Sentences with phrase «powerful movie as»

Not exact matches

The small black box is not nearly as powerful as today's top consoles, the Sony PlayStation 4 and Microsoft's Xbox One, and its software appears to focus mainly on television and movies.

Here is a link to a video that is a powerful speech its from an older movie called the dictator, very good movie by the way, Anyway Charlie chaplin plays the part of hitler and uses a very powerful and memorable speach about equality and the way life is moving,» https://www.youtube.com/watch?v=WibmcsEGLKo» you have shown nothing but malice in these comments and you wonder why gay's are protrayed as the «bad guys» in video games and movies and if you don't believe that then watch this» https://www.youtube.com/watch?v=XdmJXHJLZ6M» the point is I will respect the person who is silent, holding a flag that has ever color before i Can or Will ever respect someone like yourself.

Until Monday night, Eric Schneiderman was regarded as a model progressive in the #MeToo era — a powerful Democrat who, as New York's attorney general, sued Harvey Weinstein for civil and human rights violations over the movie mogul's alleged abuse of women.

Long before Harvey Weinstein became one of the most powerful people in Hollywood — and now one of the most reviled — a Buffalo woman who worked as a production assistant on his first movie, «The Burning,» in 1980 says she was the target of his unwanted advances.

You can notice in the movie that he is very slim and he doesn't have that muscular and powerful look he had as James Bond.

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Steve Reeves is depicted as one of the most powerful human beings to ever walk the earth and itâ $ ™ s certainly believable by the way he is shot in this movie (appearing 7 ft tall).

Alas, it also contains many of the same inherent flaws as most movies of this type, and not even the genuinely good and powerful aspects on display are quite able to overcome the more troublesome elements.

As with «American History X,» Kaye's stance is obvious and moment to moment scenes are a bit preachy, but none of this detracts from the established tone and eventual takeaway of this socially conscience, effortlessly powerful movie.

Director Jay Roach turns Robert Schenkkan's acclaimed Broadway play into an engrossing, powerful if slightly overcrowded movie that works as a biopic of LBJ and as a time capsule of a crucial period in the civil rights movement.

Now don't get me wrong, Kung Fu Panda 3 is indeed a wonderful story about family, both adoptive and real, as well as aspiring to reach levels of full potential, but the two previous movie were just so much more powerful.

The ending of the film is powerful, too, if confusingly staged, but by this time this 90 - minute movie feels twice as long.

What lifts it above movie - of - the - week status is Lenny Abrahamson's sensitive direction, eliciting powerful performances from Brie Larson as a kidnapping victim who's been held in a garden shed for seven years and Jacob Tremblay as her 5 - year - old son, whose young mind can't even conceive of a world outside «Room.»

But for every great scene in a great movie, there is often another scene just as powerful but perhaps not as famous, or revered.

And yet, despite the movie's embrace of pain and fear — exemplified by a scene where Thor lists all the loved ones he's lost, and appears to be battling PTSD like Tony — it almost never feels as special or as powerful as it ought to.

The inclusion of several thoroughly wrenching sequences within the film's latter half - ie Becca and Howie engage in a screaming match - proves instrumental in cementing Rabbit Hole's place as an unexpectedly powerful piece of work, with the movie ultimately representing an almost astonishing improvement over Mitchell's previous effort (2006's amateurish and ill - conceived Shortbus).

Horror might not be for everyone, but done right, and done well, as many movies this year have already demonstrated, it becomes a very powerful genre indeed.

Since the movie needed an all - powerful Macguffin anyway, he said it made perfect sense to just use the Cosmic Cube, which had already been set up in Thor, while the presence of a young Howard Stark as a key ally for Cap brings in what Markus could only describe as «that Tony Starkness.»

While it's great to experience movies that are powerful and groundbreaking and devastating — we all love to weep at the theater or in our homes, wiping away tears as the credits roll on movies like Call Me By Your Name — but some of the best movies can be both well - written and unapologetically fun.

And while the film contains elements of the previous Drafthouse treasure Ms. 45, Abel Ferrara's provocative and powerful tale of feminist revenge, Dangerous Men is more in line with some of Drafthouse's less accomplished offerings, such as the newly minted midnight movie staple, Miami Connection.

As the film's tone veers back and forth between borderline TV movie and gripping drama, it's propelled by powerful turns from leads Streep and Hanks.

A blockbuster movie that, as Kyle Hodge wrote on these same pages, «is not just a celebration of black excellence, but a glimpse at an African nation that escaped colonization and is instead a rich, powerful, and advanced community.»

«I don't know if it's something in the zeitgeist that's manifesting itself in these powerful portrayals of female characters in these really big hit movies as well as smaller indie movies.

The movie would have been just as powerful without Mariah Carey's character and some of the scenes with Louis at college feel a bit jarring.

Fox's awards campaign is leaning into the women who helped to make this movie, from producer Amy Pascal and star Streep to young screenwriter Liz Hannah, as well as the central role Graham played in a patriarchal business culture that was unprepared to accept powerful women in its ranks.

As effective as «A Quiet Place» is at creeping us out, there is something more powerful going on in this movie than just making us jump (which it also most certainly doesAs effective as «A Quiet Place» is at creeping us out, there is something more powerful going on in this movie than just making us jump (which it also most certainly doesas «A Quiet Place» is at creeping us out, there is something more powerful going on in this movie than just making us jump (which it also most certainly does).

This is a movie that's as emotionally powerful as it is wildly imperfect.

Somehow, despite riveting performances and many emotionally powerful scenes — and especially fine work by Owen, Keener and Liberato — Trust winds up as a good, rather than great, movie that has something to say but doesn't, quite, say it as well as it wanted to.

We get some proper Nick Fury action, we see just how powerful and well - connected S.H.I.E.L.D. really is, Rhodey becomes War Machine and, easily the most important thing this movie does, Scarlett Johansson is introduced as Black Widow.

This isn't unheard of (a similar situation happened with last year's «Looper «-RRB- but it is sort of amazing for a movie of this size and scale to be readjusted for an international audience (even one as vast and powerful as China).

«Trumbo» Director Jay Roach has found a niche in political movies for HBO, and here he tackles the Hollywood blacklist with Bryan Cranston as banned author and screenwriter Dalton Trumbo and Helen Mirren as powerful gossip columnist Hedda Hopper.

The six all - powerful stones (originally known as gems in the Marvel comics) have popped up in nine of the franchise's fourteen films, movies ranging in scope and tone from the World War II period piece «Captain America: The First Avenger» to the outer space adventure film «Guardians of the Galaxy.»

If film critics were as powerful as the Ranger team claims, they'd be the richest people on the planet, and the rest of us could all go home, because movies would never suck, and they'd all make a billion dollars.

From an aesthetic standpoint, Maleficent may as well be protecting Pandora from the grubby hands of the human scum who threaten its unobtainable beauty — and beauty really is unobtainable in a movie from first time director Robert Stromberg, who carries over his grotesque production design aesthetic from Oz The Great and Powerful and the Tim Burton incarnation of Alice in Wonderland.

ichael Schultz's powerful melodrama «Woman, Thou Art Loosed» renews an important tradition of African - American filmmaking: the movie as revivalist sermon, a genre epitomized by Spencer Williams's magnificent «Blood of Jesus» of 1941.

That's true for films as explanatory, powerful, and lucid as Barak Goodman's Oklahoma City and Sebastian Junger and Nick Quested's Hell on Earth: The Fall of Syria and the Rise of ISIS, and it's true for a movie as intuitive and virtually wordless as Bill Morrison's entrancing Dawson City: Frozen Time, a meditation on the permanence and impermanence of what cameras capture, and of film itself.

Whether you're enjoying movies, shows, or games, Dolby Vision delivers dramatic imaging that brings the story alive, while Dolby Atmos offers powerful, moving audio that makes you feel as if you're inside the action.

In The Director and the Jedi, by filmmaker Anthony Wonke, he places the spotlight on director Rian Johnson, and his process as a director new to the franchise, as Johnson has been a fan of the film since childhood, and sets out to make the most powerful Star Wars movie he can.

The Twilight Saga: Breaking Dawn — Part 2 kicks things off with a bang as the first movie panel to go down in Hall H followed by the Walt Disney Studios event which features Frankenweenie, Oz The Great and Powerful and Wreck - it Ralph.

As composed by Ella Milch - Sheriff, on whose life the movie is partly based, the choral concert work brings together a haunted past with a plea for healing, making «Past Life» an especially resonant soundtrack in a powerful repertoire that hinges upon the emotional devastation wreaked by The Holocaust..

Michael B. Jordan's performance stood out as «Killmonger» despite having other powerful characters in the movie.

There's nothing here as emotionally powerful as the live - action sequences from 2014's The LEGO Movie, but its pitch - perfect understanding of LEGO's cross-generational appeal is alive and well.

The movie jumps forward in time without so much as a title card indicating as much; with just two movies under his belt, it's clear that Cianfrance is a director obsessed with what time does to relationships and his gorgeously naturalistic, assured approach to the depiction of time is part of what makes «The Place Beyond The Pines» so powerful.

While speaking with EW, Wallfisch noted that «Every now and again, you come across a movie where the storytelling is so powerful, the subtext so visceral, the synergy between director, narrative and actors so palpable, that as a composer you can feel the music being energized by something so much bigger than what's just on the screen.»

The crystal - clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.

Filmmaker Joe Johnston, working from Adam Mason and Simon Boyes» screenplay, delivers an opening half hour that is, to put it mildly, less - than - engrossing, as the movie is initially concerned with the central character's work - related exploits and his company's efforts to mount a case against a powerful mafia family.

Her turn as Mildred is getting all kinds of critical raves, most of which hinge on her character's unrelenting intensity; because American movies constantly fail to deliver powerful female protagonists, there is a tendency to latch onto and celebrate the exceptions, which Mildred certainly is.

Filled with stunning performances by Academy Award ® winner Colin Firth, Tom Hardy, John Hurt, Toby Jones, Mark Strong, Benedict Cumberbatch and Ciarán Hinds, it's the powerful and deeply resonant spy tale that Ebert Presents at the Movies hails as «hands down the best new thriller this year.»