The movie comes complete with Bergman's requisite flashbacks and
powerful dream sequences.
He and del Toro even whip up
a powerful dream sequence in the vein of classical cinema that incorporates timeless licensed music complete with singing; it's the most arresting scene of the movie until the ambiguously enchanting climax.
Not exact matches
Emphatically inhabiting their environments, the negative spaces they create become assimilated with the physical materials, resulting in abstract,
powerful and
dream - like
sequences of materials.