photography and art

Making use of the technical and iconic potential of photography in its various forms, Pryde creates visually arresting and conceptually precise images that play upon the relationship between two dominant historical uses of the camera: scientific analysis and artistic endeavor.

Many of the artists share Deschenes» interest in architecture and the sculptural potential of photography — either creating an image of three - dimensional space, such as the work of Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

Many of the artists share Deschenes» interest in architecture and the sculptural potentials of photography — either creating an image of three - dimensional space, such as Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

Not exact matches

I still have to develop a comfort level in front of the camera but I am learning more and more about photography everyday so that I can maximize the potential of my blog.

The Estée Edit Flash Photo Powder * This powder does a great job of setting my face makeup and works well with any potential flash photography.

A brief list of some potential opening topics or areas where lots of maths is embedded that could be starting points include: cars; clothes; work and employment; families; technology; photography; drinking; arts and crafts; music; shopping; gambling; travel and holidays; sport; food and cooking; television.

Maybe it's a yearbook of your school's best moments, a photography portfolio to share with potential clients, or maybe, you just want to compile your recent artwork into one professionally bound hardback book.

With logotype and layout design by Art Belikov, art direction by Marija Pulokaite and photography by Vytautas Narkevicius, the publication encourages its audience to choose and evaluate local products, while studying the potential of the latest generation of Lithuanian creators — provoking discussion about creativity in the area.

SKG artist Wendy Ewald will be featured in the group exhibition, Collaboration: A Potential History of Photography, open from January 24 - April 8 in Toronto.

The potential for this data to be reproduced in exponential ways, such the realm of virtual reality, film or photography is endless.

In his sculpture, photography, and video, Adkins transforms and re-purposes a range of found materials, archival imagery, and reclaimed actions in a process that he calls potential disclosure.

His practice demonstrates the narrative potential of images through the intersection of painting and photography.

Through sculpture, video, and photography the artists in «for no space» traverse virtual and actual space to find meaning and potential in notions of landscape and place.

LRF: I realized the potential for using the camera as a weapon as described by Gordon Parks in his autobiography A Choice of Weapons [1966] when I first saw his photograph American Gothic [1942] in my photography class in 2000 when we were given an assignment to show a photograph with what Roland Barthes called a punctum (the thing that pricks you) and a studium (the subject) in a photograph.

A Potential History of Photography.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

To demonstrate the potential of medium - format photography, which uses a roll of film larger than 35 mm, the organizers selected a work by James Steele.

By the 1930s, Vanderpant's style was changing and he began to investigate the potential of straight photography.

This seminal project is shown alongside Collaboration: A Potential History of Photography, exemplifying the challenges and revelations inherent in creative interaction between photographer and subject.

This global phenomenon of image circulation possesses an extraordinary transformative potential, and, this weekend, galleries worldwide exemplify the power of photography to spark social, environmental and cultural change.

As Witmer's spare collection of non-images questioningly explore paint's potential, they also conjure associations with photography and digital culture.

Using sculpture, video, and photography, the artists in for no space traverse virtual and actual space to find meaning and potential in notions of landscape and place.

Sam Falls is a multi-talented contemporary painter, photographer, writer and videographer of international renown, whose captivating works combine photography, painting, and sculpture, exploring the ways in which color, digitally manipulated photographs, and natural processes work together in a single piece of art, investigating artistic potential of each medium.

I am particularly excited by the «Masterpieces of Design and Photography» auction since these two fields have huge potential

The value and potential of this form is acknowledged by a wide spectrum of contemporary artists who freely combine the use of text with performance, installation, video, photography, drawing, painting, sculpture, and printmaking.

This series is an eloquent utilization of photography's critical potential thatevolves from two seemingly contradictory tendencies, the one aestheticizing and obscuring, the other fragmenting and exposing.

In line with my process - driven practice and my long standing interest in the material poetics of photography where human subjectivity and hand techniques intersect scientific inquiry and my interest in exploring both the limitations and potential of darkness, I plan to create and photograph my own paper squeezes.

As the title suggests, all of the work, whether video projection, digital photography, installation, sculpture or painting, considers the body as a potential site of resistance - to disease, desire, death, societal prejudice or technology.

In objects that navigate and test the assumed boundaries of painting, sculpture, and photography, the three artists actively register the evolving potential of these media, suggesting an open and performative relationship to the history of abstraction and all of its loaded meanings.

The Globe and Mail reviewed the exhibition stating: «For [Ruff], photography is a playground, a realm / reality unto itself, with an ever - expanding array of processes and potential...»

Showing here in London for the first time in a public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large - scale installations, sculptures, video and photography.

Both traditional and new forms of imagery are examined and challenged within our post-internet existence, expanding on photography's potential as an increasingly computer - based medium to interrogate its pivotal place in the 21st century.

The range of works in the exhibition creatively explore photography's potential to depict more than simply what appears in front of the camera.

Frieze reviews, Collaboration: A Potential History of Photography, an exhibition on view at the Ryerson Image Center in Toronto featuring work by Wendy Ewald.

Levy struggled to sway public opinion on the status and potential market value of photography, but he found few buyers willing to pay the prices he was asking.

Calla Henkel and Max Pitegoff's collaborative photographs document performance, revising the emancipatory potentials of self - presentation using the spontaneous affect of bohemian lifestyle photography.

Tillmans is not only seeking the «new» in terms of political and economic change, but also in relation to the digital development of photography, which due to the potential now available in terms of resolution can now enable the presentation of details with a degree of clarity that no longer reflects the capacity of the human eye and vision.

Robert Hughes is keen to rubbish photography but when it comes to the portrait, the photographer's potential for revealing character while making something of great beauty is second to none.

The rare vintage prints in this exhibition provide an exceptional opportunity to view the art of photography as it finds its expressive potential at the dawn of the twentieth century.

The event celebrated four artists working at the intersection of «photography, style, and human potential, including Braithwaite, the Harlem - based photographer who advanced the positive political slogan «Black Is Beautiful» CT