Still, the film never quite nails down an overall tone, building to two
powerful scenes closing out the second act and warming up the third: one between Gerry and his ex-wife (Robin Weigert, looking nothing like «Deadwood's» Calamity Jane) heartbreaking and tense, the other at a sparsely attended horse track with Gerry and Curtis seemingly all but solidifying their own sad fates.
Not exact matches
Snapchat, by contrast, collected
powerful imagery and reactions from people who were on the
scene, or
close to it (although it also included official sources).
Feels like a parody or a bible - belt propaganda piece for the bulk of its duration and then very nearly redeems itself with a very
powerful closing scene.
Close by, Factory Fresh on Flushing hosted an exhibition of surrealist art work organized by Ali Ha and Jason Andrew, two
powerful curatorial forces from the neighborhood who work in parallel art
scenes that rarely overlap.
Words and television images are
powerful, but as Dan Bogojevich recognized, nothing comes
close to being on the
scene.