Utilizing means and visual forms associated with guerilla protest — graffiti, stickers and placard cut - outs — his interventions draw attention to a particular form of militant activism while questioning the nature, value and transformative
potential of artistic production.
Not exact matches
Cinematographer Jeff Cutter and
production designer Ramsey Avery work wonders with space, maximising the dramatic and
artistic potential of every bare wall, dark corner or glimpse
of sunlight.
Already, the wall text mentions another model's anonymous allegations
of inappropriate sexual contact by Mr. Araki, noting that «the controversy surrounding Araki's work has almost exclusively been about reception and meaning, and far less about the issues
of consent and the
potential abuses
of power that can be at the foundation
of artistic practice and
artistic production.»
The gallery is an initiative that speaks to ideas
of collectivity and
potential propositions through
artistic production.
Rush has said that much
of what he is interested in is «the idea
of failure and how it might constitute success, and much
of what I do could be characterised as the management
of actual or
potential disasters -LSB-...]» Through these forms the artist hopes to address the problematics
of artistic territory and truth, and the boundaries between the art object, its site
of production and eventual arena
of display.
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the
potential to attract additional private and public support
of the community.3 Is this a worthy challenge
of contemporary arts insularity or does it discount subversive and against - the - grain art
production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need
of help in the form
of artistic interventions?
NOME enables artists are to deepen their research and further their
artistic potential by collaborating with various cultural institutions and facilitating the
production of new works for each exhibition.
With
Of Africa, the curators will present and promote historical and contemporary cultural and artistic production in Africa and its Diasporas to highlight issues that impact the present and evoke the potential of an infinite futur
Of Africa, the curators will present and promote historical and contemporary cultural and
artistic production in Africa and its Diasporas to highlight issues that impact the present and evoke the
potential of an infinite futur
of an infinite future.