However, writers do not need vast cultural and political disruptions to write
powerful fiction readers can relate to.
Not exact matches
This
powerful novel is more emotional than political, but as a story foreshadowing a very possible future, it will strike a chord with
readers of
fiction and nonfiction alike.»
With achingly honest prose and riveting characters, The Confusion of Languages plunges
readers into a shattering collision between two women and two worlds, affirming Siobhan Fallon as a
powerful voice in American
fiction and a storyteller not to be missed.
This provocative, intensely
powerful novel is a must - read for sci - fi fans and Civil War aficionados, though mainstream
fiction readers will find it heart - rending and inspiring as well.
by Anne R. Allen You can learn all you want about writing
powerful prose, well - planned story arcs, lyrical descriptions — or any other aspect of
fiction — but if you don't have a protagonist your
readers care about, none of the rest matters.I don't think it's terribly relevant to talk about character «likability» in the sense of «niceness.»
Readers of
fiction wish to identify with the characters, so if that doesn't occur within the first few chapters, it won't matter how
powerful and compelling your book may be.
Whatever your needs and dreams, this book, 124
Powerful Fiction Writing Tips: Win
Readers And Fans, And Increase Your Sales Today, will help.
You'll learn everything you need to write and publish books that earn consistent income, by building a
powerful author platform that attracts new
readers on autopilot (in my first year of publishing
fiction, I made over 40K — I plan to double it in 2018).
The vision is a bookstore where
readers, pastors, youth leaders, parents can go to find vetted, excellent,
powerful, transformational Christian
fiction to read and to share with those people for which they're responsible.
They know that when you write
powerful scenes,
readers respond, and the result is bestselling
fiction.
There are many possible reasons why literary
fiction has fewer examples of successful self - published works, but perhaps the simplest answer is that
readers of the genre are served sufficiently by traditional publishers (This is a
powerful argument against self - publishing literary
fiction to make money which means I'll have to do it to make art)