As they build up steam, two
powerful actors keep us wondering whether this train is bound for war or peace.
Not exact matches
To participate in today's global economy, ordinary people must accept an asymmetrical bargain: their lives are transparent to states, banks and corporations, whereas the behavior and inner workings of the
powerful actors are
kept hidden.
The occasion was a 1960 showing of William Wellman's 1931 The Public Enemy, which Macdonald defined as «James Cagney's picture,» adding, «Wellman uses Cagney with subtlety,
keeping him in the background much of the time while secondary characters occupy the foreground... So it is all the more
powerful when Cagney moves into the foreground at the big moments; our taste for this extraordinary
actor has not been blunted by seeing too much of him.»
With yesterday being Gender Day at COP21 and Agriculture Day drawing to a close, one must consider the following: Colonization and systemic sexism have been repeating themselves through land, rights, lives, and livelihoods being seized once again by rich and
powerful actors in a world where women
keep getting poorer and hungrier.