Sentences with phrase «power of human language»

Her work often explores important topics such as contemporary black identity, queer theory, and the power of human language, seen through video, performance, writing and other new media.
For Nadella, using «the power of human language» to communicate with machines will be as profound as the development of the Internet and the use of touchscreens on mobile devices.

Not exact matches

Persons have this power; at least, such is presupposed by human languages of action and intentionality.
Our calling is to invite all to turn from gods which are even less than human, and from idols like power, profit, property, creed, class, caste, language, race, success, technocratic progress, managerial efficiency and the ego, and thus experience the fulfilling realization of God's Reign which consists in justice, freedom and fellowship, tender love, universal compassion and equitable sharing of resources.
In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic power when integrated with the basic prehensions of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the power of Jesus as lure will reassert itself in an aesthetic context devoid of supernaturalism, a context such that (the language now picks up echoes of van Buren) the vision of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.
Bultmann, says Ogden, employs the terms myth and mythology in the sense of «a language objectifying the life of the gods,» or, as we might say, of objectifying the powers of Spirit into a supernaturalism, a super-history transcending or supervening our human history, thus forming a «double history.»
Human language draws its function from this efficacy and power of the Word of God, except that human language does not have the same degree of efficacy and power: it can convey falsehood as well as tHuman language draws its function from this efficacy and power of the Word of God, except that human language does not have the same degree of efficacy and power: it can convey falsehood as well as thuman language does not have the same degree of efficacy and power: it can convey falsehood as well as truth.
To the extent that to know God's name is to have power over him through an invocation whereby the god invoked becomes a manipulatable thing, the name confided to Moses is that of a being whom human beings can not really name; that is, hold within the discretion of their language.
He argues that God is the one who has the world - creating power of language completely; that language is that which makes one present; that Jesus» authentically liberating and authoritative word constitutes a fulfillment of human presence (in terms of decisive presence to self, world and God); that therefore Jesus is the Word of God.
If they have nothing to say to any of us about understanding what it means to be fully human and more fully ourselves, if they have nothing to tell us about the human experience as it has unspooled throughout human history, if they have nothing to say about the power of language to communicate across the gaps that separate us, if they have nothing to say about culture, if they have nothing to say about the rich heritage of the English language, if they have nothing to say about understanding the universal and the specific in human life, about how to grow beyond our own immediate experience — if they are, in fact, nothing more than fodder for test prep, then what the hell are we doing?
While Rothko's colossal canvasses express basic human emotions and like altar pieces, compel their viewers to step past the boundaries of materiality and into what Robert Rosenblum calls «a quasi-religious state of awe», Pintelon invests heavily in the power of language which contrasts, or reinforces the inner - worldly and the imagination.
During that decade, artists engaged the language of advertising and media, feminist and identity politics, and as the decade wore on, an increasingly urgent response to the AIDS crisis, to produce work that commented on the power and the fragility of the human body.
It is about listening and talking, about toil and play, but above all these texts also reflect the uncertainty of human existence as played out in language or within power relations.
Themes of the natural world and human interaction / intervention with it will be expanded through the juxtaposition of works referring to topics such as history, language, mapping and power.
The associations are memories contained within and provoked by artefacts and rituals; the infinite possibilities of meaning contained within language; and the unexplored powers of the human imagination are all immensely complex subjects that are nevertheless rooted in our everyday and made accessible in Hiller's work.
Never underestimate the power of group affiliation over the human mind — along with the capacity for articulate language and abstraction, group affiliation is an adaptive strategy, though unconscious.
Humans use language as an imperfect signpost for more complex thought, but deep - learning AI, with its greater (if narrow) cognitive power, doesn't have human language biases (apart from those implicit in that corpus of used words) or limitations in finding the clear mathematical similarities.
Surely the artificial intelligence powered robots can be programmed to filter the inappropriate words, but human language is made up of endless words, which makes it impossible for researchers to fit every inappropriate word into the filter.
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