The powerful character line lips upwards around the rear glass windows, dynamically connecting front and rear and emphasizing the cohesive design impression of creation from a single piece.
Not exact matches
Without the majesty of the
character from the comics, many of Storm's more
powerful lines of dialogue just appeared ridiculous and over the top on screen.
Influenced by INFINITI's «
Powerful Elegance» design language, the all - new QX50 has an elevated, commanding SUV stance and strong
character lines.
The sides are characterised by a strong dynamic
line rising to the level of the door handle, to create a
powerful and muscular outline of the rear wheel arch, in
line with the car's
character.
The rear of the Urus sports the complex,
powerful lines typical of a Lamborghini, reinforcing the strong, planted
character of the car.
Prominent wheel arches emphasize Subaru's Symmetrical All - Wheel Drive and flow into a horizontal
character line and are also mirrored in the flared lower sills for a solid and
powerful look.
The expressive «Z»
character -
line above the rear wheel arches creates a sculptural side profile and a
powerful stance, whereas the rear has a clean design with horizontal
lines that flow from the rear wheel arches, accented by slim tail lights.
Fluidic yet sleek
character lines that stretch from headlamp to trunk, voluminous,
powerful car body and a striking, wide hexagonal - shaped radiator grille underscore the high performance image of the concept.
The new version of the successful premium SAV (Sports Activity Vehicle) with modified exterior design symbolises the increase in agility and dynamics with the latest, even more
powerful and, at the same time, more efficient drive systems; new headlight and rear light optics as well as generously - sized bumper units painted in the vehicle colour underline the striking, dynamic appearance and the premium
character; high quality ambience in the interior; wide - ranging redesign of the instrument panel, steering wheel, centre console, seats, door upholstery, storage compartments and roof
lining; wide variety of colours, upholstery materials and decorative elements facilitate a high degree of customisation.
The side profile is given a touch of dynamism thanks to the high, exaggerated beltline sweeping towards the rear, and the dramatic
character line which is supported by the
powerful - looking rear wheel arches.
The expressive «Z»
character -
lines above the rear wheel arches emphasise the
powerful stance, while the kick - up belt moulding converges with the falling roof
line to complete the sculptural side profile.
The side profile features
powerful fender and wheel forms that enhance the signature rising
character line.
Coupe - Like Styling in a CUV Package — the Eclipse Cross» coupe form is distinguished by: its wedge profile with distinctive beltline and strong
character line; a forward raked rear window; the angular rear gate and short overhang; and beefy fenders projecting the image of a
powerful athlete.
The 2009 Honda features increased dimensions for a more spacious interior, the sedan styling theme expresses a
powerful presence with sharp and strong
character lines.
The use of aggressive wheel arches, dramatic
character lines along the body side and numerous Acura exclusive design elements (such as the Acura signature grille) create a
powerful and distinctive shape.
The exterior styling of both Civic concept models showcases the sedan's and coupe's clean - yet -
powerful lines with steeply raked windshields, wide stances and pronounced
character lines along the profile.
EXTERIOR With its aggressive wheel arches, dramatic
character lines and Acura signature grille, the TL has a
powerful and distinctive presence.
Complex story -
lines are present, arming you (as one of the
powerful space marine
characters like the Ultramarine or Blood Angel) with crazy - fun weapons (like the boltgun, chainsword, and thunder hammers).
His
characters are all
powerful and sexy, enhanced by what is becoming the artist's increasingly thin
line.
There also happens to be a spell named lighting storm which one of the
characters wields that is arguably a bit too
powerful since it can deal big damage to an area of the board so long as it's in
line of sight.
In Atelier Escha & Logy I felt like I was constantly using different techniques in battle, swapping between front
line and reserve
characters, using special support attacks and the
powerful double draw technique.
One of his notable examples is claiming that attribute upgrades in RPGs are an illusion — when games match continuous
character upgrades with increasingly
powerful monsters the resulting difficulty curve is almost a flat horizontal
line.