Now when approaching
the powerful film by McQueen and distributed by Fox Searchlight Pictures, there is a resounding honesty that McQueen and screenwriter John Ridley inhabit.
Am thrilled to be featured in a new
powerful film by Laurie David and Katie Couric that features an all - star line - up.
Not exact matches
In this disturbing and
powerful film, made
by a Jewish journalist, director and concerned parent, the realities of the procedure and its possible after effects are revealed.
She thinks games can be just as
powerful as
films or novels, but
by experiencing them in a different way the player can become a co-director of the story.
The
film also shows a large tidal wave, caused
by the
powerful eruption, which sends at least one ship from the nearby bay crashing into the city itself.
Along his adventures, he meets Kat (who coincidentally is played
by Kat Dennings), a young prostitute who proves to be instrumental in finding Defendor's archenemy Captain Industry (at a price)-- a
powerful mob boss whose relationship to Defendor is explained later in the
film.
But the
film's biggest asset is the
powerful performance
by Jon Hamm as Skiles, a tortured man who struggles to find his way through a labyrinth of violence and betrayal.
In fact, the
film's most
powerful moments occur when other characters show empathy toward the boy — most notably in a scene where he is caught trying to dine - and - dash, and his fate is decided
by a waitress.
All in all, the
film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough
by a
powerful score, immersively beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.
Most of all, it contains a
powerful, deeply felt performance
by Kruger that is both the best thing that she has ever done in a
film and worthy of all the accolades that it has received — even during the ludicrous final section, she keeps things from totally spinning out of control.
But it is a
powerful film, one of the nine shortlisted for the foreign - language Oscar, and it is elevated, as it would need to be,
by Diane Kruger's superb performance in the central role.
A
powerful film directed
by Emmy Award winner Janet Grillo (Autism: The Musical), Fly Away narrates the story of Jeanne (Beth Broderick, Bonfire of the Vanities, Sabrina the Teenage Witch) and her autistic teenage daughter, Mandy (Ashley Rickards, One Tree Hill).
In the
film, the passage of the amendment is guided
by William Seward (David Strathairn), his secretary of state, and
by Rep. Thaddeus Stevens (Tommy Lee Jones), the most
powerful abolitionist in the House.
In addition to his star turn in Unbroken, he can be seen in the great British
film» 71, as well as Starred Up, in which he gives the most
powerful performance
by a male actor in recent memory.
From his youth, fueled
by dreams of glory and adventure, to his lonely and mysterious death as a ruler of a vast state, from the tumultuous relationship with his parents - a
powerful king and a queen determined to put her child on the throne at any cost - to the rousing brotherly bonds with his closest companions and vast army, as they fought from the sun - scorched battlefields of the Persian Empire across the snow - peaked mountains of India, the
film chronicles Alexander's journey to become a living legend, a man who embraced the ideal that power has a destiny.
At the end of the first
film, the
powerful Dark wizard Gellert Grindelwald (Depp) was captured
by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Redmayne).
As such, «The Dark Horse» is as good a title as any for a
film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a
powerful emotional experience within a formula we all know
by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kids.
It is also Hitchcock's most innovative
film in terms of narrative technique, discarding a linear story line in favor of thematically related incidents, linked only
by the
powerful sense of real time created
by the lighting effects and the revolutionary ambient sound track.
Maresco is not interested in making a political
film but simply in riffing on the notion that
powerful men who come out of nowhere have to be funded
by someone with a clear intent to intervene in politics.
The ending of the
film is
powerful, too, if confusingly staged, but
by this time this 90 - minute movie feels twice as long.
Director Haynes began the conference
by discussing his approach to Highsmith's work and this
powerful romance at the center of the
film:
The
film starts with a
powerful space entity called «The Center» (voiced
by Keith David, ATL) determining that the human race has become too destructive, especially of themselves, and therefore, must be eradicated.
A
powerful unfoldment of a particular incident in US history, the
film becomes,
by extension, a deeply personal and radical vision of the past and future.
With every movie - related news story referencing James Franco of late — including rumours of his role in Sam Raimi's The Wizard Of Oz prequel Oz: The Great And
Powerful, his impending directorial involvement of Cormac McCarthy's «Blood Meridian», and even a college course collated
by the actor based on his work — the fact that his latest
film releases in Australia this week has hardly rated a mention.
Based off of the novel written
by David Ebershoff, director Tom Hooper (Les Miserables) and actors Eddie Redmayne (The Theory of Everything) and Alicia Vikander (Ex-Machina) beautifully illustrate the
powerful true story of Lili Elbe in their new
film The Danish Girl.
The
film was directed and adapted for the screen
by Derek Cianfrance (Blue Valentine) and stars Michael Fassbender (Assassin's Creed, X-Men: Apocalypse), Alicia Vikander (Ex Machina, The Man from U.N.C.L.E.), and Rachel Weisz (The Mummy, Oz the Great and
Powerful).
Accepting the World Cinema documentary directing prize, «Winnie» helmer Pascale Lamche pointedly said her
film was «for those who know that history is not made
by great men» — a sentiment echoed
by one of the U.S. doc winners, «Step» director Amanda Lipitz, when she said, «These girls show that nothing is impossible when you surround yourself with a group of
powerful women.»
sung
by Mick Jones as himself in a cameo that makes a strange sort of sense within the
films context of cloning; a minor character with a freckle fetish who regards Anne of Green Gables as an erotic classic; and one of the most achingly
powerful evocations of longing that I have ever seen.
The official synopsis shares, «At the end of the first
film, the
powerful Dark wizard Gellert Grindelwald was captured
by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne).
Directed
by David Yates, the
film's sees Scamander and Albus Dumbledore (played
by Jude Law) take on the
powerful dark wizard Gellert Grindelwald (Johnny Depp).
Hood and Eye In The Sky was awarded for its
powerful portrayal of the ethical dilemmas posed
by drone warfare, including how political and military leaders assess «collateral damage» — a term for which the
film provides much - needed humanity.
«BPM,» «God's Own Country,» and «Call Me
By Your Name»: Though the handsomely crafted, Italian - set «Call Me
By Your Name» has gotten all the critical attention, two other
films about young gay men coming to terms with themselves in much harsher environments — the French «BPM» is set at the height of the AIDS crisis in Paris while the contemporary British drama «God's Own Country» is set in a grim, rural northern England — are both more haunting and
powerful.
Audiences starved for stimulation might find its mere existence a saving grace, but it elicited
powerful feelings of boredom in me, matched only
by one or two other
films I've seen this year.
Directed
by Steven Spielberg, one of America's most accomplished modern - era directors, the
film is both technically and emotionally
powerful, rudely propelling its audience into the sheer nightmare of the war arena in order to shock it out of its customarily passive role and engender some level of emotional identification with its key characters.
Like David Lean's classic Lawrence of Arabia, the
film offers a dashing hero, played
by Charlie Hunnam, and the
powerful theme of British culture colliding with a brutal world it only dimly understands.
Music frequently plays a crucial role in Denis's
films, exemplified
by Beau Travail (1999), which expertly mixed a Tindersticks score, excerpts from Benjamin Britten opera «Billy Budd» and Corona's catchy dance hit «The Rhythm Of The Night» to
powerful effect.
The
film feels close to the recent Spider - Man and X-Men installments, not merely because of common origins (as one of many noteworthy Marvel lines introduced
by Stan Lee and Jack Kirby during the medium's Silver Age), but also because of its grand sense of adventure, diverse roster of
powerful mutants, and epic stage of effects - enabling spectacle.
A
powerful film that encompasses two stories: a community that refused to be defined
by tragedy, and the transformative power of the arts.
Alexander Payne's Downsizing opened the Venice
Film Festival and while the
film itself is a polarizing, uneven story, it boasts a
powerful, touching and funny performance
by Hong Chau who plays an immigrant and activist who protests the Vietnamese government's acts against her small village and ends up shrunken and placed in a TV set at a Target store in...
The tense dogfight between hitman and spies in the third Bourne
film, deftly handled
by director Paul Greengrass, is
powerful enough to restore your faith in action movies
At a time when Hollywood couldn't be more sensitive about the sexual abuse meted out
by powerful men, this is a
film about the very worst sexual violence against women, with McDormand playing a grieving and furiously angry mother still mourning her pretty daughter, who was raped and murdered
by an unknown attacker.
A very
powerful film which is only achieved
by the amazing acting of the main cast - Helena and Carey are stunning.
The
powerful artifacts that have defined several
films in the Marvel Cinematic Universe have all been desired
by this guy, popping up in previous
films and always leading to trouble.
As the
film's tone veers back and forth between borderline TV movie and gripping drama, it's propelled
by powerful turns from leads Streep and Hanks.
The decision to wear black was orchestrated
by powerful British women in
film and yesterday, a group of actresses from the UK and Ireland, including Saoirse Ronan, who pledged their support for the new UK Justice and Equality Fund in an open letter published in The Observer.
Directed
by Jane Campion — known for
powerful»90s
film «The Piano» — this isn't your typical police procedural; it's a seriously smart mystery, with top drawer acting (it also stars Peter Mullan and Holly Hunter) and an unexpected feminist undercurrent.
Anchored
by Stanfield, an indie
film secret weapon, Crown Heights unfolds as a
powerful ode to those we leave behind.
We believe that
by learning more about how women are faring in the independent
film world, and
by opening our own data at Sundance Institute for this study, we gain
powerful insights into ways to positively affect progress.
VERA DRAKE
By Amy Taubin Mike Leigh's
powerful new
film takes a fresh look at a highly charged subject.
Nonetheless, what makes the
film memorable is the trio of
powerful performances turned in
by its three principals.