Sentences with phrase «pouring turpentine»

Frankenthaler's invention of soak - stain, which involved pouring turpentine - thinned oil paint (and later, watered - down acrylic) on a flat, untreated canvas, opened doors to the next big thing, Color Field painting.

Unless you're pouring turpentine in your baby's diapers, I just don't think the way you choose to wash your fluff is any reflection on your parenting skills.

Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.

Frankenthaler on the other hand, poured turpentine - thinned artist grade paint to create watery amorphous pools, stains, lines and fields.

Inventing the color - stain technique, in which she poured turpentine - thinned paint onto canvas, she is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

Not exact matches

It's never poured, I prep a tin in which I mix up a couple of tubes of oil paint with a lot of turpentine, a lot or a little less depending on what I want to do.

Frankenthaler did not invent the technique of poured paint, but she did mix turpentine into her bright colors so that they moved to a distant pole from Pollock's black enamel.

Using turpentine to dilute oil paints, Frankenthaler would then pour the thinned pigments to an unprimed and unstretched raw canvas.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

The works in the 2013 exhibition revealed Frankenthaler's invention of the technique of pouring and brushing turpentine - thinned paint so that it soaked into raw canvas.

Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with turpentine is poured directly onto an unprimed canvas.

She applied this to the processes of art - making: Frankenthaler defied rules about painting as well as printmaking, most consequentially when she thinned her paint with turpentine and poured it directly onto raw canvas, in a manner that radically redirected so - called Color Field abstraction.

In these works, the artist thinned oil paint with turpentine to the consistency of ink and spontaneously let the work, in his words, «pour out.»

Working with a large canvas on the floor, the artist thinned her oil paints with turpentine and poured directly onto the canvas.

Inspired by the enamel stains of Jackson Pollock and the thin washes of Helen Frankenthaler, Louis created his Veils by pouring Magna acrylic paint thinned with turpentine onto unprimed, unstretched canvases.