Sentences with phrase «powerful film about love»

Gayle Forman's best - selling novel, «If I Stay,» comes to life on screen in a powerful film about love and loss that's heartbreaking, moving and full of hope.

Not exact matches

I would love to have lunch with Lauren Parsekian Paul, one of the founders of Kind Campaign, a nonprofit that helps educate about the powerful belief in KINDness that brings awareness and healing to the negative and lasting effects of girl - against - girl «crime» through documentary films and school based programs.
I recommend this film if you are into biopics, love films that are about people that challenged the law, and above all else, want to see a powerful performance from Pacino.
This must be the age of bliss for Harry being he loves absolutly every movie he sees... it's fairly obvious he's being paid off, after the Batman And Robin fiasco (back when the site was pure) studios realized how powerful this kinda site can be so they decided to give knowles a wad of cash to give their films a good review... Only reason Star Trek Nemesis didn't get a good review was because Moriarty and others bashed Rick Berman so much he didn't wan na give them Money he was so insulted... everyone do a favor and goto http://www.corona.bc.ca/films it's a real movie lovers site withreal reviews and NEWS... no shit about how they got the news or that they think the film reminds them of from their youth, just news..
And while only a few saw it, those who did catch Andrei Zyvagintsev «s «Elena» fell head over heels in love with it; a powerful and gripping Russian film about an elderly woman trying to secure an inheritance for her son.
Still, what the film says about whom we choose to love, and how we treat them when we do, is powerful.
In her review of the film for the BFI, my good friend and collaborator Sophie Mayer astutely links Stories We Tell to the feminist classic Daughter Rite (1978) by Michelle Citron, and what I love about this connection is the fact that it perfectly crystallizes how experimental and powerful Polley's examination of female identity — both hers and that of her elusive mother — is.
Scored lightly by a series of Brian Eno compositions, The Jacket is an apocalyptic poem of love and loss that's unusually wise about its visual vocabulary — about ways of looking, the line between dreaming and reality, and how eyes on film can be a powerful and elastic metaphor for the audience engaged in a kind of liquid dreaming.
I don't quite understand how this film does what it does — make you understand the powerful, quasi-incestuous relationship between mother and son, without making it seem the least bit abnormal or reprehensible — but that's what I love about it.
A ten - minute clip (or shorter) from a film like The Story of the Weeping Camel from Mongolia might suffice to create a powerful discussion prompt on geography and language, on different perspectives about material luxuries, survival, family, how loved ones are cared for, being kind and considerate, what different living environments look like and how they are built, and how kids play or entertain themselves in different settings.
Betrayal and guilt are the recurring themes in Free Fall, Stephen Lacant's powerful film about forbidden love.
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