Sentences with phrase «power installations took»

As China's wind power installations took off in the mid-2000s, electric grid and transmission infrastructure expansion could not keep pace.

Not exact matches

-- It takes the form of an installation representing a bleak room in a hospital, with the social and stark installation based on the power of surveillance (the monitor reminds the viewer of CCTV cameras in public spaces) and indoctrination (the patient cured by the image of the leader).

Indeed, in 2001, when the New Patriotic Party (NPP) won power, youth of the party went on rampage taking over state installations.

Wanting to take action before the end of the year in order to receive Long Island Power Authority rebates, the board accepted a bid Tuesday night for installation of photovoltaic panels at the shelter on Peconic Lane.

If products like the Powerwall take root, however, they could spur on the solar power industry and lead to more rooftop installations.

Power for the people takes on a whole new meaning, as the largest installation of Pavegen energy - harvesting tiles to date produces 4.7 kilowatt - hours of energy during the Paris marathon, enough to power a laptop for more than twoPower for the people takes on a whole new meaning, as the largest installation of Pavegen energy - harvesting tiles to date produces 4.7 kilowatt - hours of energy during the Paris marathon, enough to power a laptop for more than twopower a laptop for more than two days

At the same time, the Chinese have taken the lead in producing clean energy — from topping the world in the production and installation of solar power to building an entire new series of nuclear power plants, making use of the latest technology.

Left - side PTOs offer easy installation with clearance for hydraulic or shaft - driven power take off.

Suh's works take items such as uniforms and army dogtags that identify individuals as part of a specific group, and while challenging the authorities that confine individuals within particular frameworks, develops these items into installations that are metaphors for the enormous power generated when the small, individual power of nameless people is combined.

While the «joke paintings» take a swing at Richard Prince, say, or at the power dynamics generally played out in contemporary painting — and do so with Prior's legacy as weapon — the present installation instead quiets and diffuses a man the artist plainly admires.

While another video, Surveillance Chess (2012), takes on similar issues of surveillance and power, the show's true centerpiece is the installation Ashley Madison Angels at Work in Berlin (2017), in which monitors set to eye level display the faces of animated female bots.

But the power of her intimate expose is reflected again in the Whitney's new performance space, where Yuji Agematsu's immersive installation «Walk on A, B, C» takes viewers on a slideshow - driven geographic journey around the museum's new neighborhood.

Taking its title from the seminal 1954 essay by African - American author and cultural critic Richard Wright, the installation juxtaposes two of the artist's video works: Untitled (Predawn, Osu, Accra, 2010), 2017, a meditative single - channel work, and Black Power, 2010, a three - channel work depicting physical training at an outdoor neighbourhood gym in Accra.

Including film and performance photography of some of Brisley's most iconic work, and a new installation from which the exhibition takes its title, this show traces enduring themes in Brisley's work such as the body as a tool for directly addressing individual autonomy and fundamental notions of power, authority, community and freedom.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball event at The Joule Hotel.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball at The Joule Hotel.

«The portable solar crystal harvests light during daylight hours, then once placed into a docking station, it powers a light installation that gives the sensation of taking the sky indoors.

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

Seven of the world's most original and exciting architects have created bespoke installations that take over the Main Galleries of the Royal Academy of Arts to convey the power of architecture.

At the centre of Draw the Line is a commissioned performance project that takes place within this installation of new and past work at The Power Plant.

at Dominique Lévy, Art Basel Endgame strategies take the floor in this power - packed booth installation, curated by Ms. Lévy and gallery director Begum Yasar.

Deconstructing and rearranging recognizable historical narratives throughout this installation, Bosmans takes a critical survey of larger holistic patterns and idiosyncratic cultural connections that reinforce power, production, and knowledge.

The economic studies and estimates from the U.S. EIA have a solid track record for decent accuracy and take into account accelerating rates of installation of non carbon power sources.

For example, to increase the U.S.'s renewable energy capacity to 17 % would require installing 162,000 megawatts of power — a six-fold increase in our existing capacity.14 This would also require the installation of thousands of miles of new transmission lines from the upper Midwest to the South, costing as much as $ 93 billion and taking decades to complete.15 Given the scope of this task, narrowing policy options to renewable energy alone creates an unnecessary obstacle to a transition to clean energy.

They are about to over take us since our wind power installations are about to slow down.

If your visit to the World Cup passes through Kaiserslautern, Dortmund or Nuremberg, you will enjoy power from one of the world's three largest solar power installations at football stadiums (or take a day trip to the world's largest solar plant, period — also in Germany).

In all, installation and setup took about 20 minutes or so, but didn't require any power tools, somewhat of a disappointment for a do - it - yourselfer like me.