Her work often explores important topics such as contemporary black identity, queer theory, and
the power of human language, seen through video, performance, writing and other new media.
For Nadella, using «
the power of human language» to communicate with machines will be as profound as the development of the Internet and the use of touchscreens on mobile devices.
Not exact matches
Persons have this
power; at least, such is presupposed by
human languages of action and intentionality.
Our calling is to invite all to turn from gods which are even less than
human, and from idols like
power, profit, property, creed, class, caste,
language, race, success, technocratic progress, managerial efficiency and the ego, and thus experience the fulfilling realization
of God's Reign which consists in justice, freedom and fellowship, tender love, universal compassion and equitable sharing
of resources.
In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic
power when integrated with the basic prehensions
of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the
power of Jesus as lure will reassert itself in an aesthetic context devoid
of supernaturalism, a context such that (the
language now picks up echoes
of van Buren) the vision
of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly,
human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling
human satisfaction.
Bultmann, says Ogden, employs the terms myth and mythology in the sense
of «a
language objectifying the life
of the gods,» or, as we might say,
of objectifying the
powers of Spirit into a supernaturalism, a super-history transcending or supervening our
human history, thus forming a «double history.»
Human language draws its function from this efficacy and power of the Word of God, except that human language does not have the same degree of efficacy and power: it can convey falsehood as well as t
Human language draws its function from this efficacy and
power of the Word
of God, except that
human language does not have the same degree of efficacy and power: it can convey falsehood as well as t
human language does not have the same degree
of efficacy and
power: it can convey falsehood as well as truth.
To the extent that to know God's name is to have
power over him through an invocation whereby the god invoked becomes a manipulatable thing, the name confided to Moses is that
of a being whom
human beings can not really name; that is, hold within the discretion
of their
language.
He argues that God is the one who has the world - creating
power of language completely; that
language is that which makes one present; that Jesus» authentically liberating and authoritative word constitutes a fulfillment
of human presence (in terms
of decisive presence to self, world and God); that therefore Jesus is the Word
of God.
If they have nothing to say to any
of us about understanding what it means to be fully
human and more fully ourselves, if they have nothing to tell us about the
human experience as it has unspooled throughout
human history, if they have nothing to say about the
power of language to communicate across the gaps that separate us, if they have nothing to say about culture, if they have nothing to say about the rich heritage
of the English
language, if they have nothing to say about understanding the universal and the specific in
human life, about how to grow beyond our own immediate experience — if they are, in fact, nothing more than fodder for test prep, then what the hell are we doing?
While Rothko's colossal canvasses express basic
human emotions and like altar pieces, compel their viewers to step past the boundaries
of materiality and into what Robert Rosenblum calls «a quasi-religious state
of awe», Pintelon invests heavily in the
power of language which contrasts, or reinforces the inner - worldly and the imagination.
During that decade, artists engaged the
language of advertising and media, feminist and identity politics, and as the decade wore on, an increasingly urgent response to the AIDS crisis, to produce work that commented on the
power and the fragility
of the
human body.
It is about listening and talking, about toil and play, but above all these texts also reflect the uncertainty
of human existence as played out in
language or within
power relations.
Themes
of the natural world and
human interaction / intervention with it will be expanded through the juxtaposition
of works referring to topics such as history,
language, mapping and
power.
The associations are memories contained within and provoked by artefacts and rituals; the infinite possibilities
of meaning contained within
language; and the unexplored
powers of the
human imagination are all immensely complex subjects that are nevertheless rooted in our everyday and made accessible in Hiller's work.
Never underestimate the
power of group affiliation over the
human mind — along with the capacity for articulate
language and abstraction, group affiliation is an adaptive strategy, though unconscious.
Humans use
language as an imperfect signpost for more complex thought, but deep - learning AI, with its greater (if narrow) cognitive
power, doesn't have
human language biases (apart from those implicit in that corpus
of used words) or limitations in finding the clear mathematical similarities.
Surely the artificial intelligence
powered robots can be programmed to filter the inappropriate words, but
human language is made up
of endless words, which makes it impossible for researchers to fit every inappropriate word into the filter.