It's easily the best of the Marvel superhero movies but it's also a film that foregrounds a cornucopia of
powerful black faces, garbs, traditions, and conflicts.
Just look at the GOP — a sea of
powerful black faces.
Not exact matches
The state's
powerful Black, Hispanic and Asian caucus is condemning legislative leaders for redrawing Congressional districts in a way that amounts to a «slap in the
face» to the minority communities across the state.
With Rangel creeping into his 80s and
facing a censure during what should have been his most
powerful term in office as chair of the Ways and Means Committee, the city's
black power base began shifting to Brooklyn.
The victory allows Rangel, 84, the
face of Harlem politics for nearly a half century and at one time the most
powerful elected
black official in the country, to end his political career on his own terms.
The comic book cinematic extravaganza brings the deadliest showdown of all time as Iron Man, Captain America,
Black Panther and friends
face off against the all -
powerful cosmic titan Thanos as he tries to end the universe with his gauntlet full of Infinity Stones.
Creators Christos Gage may have created a new genre, «geezer noir,» with his graphic novel Sunset, the tale of an old soldier and former hitman who sets off after his old boss when he fears his ex-wife and child are in peril: ««He's got this craggy
face and you see his life written in the lines of his
face, and
black and white makes that so much more
powerful,» the writer says.
Powerful jaws, a coal -
black nose, and a faintly wrinkled forehead combine with dark alert eyes to complete the
face.
Facing the Pacific Ocean and an aw - so - soft
black volcanic sand beach, you'll have the utmost pleasure of listening to the
powerful yet calming waves lulling you to sleep at night.
His
powerful figurative paintings highlight the daily lives of
black queer men and the difficulties
faced by defining one's identity as such in contemporary society.
While the artist's earlier works focused on classical depictions of the female form, primarily using
powerful black women as the subjects, Tête de Femme more boldly conceptualizes female
faces from collaged geometric cutouts.
The piece resembles a crouched human figure, and it's placement near Tami Demaree's «We're Gon na Spite the Noses Right Off of Our
Faces,» a feral - looking, two headed creature equally
black both visually and spiritually, renders both
powerful works all the more frighteningly visceral.
While recognizing the limitations of their assumptions, they do overlook the «
black babyface effect,» where studies have shown that
powerful faces actually hurt the success of visible minorities.
«I have been working in mainstream health as an Aboriginal leader for many years now and know the power of having «
black faces» in the workplace as a
powerful strategy for change,» she says.
I have been working in mainstream health as an Aboriginal leader for many years now and know the power of having «
black faces» in the workplace as a
powerful strategy for change.