Sentences with phrase «pouring enamel paint»

Without drafting preliminary sketches, he starts by pouring enamel paint directly onto the canvas.

The Bagdad (P10) is based on Richter's seminal Flow paintings, which were created by pouring enamel paints on a glass surface.

The Aladin (P11) is based on Richter's seminal Flow paintings, which were created by pouring enamel paints on a glass surface.

This print mounted on aluminum is part of the artist's P series, which the artist describes as «facsimile objects» that are offshoots of his Flow paintings, which were created by capturing poured enamel paints on a glass surface.

Not exact matches

Enamel paints are also my favorite paints for furniture, so if you'd like to use a quart of one of those instead of the AS Chalk Paint, try either Sherwin Williams «Dignity Blue» or Benjamin Moore's «Down Pour Blue» — both are very close color matches.

Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

Frankenthaler did not invent the technique of poured paint, but she did mix turpentine into her bright colors so that they moved to a distant pole from Pollock's black enamel.

Ponce's signature style is created by pouring layers of alkyd enamel paint at various levels of translucency.

The black pourings were first exhibited at Betty Parsons Gallery, New York, in 1951; a series of black enamel and oils, they have been described by art historian Michael Fried as bringing the artist to «the verge of an entirely new and different kind of painting... of virtually limitless potential.»

Bonnie Maygarden's almost photographic abstract texture is painted with enamel on leather, while Ashley Teamer's painting shows a young artist approaching abstract space using a variety of methods: Paint is poured, dripped, brushed and spread with a palette knife.

The poured abstraction is ostensibly sleek, but look closer: beneath the enamel - like surface (she uses acrylic), there's a tangible network of drips and pools — forever - to - be-unseen paintings giving shape to the one before your eyes.

This tour de force of scholarship bears paintings, drawings and five of his six known sculptures, where Pollock pushed on through, farther than even his previous drip paintings, to forge some of the most radical art of the 20th century: sublime, sexy black enamel and oil pours on pure, unprimed canvas.

Jackson Pollock, the master of Abstract Expressionism, reached an endgame with his groundbreaking drip paintings in 1950, and then experimented with a new technique, akin to drawing, of pouring thinned black enamel onto unprimed cotton duck.

Inspired by the enamel stains of Jackson Pollock and the thin washes of Helen Frankenthaler, Louis created his Veils by pouring Magna acrylic paint thinned with turpentine onto unprimed, unstretched canvases.