Sentences with word «poussin»
Nicolas Poussin painted landscapes as «Arcadian visions.»
haberarts.com
Geoffrey Rigden, Meeting with Remarkable Men, 2005, acrylic on canvas, 41 x 41 cm (courtesy of Poussin Gallery)
I had previously shown this work in Poussin Gallery in 2011, though I think Gili amended it slightly before it got to the RA, where it won the Jack Goldhill Award for Sculpture.
Mitchell's palate of mossy greens — veined with sumptuous red and blue accents — evokes the pastoral genre, suggesting a painting by Poussin painting torn to shreds.
Cuillin Bantock writes about the paintings of Geoffrey Rigden on view at Poussin Gallery, London, through June 30, 2012.
American museums have two nearly identical versions of a Holy Family, but which did Nicolas Poussin paint?
Rather than being drawn to a specific style of the past (he has utilized reproductions of paintings by Lorenzo Lotto, Nicolas Poussin as well as Classical sculpture), Paolini is «attracted to the myth of the why, why one makes art.»
A dozen works, portraying wide - open spaces and elemental terrains, suggest that, as in Poussin, there's death even in paradise.
As a postscript, it offers a fascinating study in telling a copy after Nicolas Poussin from the original.
The show put him together with Poussin as an equal, and it would have pleased him enormously to see his work hanging in such parallel beauty with the painter he so admired.
At the South London Gallery, Cornaro presents the sixth in the series of installations entitled Paysage avec poussin et témoins oculaires started in 2008.
In 2011, someone sprayed paint on Poussin's The Adoration of the Golden Calf in the National Gallery, London.
His achievements in these fields rank him with the greatest of his contemporaries, although he limited his investigation of those themes to landscape painting, unlike other Old Masters such as Rubens (1577 - 1640), Rembrandt (1606 - 69), and Poussin for whom this was only one aspect of their approach.
Jutta Koether: «Champrovent» (closes on Sunday) In her paintings, Ms. Koether has increasingly become somewhat of a gonzo art historian, paying homage to dead artists like Poussin, Manet and Cézanne.
Although the primes seem to occur in a random fashion, Jacques Hadamard of France and Charles de la Vallée Poussin of Belgium proved at the end of the 19th century that there is a hidden pattern to the way they thin out.
Among these, Poussin et al. (2012) used a modelling framework to investigate the benefits of spatial zoning, wet and dry flood - proofing on the future flood risk in the Meuse River.
«There are six works in the show,» he told ARTINFO via email, «and for this body of work I used Poussin as a reference to historical painting, using him as a starting point for a dialogue between the traditional and the unconventional.»
Other of the Cubist's pickings include Poussin, Rembrandt, Goya, Delacroix, Manet and Cézanne.
I want to make a painting that wouldn't shame Poussin if he came back.
The works serve as a jarring contemporary comparison to the lush mythological backdrops found in the paintings of Titian and Poussin which feature alongside Shaw's in the exhibition.
For the past few months, I've been taking Poussin as a straight reference and reproducing some of his paintings in the process...
In Panorama of Rome (2012), you use painterly techniques that were popular long before the «white cube» even existed — the rococo, nineteenth - century panorama rooms, Renaissance frescoes, even Poussin and Corot.
«Paysage avec poussin inspires a roaming encounter... unlike Brancusi and Serra, Cornaro organizes her objects to the principle of classical perspective: her plinths marshal the body and the eye» Andrew Witt in Artforum
As part of the exhibition, the Gallery is also extremely fortunate to have the opportunity to display Poussin's Sacraments painted between 1637 and 1642 for his Roman friend and patron Cassiano dal Pozzo.
Poussin draws you inwards only to get you looking on, or at, the structures that comprise his canvas.
This isn't the time for a mammoth Oven Stuffer, nor do we want some petite poussin — a 3 1/2 — 4 - lb.
France ended the match with 10 men after goalkeeper Gaetan Poussin was dismissed after bringing down Nelson, who was a genuine menace throughout the encounter.
Like a collection of photodiodes, thought Galileo, and remembered Poussin: the painter's hand trembled without a cerebellum, but his mind was rich and full.
Corinne Poussin, Paris, France
In the northern area of the Jewish quarter, you find the marvellous Turtle Fountain (Fontana delle Tartarughe), in the little square in front of the patrician Palazzo Mattei and Palazzo Costaguti (16th century) endowed in the interior with fine marbles, statues and decorations, and frescoes by Guercino, Domenichino, Cavalier D'Arpino, Gaspard Poussin and the Zuccari brothers.
I found that Masaccio was murdered in Rome but Nicolas Poussin survived.
That's why Poussin painted his figures in togas.
One can even locate Poussin's many experiments with the Holy Family.
Curator Jane Munro tells us why this stunning masterpiece is worth fighting for... and illuminates Poussin's foot fetish.
Poussin depicts the widow of the murdered Phocion nervously gathering his ashes for burial, while clusters of people enjoy the sunshine outside the city walls of Athens in the background.
The Annunciation (1657), Nicolas Poussin © The National Gallery, London.
I went to see the new exhibition of his work alongside Poussin's at the Dulwich Picture Gallery, London last week, and they were well matched.
He can take apart Poussin's The Triumph of Pan, reconfiguring the elements of its composition over and again in semi-abstract variations that seem to unleash the intensely structured violence of the original.
Looking at this phenomenon from the top end of the spectrum, with Rembrandt and Poussin once owned by Joshua Reynolds, Degas and Cézanne owned by Matisse, and Corot owned by Lucian Freud.
The work begins with a visual analysis of historical Baroque painting (e.g. Poussin, Vermeer, etc.) as a basis for understanding painting, not as a fixed identity but as a specific spatial construction with a pictorial and spatial vocabulary.
Rubens and Poussin treated verdant vistas in different ways, using color to convey ideas and bringing us back to a recurring theme: artistic disagreements about the use of color.
The Landscape Garden is rooted in an eighteenth century taste for idealised classical landscapes that developed from studying the seventeenth century landscape paintings of Salvator Rosa, Gaspart Poussin and Claude Lorrain.
In Italy, Poussin produced masterpieces like The Abduction of the Sabine Women (1634 - 8).