But in the neighborhoods around the campus and where students live, chronic
poverty is the tradition.
Not exact matches
The Judeo - Christian
tradition, like all others, got some things really wrong, but compared other systems the Judeo - Christian
tradition was «ahead of its time» wrt to women's right issues (and slavery, property,
poverty issues).
Granted, there has
been a long and impressive
tradition of fighting
poverty in the Church.
Their emphasis on self - sufficiency and frugality - so complete that questions should arise how Diogenes ever procured a lantern and why he
was wasting oil in a search so futile -
is the result of a long
tradition of praise of
poverty, culminating in their view that wealth
is qualitative, the internal condition of virtue, to which only
poverty can lead.
What made St. Francis so influential
was his extraordinary originality: the son of a rich businessman who renounced his wealth and slept in pigstys while retaining the courtliness and gentility that
were noble attributes of his era; the anti-establishment figure who founded a great religious institution; the man of radical
poverty whose followers
were not permitted (even if they had wanted) to imitate his utter rejection of worldly goods; the man of the Bible who never owned a complete one; the author of the first great literary work in Italian dialect, the «Canticle of the Sun,» who
was steeped in the jongleur
tradition of French poetry and song; the naïf who moved the heart and enriched the religious imagination of that great realist and exponent of papal power, Innocent III; the child of the age of Crusades who sought not the conquest of the Muslims but their conversion.
This posture
is assumed when those writers represent the major islands of Western literary
tradition, the central cultural engine — so it goes — of racism,
poverty, sexism, homophobia, and imperialism: a cesspool that literary critics would expose for mankind's benefit.
I myself
am inclined to agree with Barr about the
poverty of this postfundamentalist theology and
tradition for the future of evangelicalism — though I would want my evangelical colleagues to understand clearly that I reject this
tradition not to reject biblical or evangelical faith but to seek rather a more adequate conceptual framework through which to
be more faithful to the Scriptures.
I have always
been drawn to Alasdair MacIntyre's prediction that we need «a new, doubtless very different Saint Benedict» that enables the great Christian
tradition to
be passed on, preserving the seeds for a new civilization to emerge after the moral
poverty of today's liberalism leads us into dark, chaotic valleys.
We may get away with it in so far as
poverty, oppression, and injustice
are concerned, but we will hardly find room for those faiths, cultures and ideologies outside the sacred
tradition of the church.
The Waldenses
were in the
tradition of earlier twelfth - century leaders, such as Peter of Bruys and Arnold of Brescia, who led a life of
poverty, denounced the clergy for unworthy luxury and grasping for political power, and condemned many of the current customs of the Church.
Among those
traditions are the ones that refuse individuals — particularly women and children — their basic rights and force them into situations that relegate them to a life of vulnerability to
poverty, disease and other unbearable hardships.
Like Tangerine, Baker films with a sun - dappled luminosity that
's all but anathema in the European art house
tradition of films about
poverty.
The topics in this bundle
are: * family * relationships * free time * technology and social media * food and eating out * town * home * charity and voluntary work *
poverty and homelessness * healthy living * holidays * tourism * working life * school * post-16 education * ambitions * environment (I also have a file on festivals and
traditions in German - speaking countries, but it
's only available as an individual set, not part of the bundle)
While marble or bronze sculptures have held a more elevated place in art historical
tradition, wooden sculptures, because of its
poverty of materials, tend to
be associated more with its devotional function and the communities it serves and from which it stems.
Her concerns offer a bracing contrast from much contemporary artistic discourse, and yet they
are urgently contemporary: she consistently revisits representations of
poverty, religious iconography (with a focus on Catholic monastic
traditions), and the enduring beauty of folk art forms.
Tradition and culture of his native region of Bahia, as well as themes like
poverty, colonialism and globalism
are key points of Marepe's work.
As a matter of access to justice, it
is in keeping with the best
traditions of the legal profession to provide services pro bono and to reduce or waive a fee when there
is hardship or
poverty or the client or prospective client would otherwise
be deprived of adequate legal advice or representation.
The federation's model code of conduct states: «As a matter of access to justice, it
is in keeping with the best
traditions of the legal profession to provide services pro bono and to reduce or waive a fee when there
is hardship or
poverty or the client or prospective client would otherwise
be deprived of adequate legal advice or representation.»