Sentences with phrase «powerful paintings into»

Not exact matches

The White House has made Citizens United a populist rallying cry for Democrats, who hope to cut into projected Republican gains in the November elections by painting the GOP as guardians of the rich and powerful.

Bring the powerful paintings of renowned artist and Holocaust survivor Samuel Bak into your classroom.

Michael Restrick is the painter of «North Star», a powerful entry into this year's Jackson's Open Painting Prize.

In the review of Hanson's works on view at James Cohan Gallery, Schwabsky commented that «These paintings can sweep you up into powerful rhythmic waves of color; only later does it dawn on you that they are filled with darkness as much as with ecstasy.

The éclat of these paintings is at first almost uncomfortable, as though one had emerged from shade into bright daylight (the transition from the adjacent room, hung with Martin's beautiful 1980s studies in the middle greys, is particularly powerful).

Dating from 1967, Smith's work blurs architecture, sculpture and painting references into a powerful visual statement.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

David Castillo Gallery is proud to present José Lerma's Guaynabichean Odyssey, a new series of eccentric paintings that delve into the medium's historical role of commemorating social status, and generating myths for the wealthy and powerful.

Whenever I come into your gallery, with its beautifully spare rooms and elegant finishings, I immediately remember two previous shows here that strike me as among the most powerful paintings shows I've experienced, the early Frank Stella show from 2012 and the David Hammons show from 2011.

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

His powerful epic narrative is the result of elevation and transformation of the medium of drawing into the painting through the use of traditional methods of processing light and dark as the primary elements.

With his new book he continues the themes from his paintings and installations, and in a New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual world.

«The works that fare the worst are three powerful Rothko paintings from 1951 - 54, which were squeezed into a tiny chamber,» he writes.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

One reason their works were so powerful is that at that time they inserted themselves into the local New York world of macho expressive painting.

By depicting them on brightly painted canvases with the subtle use of collage, Ben captures these frozen moments of the femme fatale and arranges them into monument - like statues, paying homage to these powerful and mystic women.

Curator Michael Klein, who has been studying and assembling a small exhibition of Hartigan's works from the early 1960s, thinks a new examination of Hartigan's achievement is overdue, and he asks a powerful question: just where where does her art, and the art of other pioneering women artists of the 1950s and 60s fit into the «canon» of American painting?

Caeiro's works make a powerful argument for the primacy of painting; other fields like architecture and sculpture are easily subsumed into imagery for the painter.

Inspired by Matisse and his cutouts, she started using her shredded paintings as raw materials for a body of powerful, emotive collages, transforming the shreds of her failures into a radical new direction in her oeuvre.

Now one of that show's most subtly powerful pieces, an untitled 2009 painting - sculpture hybrid, has permanently insinuated itself into two collections — the Menil and the Dallas Museum of Art's.

His abstract paintings trace ancient patterns, allowing the viewer to journey through a door to our primordial beginnings, where alchemy plays a role in the metamorphosis of random shapes into powerful symbols.

Barbara Rose states: «The essential act for Tàpies is not depiction or representation but the transformation of matter into spirit... This metaphysical transformation characterizes the duality and tension in Tàpies» art... The purpose of art, then, is to alter and heighten consciousness, bringing us into contact in the most powerful way with reality, not as it is pictured but as it literally exists in time and space... In this series of recent paintings, one sees Tàpies in full possession of his powers.»

A new series of paintings by Tony Bevan RA develops this powerful idea of infinite information — repeated grids of bookshelves in acrylic and charcoal appear to expand into the distance beyond each canvas.

Alex One plants himself as a rising contemporary graffiti artist who has transcended his street work into powerful large scale paintings.

This sense of seclusion distills each painting into a singular moment of meditation, allowing those who encounter McKinley's works to enter a space emblematic of human culture and its powerful connection to art objects.

Powerful, poetic and enacted on a grand scale, Under April Mood is Frankenthaler's resounding answer to the transcendent canvases that Rothko, Newman and Pollock introduced into the corpus of 20th century abstract painting in the late 1940s, and which came to define the American abstract vernacular.

The immersion of Lee Ufan's work within the landscape is a powerful illustration of his inner beliefs in the role of art and its ultimate evolution and dissolution into air — a theme further explored in Lee's solo exhibition at Château La Coste through new paintings and sculptures.

Regardless of whether Gedney's lack of notoriety derived from her being a woman or from an inability to network and self - promote, or whether it has something to do with a not entirely resolved «problem of influence,» her paintings, drawings, and diaries are a treasure trove, offering new insight into the work of an intense and powerful artist, as well as into a single woman's struggle inside the male - dominated world of Abstract Expressionism.

The OEM put a lot of effort into creating 4K QHD monitors for gaming, digital painting and cinematic entertainment, and a tiny powerful notebook.