I followed a crazy simple tutorial I found from Sugar and Charm, &
poured paint into cheapo vases & let it drip out.
I knew I wasn't going to need a lot of paint, so I used a paint sample that was just sitting on a shelf in the basement collecting dust.I
poured the paint into an old tupperware bowl, mixed up half a cup of baking soda and 3 tablespoons of water, and mixed that in with the paint.
I did it over several evening, basically just
poured paint into the paint tray and used it up.
She claimed I stole her grandkids Christmas presents,
poured paint on her only jacket, and hired workers who exposed themselves in front of her.
Both lessons found direction in Steir's
poured paint paintings: paint, once applied, flows downwards, its serendipitous path routed by its own unpredictable journey.
The method wasn't very different from Pollock's own «drip» technique - he, too, had
poured paint onto raw canvas - but what made it so radical in Frankenthaler's hands was that she managed to wrest from it a dazzling sense of color and light.
Pearlescent blobs represent luminous astral bodies; fields of fine colored lines suggest waves of electromagnetic radiation; swirly puddles of
poured paint read as galactic soup.
The elephant - hide paintings with their dense showers of
poured paint seemed desperate to out - Pollock Pollock in the no - hands department.
Curated by artists Elisabeth Condon and Carol Prusa, «POUR,» an exhibition that examines the use of
poured paint in contemporary art practice, opens this week at the Schmidt Gallery, Florida Atlantic University, in Boca Raton, Florida.
Pollock had gone further and done away with the brush -
he poured paint di - rectly onto canvas.
Her «Pour» series focuses on
poured paint as sculptural paintings and painterly sculptures.
He achieved this unique aesthetic by working on a tilted canvas, which could be moved to direct the flow of
poured paint as it pooled across the painting surface.
Once there, his style of painting changed dramatically and by 1947, he had abandoned the use of brushes and
poured the paint straight on to the canvas (hence the term Action Painting).
Employing patchwork colors, decorative black patterning, photo collage, pins, house plants, a stacked wall of books, and sculptural blobs of
poured paint, Mayfield manifests here an environment for the audience to enter and occupy.
Described by the curator John Elderfield as «think - tough, paint - tough» due to their imposing scale and vigorously expressive brushwork, the pieces from the series include First Creatures from 1959, an abstract, indeterminate landscape exhibited here for the first time, and Mediterranean Thoughts from 1960, in which Frankenthaler's looping skeins of
poured paint create partitions of varying sizes, leaving very little exposed canvas.
Anderson presents abstracted, hypnotic landscapes created with
poured paint and structured marks made with a variety of tools.
She combines
poured paint, fades, and drawing to create new relationships between softer forms.
It turned out that
he poured the paint directly on the canvas, controlling the colors but letting gravity form the saturated textures.
Elisabeth Condon has developed an extensive body of work that exploits the spill of
poured paint as a central landmark in her compositions.
Admire the endless nuances of color in the hands - off approach of Morris Louis, who
poured paint down rolled up blank canvases and let the colors do what they would.
A practitioner of color - field painting, Louis was noted for soaking
poured paint through unsized and often unstretched canvas.
Richter
poured paint on a flat surface, tilting the paint around, then pressing the glass on to sections of the surface and lifting it off.
Vecsey states, «With
poured paint, timing is everything, and it is important to be decisive with it and also ready to accept or reject the unexpected.»
They were the ones who
poured the paint.
It is here that Amm can reflect on the results of a process that only allows him a modicum of control;
poured paint moves unpredictably, and different pigments react to one another in unexpected ways.
Gilliam's Out, 1969, showcases the 82 year old artist's early experiments with
poured paint on unprimed canvases, resulting in a vibrant composition of saturated colors.
It also animates a group of diptychs that bring together clean arrangements of bars or stripes and dramatic compositions rendered with
poured paint and glitter.
First he draped a large canvas over a paint can on the floor and
poured paint over the elevated area.
Then he tacked the canvas to a stretcher and
poured paint from the top and sides.
For a series of large - scale paintings, he used
poured paint techniques and then moved on to geometric abstraction.
The Pollock influence can be seen most readily in a painting like «March Hare» (2014), with its intertwining of
poured paint, poured clear acrylic medium and removed muslin (more on that in a moment), making for a rough - surfaced, spatially ambiguous web.
Zucker paired a sandboxlike container, into which
he poured paint of a solid color, with a box of a slightly smaller size that he had sectioned with thin dowels to suggest the shape of a sailboat on water.
Hubbard's videos «The Collapse of the Expanded Field I - III» (2007) and «Lost Loose Ends» (2008) bring together an assortment of materials, such as
poured paint, flowers being cut with scissors and a Mylar drape pierced and torn by an old - fashioned walking cane.
In the early 1970s the precise forms of his abstracts — the L - shapes, the lozenges, rectangles, ovals, trapezoids — began to be scumbled and overlaid with dripped or
poured paint.
Anxious audiences may remember Abstract Expressionism as the «anxious object» for Harold Rosenberg, and those black faces arise from
poured paint (or a reasonable substitute) and the artist's gesture.
Her first marks, in red and other bright primaries, leave plenty of white space, like
poured paint for Helen Frankenthaler or, in some series, Morris Louis.
Some artists reinvigorated Abstract Expressionism by describing landscapes or figures with vigorous brushwork or
poured paint.
It has a conservative estimate of $ 300,000 to $ 400,000 and unlike many of his works in which
poured paint occupies only a portion of the canvas this painting is fully covered in a fan pattern with a very soft and lovely palette.
I expected to see examples of Davenport's
poured paint works and since it was my first time seeing them in the flesh, I was blown away.
Works from his most famous series,
the poured paint, feature in the exhibition.
The thoroughly layered composition of
poured paint forces its onlookers to intensify and slow their gaze as they move throughout the engulfing landscape of color.
No question such associations make
poured paint comfortingly familiar, attractive, and self - referential.
In this work, Louis manipulated the angle of the stretcher and varied the tautness of the canvas to direct
the poured paint and achieve a tapered effect.
Working first with oil paints and later acrylic, Jenkins
poured paint directly on the canvas, allowing it to drip, bleed, and pool, as well as manipulating it with an ivory knife.
He then
poured paint on the back of the work and shifted the canvas to create different shapes.
He does not so much use brushwork, drips, or
poured paint as mop the paint on, with a long brush, somehow maintaining control.
Making it was a simple strategy of separating out facts from feelings, choosing «givens»: the canvas for the outer world of facts, and
poured paint (added to it in a mixed complex of colour) for the inner emotional world of feelings.
Working outwards from this moment, the exhibition traces several related phenomena: the artistic innovations of
poured paint and stained raw canvas; the social implications of decoration; authorial control vs. materiality; the body and painting; and the image of the woman painter and related questions of gender and identity.
The artist then
poured paint in front of the car's rear tire and directed Cage to drive slowly over twenty sheets of paper that he had glued together.
It seems only fair, then, that abstraction has had a resurgence — but with no end of riffs on imagery, photography, stains,
poured paint, trompe l'oeil, and signs and symbols.