Sentences with phrase «powerful critique»

Artists and theorists have mounted powerful critiques of the way capital's economic system is built upon the conditions of our exploitation.

Over the course of his long career, Norman became best known for his highly detailed paintings, which offered powerful critiques of inhumanity and social injustice.

Finally he gets on to one of the most powerful critiques of the Fed: The idea that it's screwing savers.

During this same period (roughly 1870 - 1900), however, there arose several powerful critiques of the dominant, because recently institutionalized, epistemology.

In reworking the stereotypical representations, Saar turned negative representations of African Americans into powerful critiques of American society.»

Ever - sensuous, Mutu's drawings are powerful critiques of contemporary media and cultural genocide.

Of course, Rainey bothered to amass such interesting facts not simply to provide a socioeconomic context for modernism but to weave his «counternarrative» in which modernism is both a «powerful critique of commodity capitalism» and a movement that «mortgaged that critique in the future.»

I would resist Mr. Ingraham's characterization of Lincoln's powerful critique of judicial supremacy as mere «musings» on the subject; but there is no denying that the doctrine condemned by the Great Emancipator has, in fact, prevailed in the legal profession and with the public at large.

It concludes with a powerful critique of the growing tendency of governing elites in the Western democracies to reject the advancement of religious freedom as an integral feature of an effective foreign policy, out of an unfortunate combination of secularist blindness and reflexive avoidance.

For example, the mad scientist has been a recurring trope in horror movies since the very beginning, and movies that feature mad scientists — movies like Frankenstein, Island of Lost Souls and The Fly — can provide a powerful critique of science when it becomes divorced from morality.

A notable political scientist (and believer in global warming, at least in the general sense) has mounted a powerful critique of the disastrous political leadership on the issue by Al Gore.

The gray area I'm searching for here is hard to articulate, but the film gets it just right: yes, it celebrates the importance of original creation and play, and yes it is a powerful critique of the age of quantification in schools.

The Blue Labour agenda is set out in an ebook from 2011, The Labour Tradition and the Politics of Paradox (edited by Maurice Glasman, Jonathan Rutherford, Marc Stears and Stuart White), at the core of which is a powerful critique of Labour Party thought and policy since 1945.

It is a powerful critique, grounded not in the overthrow of capitalism but in making it work more efficiently.

Beginning with James Coleman's research in the 1960s, comparisons of public and private schools have suffered under a powerful critique: that such comparisons can never fully account for differences in the types of students who attend public and private schools.

Diane Ravitch offers a powerful critique in her New York Review of Books review of «Class Warfare» of hedge - fund managers who have claimed leadership of the reform movement as their pet cause.

The result is a powerful critique of feminized labor and a demonstration that «Love, that is to say intensity, should... pass onto the skins of words, sounds, colours....

The film refers to the Italian folk - tale The Adventures of Pinocchio and offers a powerful critique of contemporary society and its underlying fears and desire.

Spite Your Face, 2017 offers a powerful critique of violent misogyny and contemporary «post truth» political rhetoric.

Referencing the Italian folk - tale The Adventures of Pinocchio, Spite Your Face offers a powerful critique of contemporary «post truth» political rhetoric, in which the dubious language of truth is used and abused to enhance personal, corporate and political power.

Although it is obviously impossible for reviewers to be purely objective, the decision to accept or reject is the editor's responsibility alone; what an editor seeks from a reviewer is «a powerful critique of the manuscript».

The article in question, titled «Unmet Needs,» was part of a special series on pro bono in the United States, including the top 100 pro bono - friendly law firms and a powerful critique of big - firm pro bono by Deborah Rhode.