Sentences with phrase «powerful scenes of»

Known for creating immersive tableaux vivant - style installations, Israel - based Shenhav uses soft materials like ash or foam to sculpt powerful scenes of domestic and urban life and destruction.

When Lew, who like Locks is Asian - American, led me to a smaller gallery on the floor, it had already been hung with a number of photographs by the same artist, Deana Lawson, 38, who carefully stages powerful scenes of black domestic life.

Logan's director, James Mangold, does the same with clips from the western Shane (1953), hijacking George Stevens's powerful scenes of cruel violence but imparting no sense of the aesthetic daring and moral revulsion that made that film a moral and artistic landmark.

Societal issues are often perceived through the prism of the fraught relationships between men and women, culminating in a powerful scene of romantic mismatch / longing in a van driven through the night.

Even though our scene had no specific theme (we had created everything from animals to cars to abstract figures), to me it was the most powerful scene of all because it represented the beauty that is created through acceptance and friendship.

Not exact matches

Despite the talky legal proceedings taking up most of the movie's final hour, that doesn't take away from the fact that the slave revolt that opens the movie is one of the most intense and powerful scenes Spielberg has ever created.

Investment bank Allen & Co. is hosting its 34th annual conference in Sun Valley, Idaho, and many of America's wealthiest and most powerful businesspeople in media, technology, and sports have swarmed the scene.

Now an angel investor who largely invests in female founders, Fran was named one of Refinery29's «6 Most Powerful Women in NYC's Tech Scene» and one of Business Insider's «30 Women In Venture Capital to Watch in 2018.»

One of the most powerful scenes in NKOC was when Neo talked about his ex-wife, and used his experience of forgiving her repeated affairs as a way to begin to understand the forgiveness we have in Jesus.

(Hat tip: Notes on the Culture Wars and LES FEMMES - THE TRUTH) When it comes to secret societies of the wealthy and powerful elites bent on one - world government, I prefer The Pentavirate: So I Married An Axe Murderer (Colonel Sanders scene)....

This musical teems with moments of transcendence — where a powerful scene occurs on stage, and the atmosphere in the theatre changes.

This scene is one of the most powerful in all the gospels and a central inspiration for Amoris Laetitia.

Sadly, in this process, Moldova has been caught between the interests of two much more powerful players on the international scene.

CRISPR (pronounced crisper) burst on the scientific scene in 2012, when researchers transformed what had originally been identified as a rudimentary immune system in bacteria into one of the most powerful tools in...

CRISPR (pronounced crisper) burst on the scientific scene in 2012, when researchers transformed what had originally been identified as a rudimentary immune system in bacteria into one of the most powerful tools in molecular biology.

Although it looks like a scene from the sci - fi thriller «Gravity,» the bright pop of light in this image comes from ASASSN - 15lh, the most powerful supernova ever discovered.

SHORTLY after a powerful tornado struck Mayflower, Arkansas, on 27 April, storm - chaser Brian Emfinger flew a drone over the ravaged town, capturing dramatic aerial images of a wide swathe of wreckage, even as emergency services were flocking to the scene.

Whether you like graphs because you're an engineer, or you just love colorful scenes or psychedelic patterns, the ability to determine your state of stress and improve it in seconds is gratifying and powerful.

We've launched the first ever YogaDownload Online Yoga Teacher Training Program, a 500 Hour comprehensive course taught by one of the most powerful and prominent figures on the yoga scene today: Alanna Kaivalya.

The invention of the internet is a great and powerful thing that the dating scene has recently become highly apparent within.

So formidable is Sister Aloysius, the principal of the St. Nicholas Church School, whom the kids, her Catholic subordinates, fear, as evidenced by an early scene where the abbess» voice, like an electric charge, jolts the slumbering parishioners into a comically exaggerated alertness during Father Flynn's sermon, that we believe this woman, this nun, is all - powerful.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!

Feels like a parody or a bible - belt propaganda piece for the bulk of its duration and then very nearly redeems itself with a very powerful closing scene.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something

From these subtle yet powerful opening scenes (it's the poor and the disenfranchised who fight for the wealthy and powerful), The Manchurian Candidate explores a multitude of political «issues» to a lesser or greater extent: the ill that is committed under the guise of defending a nation; the behind - the - scenes machinations of any country's political process; the unpalatable relationship between entertainment, money and politics, and most specifically, the enormous influence big business has on politics and politicians.

The knowledge of that impossibility makes the scenes all the more powerful.

In a series that has made a study of the physicality of the rich and powerful, the scene is a graduate - level course.»

Rather than a cohesive narrative, Avengers: Infinity War resembles the penultimate sequence of every Marvel Studios production that has come before, an exhausting series of ultimately futile action scenes that endlessly proclaim the goodness and importance of the supposedly heroic characters as they engage in battle against an all - powerful foe.

A dream, a wonderful composition of music (the most powerful language used in the movie) and almost surrealistic photographic scenes.

Seyfried's verge - of - tears acting has never gotten so powerful a context, and Ettinger's chilling intensity makes an impact over just a few scenes.

It is one of the many powerful scenes that uses the space in between dialogue to have the power.

As with «American History X,» Kaye's stance is obvious and moment to moment scenes are a bit preachy, but none of this detracts from the established tone and eventual takeaway of this socially conscience, effortlessly powerful movie.

One of the most novel things Besson does is eschew big fight scenes the more powerful Johansson gets, as what's the point of getting into fisticuffs when you can simply freeze bad guys with your mind?

After a couple of brief but powerful action scenes and a long section where Louie and two pals, tail gunner Mac (Finn Wittrock) and pilot Phil (Domhnall Gleeson), are lost at sea (the movie's best bit, but more on that later), we're left with a long last section; a prison camp pic where our hero is locked into a battle of wills with Watanabe (Japanese pop star Miyavi aka Takamasa Ishihara).

A laugh - out - loud - bad stinker of a movie in which * you * know what Eastwood's next «discovery» will be in the murder case a long time before does, and every potentially powerful scene is undermined by coarse acting, bad script and cheesy music.

As powerful as many of the scenes were though, I did have some problems with the film as a whole.

As upsetting as the scene was (I'm intentionally not spoiling anything), it was still extraordinarily powerful and went a long way toward explaining Magneto's behavior — in all of the X-Men films, not just this one.

From the nail - biting tavern scene in which Kruger tries to mediate a tense showdown between the Nazis and the Basterds to the unforgettable climax in which Laurent's own version of happily ever after is revealed (the movie begins with «Once upon a time...»), the female characters are unquestionably necessary, powerful, and unforgettable.

One powerful scene between the two is onboard a plane when Erik blames the death of friends on Charles for abandoning everyone in their time of need.

The glance of an enraged eye, the gleeful clumsiness of a playful sex scene, the ruthlessness of a woman scorned — this is powerful work, quite clearly drawing upon some inner source of resiliency to command such presence.

He and del Toro even whip up a powerful dream sequence in the vein of classical cinema that incorporates timeless licensed music complete with singing; it's the most arresting scene of the movie until the ambiguously enchanting climax.

The scenes of Jeannette and her two sisters and one brother being dragged from small town to small town, with nothing but what they can jam into their beat - up old car, with little money and even less food, are the most powerful.

Mr. Heineman reflects on how he and the team approached music and sound challenges here with, «that scene was so chaotic and loud... there was a natural rhythm to the protests, and I feel that cue of Scott and Jackson's is one of my favorite cues, so powerful.

There are powerful scenes with Abargil's siblings to represent more of what a family goes through, and her mother expressing guilt over ignoring her other children's needs.

And yet, despite the movie's embrace of pain and fear — exemplified by a scene where Thor lists all the loved ones he's lost, and appears to be battling PTSD like Tony — it almost never feels as special or as powerful as it ought to.

A few of the beats don't work — some inspirational scenes would have been more powerful if they had been just a bit shorter — and there are some «Boston atmosphere» moments I just didn't quite believe (like the cop who asks for a photo after pulling them over).

Disney also showed the first scenes from Oz: The Great and Powerful, directed by Sam Raimi that tells the history behind the characters of the Wizard of Oz.

The unmasked scenes he has throughout the film are some of the most entertaining and powerful moments in the movie.

In addition to Isaac, Chastain and Oyelow, other actors deserve recognition for their work here: Albert Brooks is Abel's consigliore, in a style reminiscent of his Drive character; Alessandro Nivola is the most frightening type of gangster — the quiet, powerful kind; Catalina Sandino Moreno (Maria Full of Grace) is outstanding in her only scene; Elyes Gabel captures the frustrated driver looking for hope; Peter Gerety is spot on as the Teamsters lead; and Jerry Adler is a most unusual Jewish business man.

But for all the flaws in is overall design, Jayne Mansfield's Car has a handful of powerful scenes, most involving Thornton as a damaged WWII veteran and Duvall and Hurt as men who loved the same woman, but feel inclined to suspend their rivalry after she passes.