Jonathan Rosenbaum's Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See is all over the place, scattering its ripostes hither and yon over the idea that modern popular criticism is a bankrupt profession in bed with the interests of a few very
powerful movie distributors (Miramax's Weinstein brothers in particular) that have become our guardians of «independent» taste.
Dolby Atmos offers
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