Once you recognize who your competition is, it may be easier for you to pinpoint
your potential readers because chances are, you share the same target audience.
Unless you've been sleeping in a cave (not that there's anything wrong with that), you're aware that much of book marketing 2.0 involves spreading legitimate backlinks to your Web site to get the attention of Google, which has been the best way to reach the other 50 percent of
your potential readers because that's the search engine to which they were all going to search for information about your topic.
What could be more frustrating than knowing that you're likely losing
potential readers because your publisher chose to price your book way above market norms?
The last thing an author wants to do is put off
a potential reader because of an unattractive cover.
Not exact matches
Because some groups have thousands of members or more — and are therefore filled with
potential readers and customers — they are ripe targets for spammers, as well as for well - meaning content creators who just want to spread their messages as far and wide as they can, without due concern for where it gets placed.
I am a religious
reader of Control Your Cash
because the website opens your eyes to the
potential consequences of every financial decision that you make.
I usually don't read the comments made by other
readers because they're usually overly negative so today why don't we pass around the optomism pipe and get high on our teams
potential.
You will not miss out on a
potential sale just
because a
reader would like a particular format, simply activate all three formats by clicking «Paperback, Hardcover and eBook» in the first step of the publishing process.
Asking me to «Like» an author page or a book on Amazon «just
because» isn't resonating with me, the
potential reader.
Because good reviews (and even bad reviews) can help
potential readers decide they want to purchase your book, giving the book away to
readers who are likely to post an online review is the easiest way to accomplish this.
Really, the only reason I've stayed on this list for a long time is
because I have a lot of titles to offer
potential readers.
Because your potential readers are normally specifically interested in your topic, and because you are talking about something real (what with it being nonfiction and all...) you have the unique opportunity to build your brand by interacting directly with your readers ABOUT the topic of you
Because your
potential readers are normally specifically interested in your topic, and
because you are talking about something real (what with it being nonfiction and all...) you have the unique opportunity to build your brand by interacting directly with your readers ABOUT the topic of you
because you are talking about something real (what with it being nonfiction and all...) you have the unique opportunity to build your brand by interacting directly with your
readers ABOUT the topic of your book.
The stories are common, but authors seem to keep them private
because they do nt» want to be seen as complaining or negative by
potential readers.
Because I am located in a non-English country I need to use social media to stay in touch with my
readers and
potential readers.
I am a big fan of this as well
because it gets you out in front of lots of
potential readers.
For a long time I dreamed of seeing my book at # 1 on Amazon; of more
readers finding my books and transforming their lives,
because the books is at # 1 and actually has a chance at being shown to
potential readers.
In my opinion, publishers publishing books for children and young people have a very special task to perform,
because the books they produce could have the
potential to help increase the number of
readers in the future.
Because of this, we sometimes lose sight of the fact that our
potential readers have to catch up and learn what we've known all along — that our books are fantastic and they really need and really want to read them.
It's about being an interesting author (with an impactful message) who teaches
potential readers something, entertains them or both, and
because of that connection and that relationship with the
potential reader, they will buy a book from you.
Because let's be honest, those are hard and yet are one of the first things a
potential reader will see.
It's crucial to convey the tone and genre of your story — possibly more crucial than conveying the content —
because potential readers, editors, and / or agents will use it to make a snap prejudgment of the reading experience.
It's the best thing you can do
because books do not exist in a vacuum without
readers and everyone you meet is a
potential reader someday.
While The Forgetting Time doesn't fall into the genre of speculative fiction, some
potential readers may view it that way
because of the subject matter.
That's his prerogative, of course, but it seems a bit mean - spirited to lock out
potential readers simply
because they prefer to buy digitally.
That's
because authors have to be part of the marketing process and connect with
potential readers.
Even if you're right,
potential readers might be turned off by your response and not buy your books
because of it.
Remember that the things you say have the
potential to hurt authors and limit the choices of
readers —
because this is about their choices, too.
Who does it bring in, and do you worry some
potential readers will be left out
because they are on the wrong side of the digital divide?
New authors will be shut out of
potential audiences
because their availability to first time
readers of their work will be decreased.
However, it can still help sell the book
because it will ensure that
potential readers know exactly what they are getting into before picking up your book.
Sony
Readers are struggling
because Sony is messing up their
potential.
However, if harnessed correctly, it is an extremely powerful tool for book sellers
because of the power it has to connect
potential readers to book offers.
The main reason why you should not make your own book cover is that your
potential readers are likely to think your writing is amateurish
because your book cover sucks!
I like the first one
because it conects more with the
potential reader and seeks to help them if they are feeling the pull of getting out of their current job.
We'll do a most on this in the future,
because it's extremely important to follow
potential readers, not just fellow writers.
HarperCollins has decided that it isn't enough to add DRM to its ebooks
because, you know, all
readers are
potential thieves.
Book reviews are essential
because they help
potential readers make a purchase decision.
So not only are front matter blurbs redundant —
potential readers already have access to them before they download a sample or «read inside» — but they they may hurt sales
because they delay the
reader's entry into the text, and
because they take away from the amount of the actual book the
reader can peruse before buying.
Don't underestimate the power of social media — even if you don't like it, you should still use it precisely
because many of your
potential readers and reviewers are using it.
Also, while there are a lot of reasons why a
potential reader might not buy one of your books — whether it's
because the title doesn't grab them or the specific angle doesn't quite fit their needs — that doesn't mean they aren't interested in something similar.
This makes sense
because a lower price will make it easier for
potential readers to buy your book.
It is dynamic content and it's powerful
because it elevates the author's ability to touch a
potential reader's senses and make that
reader remember your book above the others on their discovery lists.
First of all, they are generating interest from
potential book buyers
because they give a quick and hopefully compelling glimpse into what the
reader can expect if they read the book.
It's forever been so in book publishing that many very good titles languish
because potential readers never find out about them — or find out after the bookstore has returned its unsold copies.
In many ways, however, since the inception of Kindle Unlimited last summer, Howey's sorting - through of the variables faced by authors has held a certain coherence
because of (a) his «hybrid» status as a traditionally and self - publishing author, (b) his AuthorEarnings.com data work in a consistent if controversial analysis of authors» income
potentials, and (c) his study of the Amazon subscription question as a shared conversation with
readers and authors.
I decline
because I want them to give that valuable back cover real estate to someone in their field or genre who has clout with their
potential readers.
Because it's the first touch point you and your
potential reader share.
Live action «hooks» the
potential reader on a more emotional level
because the characters appear as real people.
Unfortunately, many of these great books will most likely remain undiscovered in their author's lifetime, largely
because they lack some of the basic marketing elements necessary to initially capture and hold the interest of a
potential reader, convincing them that your book is worth reading.
However, often aspiring writers don't put words on paper (or screen)
because they don't know what their
potential readers actually need or want.